REVIEW - iFootage Cobra Strike 3 - New Heights for Monopods
iFootage has developed a great name amongst photographers and videographers over recent years with high quality yet affordable products. With their latest addition to their monopod range, the Cobra Strike 3, they have gone even further to provide a fully specced product that really does tick all of the boxes. If you are after the ‘TLDR’ lowdown, this thing is incredible and should be part of any photographer/videographers kit.
iFootage has developed a great name amongst photographers and videographers over recent years with high quality yet affordable products. With their latest addition to their monopod range, the Cobra Strike 3, they have gone even further to provide a fully specced product that really does tick all of the boxes. If you are after the ‘TLDR’ lowdown, this thing is incredible and should be part of any photographer/videographers kit. However, that doesn’t really do it justice, read on to find out more.
I’ve owned and used many monopods over the years and I’m sure like many of you, always just assumed that they are basically fancy sticks for balancing a camera on - how hard can that be? Well, of those many Monopods almost all of them have failed the test of time. They have either broken, been too fiddly to use or simply not been practical enough to use, in particular as you grow as a creator.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
I have a lot of faith in the stability of these things, but I DO NOT recommend walking away from them 😅
The Strike 3 (not to be confused with its sibling, the Cobra 3 - that ‘Strike’ part is very important, as we’ll see later) is pretty much all things to all users. Whether you shoot photo or video, use a basic camera setup or rig out heavy video cameras with long telephoto lenses - the Strike 3 has you pretty well covered. In combinations with the K5S fluid head, it really is a remarkable package that is pretty difficult to beat.
Design and Build Quality
The Strike 3 builds on years of the ‘Cobra’ line and it really shows that iFootage have put those years of experience to good use. I’ll cut to the chase and get the headline feature out of the way - single handed use! That might not sound like anything you’ve ever needed from a monopod but believe me, once you’ve tried it, you’ll never go back! Gone are fiddly flip locks or twist locks to adjust the height of your monopod - now, a simple grip of the locking system and you can raise or lower the monopod to your desired height - it’s so simple.
I spent at least 30 minutes just extending and lowering the monopod in amazement! The amount of time it saves is incredible and you might be thinking ‘well it can’t be as secure as flip locks’ - believe me, it’s rocksolid, as I’ll show later with my own experiences. I can almost guarantee that this will change how all monopods operate going forwards. Not only is it intuitive and simple to use, but having another hand free means that you can keep operating your camera making fast shot setup and angle changes a breeze.
Video Source - Paule Heimlund via YouTube
Whilst we’re on the subject of angle changes, at the base you will not only find new improved feet for excellent stability, but iFootage’s pedal system for quickly adjusting the angle of the monopod. A simple press on the foot pedal releases the monopod so that you can freely move to a variety of angles. Press down further and return the monopod to the centre and it snaps back into a perfectly vertical position and automatically locks in place - ingenious. This feature alone makes using the tripod so fast and easy to get the angles you need.
It passed Tilly's 'sniff' test with flying colours 😻
The fun doesn’t stop there, at both the top and bottom of the tripod you will find the Cobra 3’s popular Quick Release system, allowing you to quickly detach either the fluid head or feet. Both have their own use cases but detaching the feet in particular reveals a rubber base, similar to what you would find on a traditional monopod for single point contact with the ground - useful in tighter spaces. However, the feet are part of the beauty of this monopod, they offer amazing stability!
Depending which package you go for, if you get the additional K5S fluid head (and if you shoot any video work I can highly recommend it) then the monopod really does come to life. The K5S has pan and tilt motions that can be locked for static shots and even has an additional arm for smoother camera movements. I was sceptical about how much I would need a fluid head for a monopod but it came in incredibly useful.
Phew, now that’s the main design out of the way we can look at build quality and as you would expect from iFootage, it’s excellent. The monopod feels robust and very tactile. It is a mostly metal with some plastic parts (again, depending on the version you get) but even where there is plastic, it is high quality and built to last. My only concern would be how the ‘Stirke’ system, the locking mechanism for adjusting height will fare over time - iFootage have rigorously tested it so I feel confident that it will last, time will tell.
Performance and Usability
I could talk for a very long time about this but I’m sure you’d rather I got to the point, it is excellent. There are so many well crafted features here from basic things like the included bag (that even extends if you want to leave the head attached) to the innovative ‘Strike’ system that I still can’t work out how it actually works! It really feels like iFootage have gone out of their way to build the most effective monopod they could.
I have been fortunate enough to use the Strike 3 on a few shoots now, one in particular was a seven hour event coverage that included both photo and video. The Strike 3 completely changed how I approached this. Normally, I would need to grab a few quick photos and then set a camera up on a tripod and slowly move it around the room, trying not to disturb the crowd or speaker, all whilst sweating and generally looking like I don’t know what I am doing.
The Strike 3 changed all of this. The 5 kg payload meant that I was able to balance my R5C rig on top and even though neither iFootage or I would recommend ‘letting go’ of the monopod with a camera balanced on it - that is exactly what I found myself doing. I was shocked at the stability of this monopod even with a pretty decent sized rig balanced on top. This free’d up my hands to grab photos and in general, just move a lot quicker whilst adjusting height/angles and still getting rock solid shots. Happy camera operator and more importantly, happy client.
In real world use, the Strike 3 is excellent and delivers everything I had hoped for and more...
I would say there is a tiny learning curve to using the foot pedal and ‘Strike’ system but within minutes, it starts to feel natural. It’s like getting into a car you haven’t driven before, you just need to learn where the controls are but it isn’t long before you’re flying along. One of the best value propositions for the Strike 3 is just how much flexibility it offers and how creative you can get with the shots. With a height range of 71cm with the monopod only, or over 150cm with the monopod fully extends, you have most shots covered - and that’s before you get really creative and just combine the fluid head with the feet for super low angle shots - no monopod needed at all!
Video Source - Kyle Watts via YouTube
Pro’s and Con’s
As you can tell, I’m quite a fan of this monopod so I’m going to set myself a challenge and start with some cons, though I will stress, it was a real challenge to find any.
Con’s
The main downside for most will be the price. It starts from $299 (UK prices not available at time of writing) and with the K5S fluid head rises to $449. For most, that may make this a choice between a dedicated tripod or an all singing and dancing monopod. Having used both, I can really see an argument for the Strike 3 - it’s versatility is incredible. However, there is no getting away from the fact that there are cheaper options out there. Not many will be able to boast such high specifications and almost none will be as simple and intuitive to use.
The next con is the overall size. For some applications the minimum length of just over 71 cm and weight of 1 kg (both going up slightly depending on which package you choose) make this a dedicated choice to carry. In years gone by, I have carry a simple carbon fibre monopod that was both half the weight and length of the Strike 3 - the basic monopod pretty much just lived on my bag ‘incase’ I needed it, where as the Strike 3 feels far more of a choice as to whether I carry the additional item - though the included bag does at least make it simpler to carry.
Pro’s
I will try to restrain myself but the ‘Strike’ system is genuinely ‘game changing’ (I promised myself I wouldn’t use that phrase but it really is!). It is so simple to use and makes the way I operate so much smoother. The foot pedal and quick release system mean that this is by far the most versatile monopod that I have ever used and in conjunction with the K5S fluid head - I’ve already picked this system up over my $2500 Gitzo tripod setup on multiple occasions.
The high quality material and attention to detail really makes you feel like you are using a premium product. I often think with some camera gear manufacturers that they must not actually use the products - with iFootage, it feels like they’ve tested their products to destruction - tweaking every little detail so the user experience is perfect. That is how I see this, almost perfect.
Final thoughts
In all honesty, I harassed iFootage a little as I was desperate to try the Strike 3 as I thought it might offer a few benefits to me as a solo operator. However, I didn’t think I was quite prepared for how blown away I would be by it. The quality is excellent, the innovation is incredible but more than anything else, it just seems to open up new possibilities both in terms of speed and creativity.
With the K5S fluid head, I can use the included Manfrotto style plate to quickly switch from the monopod, to a gimbal or even a bigger tripod, making solo shooting fast and easy. This means that I can produce better work for clients in a shorter time and ultimately, that’s where I see the value proposition of this monopod. I understand that it may represent a large investment for some photographers/videographers - but if used right, I can almost guarantee this monopod will pay for itself in terms of time saved and the creativity it unlocks.
The Strike 3 has made me fall in love with iFootage even more. It feels surprisingly good to see a company dedicated to making products that make our lives as content creators easier. Rather than simply creating products with basic iterations - they seem dedicated to making genuine innovations and really pushing the industry forwards. I can’t wait to see what they come up with next!
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Octagon takes the Crown for the Best Views in Birmingham
If you are looking for the best views in Birmingham, it’s very difficult to look beyond the latest addition to the Birmingham skyline, The Octagon. I was fortunate enough to join a group of fellow photographers to mark the topping out event for the new building and even though this is ‘not my first Rodeo’ in terms of taking pictures from tall buildings, things didn’t all go smoothly!
If you are looking for the best views in Birmingham, it’s very difficult to look beyond the latest addition to the Birmingham skyline, The Octagon. I was fortunate enough to join a group of fellow Birmingham Photographers to mark the topping out event for the new building and even though this is ‘not my first Rodeo’ in terms of taking pictures from tall buildings, things didn’t all go smoothly!
The Octagon looms large on the Birmingham Skyline, at 155 metres tall, it’s difficult to miss it but it’s not just the size of the building that makes it unique. As the name suggests, the building's octagonal design is a world's first for a purely residential building. However you cut it, any ‘world’s first’ in Birmingham is a great thing. The shape certainly cuts a distinctive figure and makes it as instantly recognisable as Birmingham’s very own Rotunda!
As impressive as the building is, we were there for the views, with promises of unmatched 360 degree views, the stakes were almost as high as the building itself. The event, organised by the wonderful folk at Core Marketing in conjunction with Paradise - gave dozens of Birmingham photographers the opportunity to access the roof at sunset and then again at sunrise the following day, a mouthwatering proposition.
The only issue for me, I was travelling back from Switzerland the same day as the sunset shoot! As you can imagine, my excitement was curtailed as I sat in an airport in Zurich watching my flight get delayed further and further. After an anxious flight, a mad dash from Luton into London and making a train with seconds to spare (as well as being alleviated of £75 just to change my ticket!) I made it back into Birmingham just as everyone was being hoisted up to the roof, phew!
However, my disappointment was only mildly alleviated as I opened my backpack and remembered I only had my little Fuji X100V with me - not the camera of choice to capture stunning landscape images with. With no time to get home and swap cameras before the sunset, I would have to make do! My frustrations were further elevated as I watched an incredible sunset develop - it was a case of right place, right conditions, wrong camera! Sometimes though, you just have to enjoy the moment for what it is, and to put it simply, it was stunning.
The views from the 155 metre rooftop were simply breathtaking. If you have read my little photography blog before, on more than one occasion I have said ‘Insert building Name’ has “the best views of Birmingham” - and I stand by the fact that many of those still have incredible view - but standing on the top of the tallest building in Birmingham with 360 degree views is a difficult act to beat. As we watched the sun slowly set, the sky caught all of the beautiful pinks and oranges - a full Harvest Moon rose and added to the majesty of what we were witnessing.
Using the little Fuji X100V left me a little frustrated. The camera's 28mm equivalent fixed lens doesn’t offer the kind of versatility you need for shooting in situations like this. The very-necessary safety barriers meant that I was shooting from a little way back from the edge of the roof, making wide shots looking straight down very difficult. However, it was nice just to take in the views and not worry too much about the photography - afterall, there were literally dozens of other Birmingham photographers grabbing stunning shots of the landscape.
The next day, we had the opportunity to go back to the roof for sunrise. After my previous travels, I wasn’t looking forward to the 5am start but the promise of those views was enough to get me out of bed! The forecast was for mist and even though this might hinder the views a little, the moody atmospheric look would be a great contrast to the previous night's images. It was chilly to say the least and at 155 m in the air, it was also surprisingly windy but the views were completely worth it!
I had even managed to take a proper camera (or two) this time, plumping for the Fuji GFX 50S II for the wide shots and the Canon 6D Mkii with 70-200mm lens for some tighter, cropped shots. The misty morning certainly gave the view a different feel. There were obviously less lights on in the buildings (apart from the unfortunate souls who start work prior to sunrise!) so the city felt a bit more quiet and desolate. Perfect vibes for some moody ‘cinematic’ images.
I took this opportunity to edit with my new preset pack (yes, I’ve finally done it!) and darker moody tones suited the conditions perfectly! After grabbing a few ‘wide’ shots, I started to look for some more details. I found that the gaps between the roof and the huge steel work of the ‘crown’ of the building made for perfect little frames - just to pick out little snippets of the city and some of its famous landmarks. These were probably some of my favourite images which is quite a surprise given the views on offer.
As the ambient light finally reached normal daytime levels a little of the drama seemed to fall away and it felt a bit more like a typical grey day in September. However, the views were still incredible, even without the glamour of the stunning sunset from the night before. As we made our final way down in the hoist, it suddenly dawned on me that as the big steel framework gets filled in, those views will be blocked off and only reserved for those fortunate enough to take up residence in the building. Lucky people, I thought but I was also incredibly grateful to have even had the opportunity in the first place.
I obviously would like to give a huge thank you to Octagon, Paradise and Core Marketing for the invite and I would highly recommend checking out the relevant instagram pages for more great images captured by the wealth of Birmingham photographers who did a far better job than I did of capturing these stunning views! The Octagon certainly deserves it’s new ‘crown’ and will take some beating as the best views in Birmingham!
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
The Top Ten Must visit Landmarks for any Photographer in Birmingham
As a Birmingham photographer, I've had the privilege of capturing the city's most stunning landmarks on a daily basis. Birmingham's rich history and modern developments offer a diverse range of photographic opportunities. Whether you're a local photographer or visiting the city from further afield, these iconic landmarks should be on every photographer's shot list. This is my top 10 must-capture locations that showcase the best of Birmingham's architecture, culture, and urban landscape. Right, in no particular order, let's get into it…
As a Birmingham photographer, I've had the privilege of capturing the city's most stunning landmarks on a daily basis. Birmingham's rich history and modern developments offer a diverse range of photographic opportunities. Whether you're a local photographer or visiting the city from further afield, these iconic landmarks should be on every photographer's shot list. This is my top 10 must-capture locations that showcase the best of Birmingham's architecture, culture, and urban landscape. Right, in no particular order, let's get into it…
It really would have helped if I had put them in a logical walking order 🤦♂️
1 - The Library of Birmingham
When it first opened in 2013, The Library of Birmingham was greeted with a lukewarm reception. It divided opinion and left many people pining for the grey, Brutalist nostalgia of the ‘old’ Library of Birmingham. However, over the years opinions have softened and it has become a much loved landmark on the Birmingham horizon. For Birmingham photographers, the striking square lines, intricate metal work and stunning gold colour provide plenty of photographic opportunity.
The Library of Birmingham with a future landmark in the background…
Photography Tips - Visit on a sunny day (good luck!) and capture the striking gold facade against a bright blue sky. Don’t forget to visit the ‘Secret Garden’ terrace to get amazing views and more photographs of Birmingham's skyline from the fourth and seventh floors. The Shakespeare Room on the ninth floor has amazing views but from behind glass.
2 - The Bullring and Selfridges Building
No trip to Birmingham is complete without a visit to Birmingham’s Bullring. Even for those who regularly photograph Birmingham, it’s pretty difficult to resist the charms of ‘meeting at the Bull’ (one of two famous Bull’s in the city, Ozzie being the more recent addition!) then capturing the view to St Martin’s - a personal favourite view and then walking around the corner to capture abstract photographs of another architectural wonder, the Selfridges Building.
Strictly speaking, this is the view from Bullring to St Martin’s but I couldn’t resist adding this image…
Photography Tips - Where possible, visit at sunrise to get the best views of St Martin’s and the Selfridges Building, in particular in Autumn. The Bullring is private land so the security may approach you if you are using a tripod, which requires a permit. At present, Summer 2024 - there are multiple developments going on around The Bullring and opposite the Selfridges Building so consider focussing on smaller details, rather than sweeping grand vistas.
3 - Birmingham Canal Network
Birmingham has more canals tha… Ah, don’t worry about it, you probably wouldn’t believe me. Famed for its sprawling canal network, our next amazing Birmingham photography opportunity is to explore ‘the cut’. Particular photography hotspots are Gas Street Basin, where you will find the MailBox and bars & restaurants. Then have a slow walk down through Brindley Place and to the SeaLife Centre, all whilst watching the Canal Barges and Kayaks go by…
Gas Street Basin, I may have taken a little ‘artistic license’ with this image but still a beautiful Winter’s morning…
Photography Tips - The canals are a fantastic place to explore and on a nice sunny day and offer plenty of photography opportunities. However, you do need to keep your wits about you. It is quite easy to wander into some more 'dodgy’ areas that are less busy and can be home to some of Birmingham’s less friendly residents. Keep a close eye on your expensive camera gear and where possible, explore in a group rather than alone, safety first!
4 - Victoria Square and Town Hall
Another Public space that is brimming with life and photo opportunities is Victoria Square. Home of the Town Hall and Birmingham Museum and Art Galleries, there are plenty of chances to street scenes, architectural shots and usually some event photography. Most weeks there is something filling the square from pop-up food festivals, dance festivals and we’ve even had an entire forest of futuristic trees filling the square! Don’t forget to grab some shots of our beloved Floozie!
An older image of Victoria Square as the Floozie finally has water in it now but again, just an image I love…
Photography Tips - If you are after a bit of life, visit on the weekends and evenings as it can be a popular gathering spot, in particular during the summer. However, if you’re after some really interesting shots, try to plan a visit at sunrise in Winter, there’s always a good chance of getting a bit of fog and it really adds a haunting quality to the images. Be sure to cross over the tracks to the Town Hall tram stop and get a wide shot of the entire square with 103 Colmore Row looming in the background!
5 - Digbeth and The Custard Factory
Digbeth is the beating heart of Birmingham’s creative scene and has undergone a bit of a renaissance over the past couple of years. It is awash with bars, restaurants and cool little independent shops. Famed for its Street Art and music scene, Digbeth has plenty to offer. However, the recent Midland Metro extension has significantly changed the look and feel of the High Street, a walk down to the Custard Factory will present plenty of photographic opportunities.
Digbeth really comes alive at night...
Photography Tips - Take your time to explore the side streets, in particular at dusk as many streets are illuminated with festoons. As with the Canals, be mindful of your gear but get chatting to the locals, they’re generally a friendly bunch and if urban street portraiture is your thing, you’ll have no shortage of interesting characters to photograph!
6 - Paradise
I’ve been casually photographing Birmingham for nearly two decades now and if I told you the ‘old’ Paradise was something of an oxymoron, you’d understand! The new Paradise however is far more fitting of its name. Clean crisp commercial buildings offer plenty of Architectural Photography opportunities whilst the bars and communal spaces are a great way to gently pass the time. The striking mix of ‘old and new’ buildings offers something for everyone and when you are all ‘photographed’ out - there are plenty of nice places to eat!
Find your spot in Paradise and watch the world go by, surrounded by beautiful architecture…
Photography Tips - The best views of Paradise are from Centenary Square and in particular, the balcony of The Library of Birmingham. Head from the library through Paradise and to Victoria Square, the walk will take in the best of Paradise. Don’t forget to grab some shots of the new developments in the area and in particular, The Octagon, you won’t miss it!
7 - Centenary Square
Centenary Square takes in some of the other landmarks already mentioned but you definitely shouldn’t overlook the square itself. Redeveloped in 2019, it’s another Birmingham landmark that divided opinion but has grown into a much loved area of the city. Neatly nestled between Broad Street and Paradise (some may say Heaven & Hell!) The square is a good place to sit and watch the world go by!
Centenary Square is arguably best captured from the balconies of The Library of Birmingham…
Photography Tips - This is probably a reflection of Birmingham City Councils financial difficulties but the main water feature at the heart of the square hasn’t been turned on in 2024. However, it has become a focal point for Birmingham’s roller skate community and in particular at weekends, you will find dozens of skaters circling the paved area - plenty of cool locals who are far braver and more talented than I am!
8 - St Philips Cathedral
I would take a good bet that every self-confessed Birmingham Photographer has at least a few shots of St Philip’s Cathedral hiding away in their Lightroom catalog. The Cathedral is at the heart of Colmore Business District and is surrounded by Colmore Row, Temple Street and the back of House of Fraser. Locally known as ‘Pigeon Park’ it is another great spot to watch the world go by and be entertained by the locals whilst enjoying a bit of 'green space’ in the heart of the city.
Autumn in Birmingham is a special time..
Photography Tips - St Philip’s looks great at any time of year, but a personal favourite time of year to photograph this iconic landmark is in the Autumn. When the trees have turned a golden brown and orange, they fall and leave a carpet of colour on the grounds of the Cathedral. It's a real photography treat if you time it just right and if the weather plays ball, you can capture some really wonderful images.
9 - Jewellery Quarter
I’ll admit, as a ‘JQ’ resident, I may be slightly biassed but the Jewellery Quarter is definitely an iconic location to visit for any Birmingham photographer. I wouldn’t go as far as to say it’s ‘trapped in a different time’ but you definitely get a feel for the heritage of the JQ. Quaint little jewellery shops and a wealth of cafes, bars and restaurants make the JQ a perfect way to waste an afternoon exploring with your camera.
I know I’m biassed but the Jewellery Quarter is a magical place…
Photography Tips - Once you’ve done with the busy streets and explored the museums and galleries - head to Warstone Lane Cemetery. It may sound a bit morbid but it is fascinating to see the old tombstones and monuments to some of Birmingham’s ‘older’ residents. There are Catacombs at the centre that make for some interesting photos. On The other side of JQ, St Paul’s Church makes for an equally interesting subject matter.
10 - The Rotunda
Right at the top of the list of Birmingham's landmarks, arguably next to the BT Tower - is The Rotunda, a true symbol of Birmingham. Whether it’s postcards from the 60’s and 70’s or ultra modern aerial timelapses, I can’t imagine a Birmingham building has been photographed more than our cylindrical chum. It looks great from every angle!
Finding unique angles of The Rotunda is a skill in itself…
Photography Tips - The Rotunda can be seen from many vantage points across the city. I personally like to get further away from the building and have it as part of a Birmingham Skyline photograph. However, if you are ever fortunate enough to visit the Penthouse at the Rotunda (now more difficult due to the very sad loss of Staying Cool) you would be treated to breathtaking views over Grand Central and beyond!
A Photographer's Paradise…
I hope this list helps any Birmingham Photographer, resident or visitor make the most of some of the landmarks. It goes without saying that there are obviously a ton of other landmarks that I could have mentioned but part of the joy of being a photographer is stumbling across those hidden gems!
I love this city…
I would also add that the one thing better than all of these physical landmarks, are the people that inhabit the city. We have a rich and diverse population and (for the most part) they are a friendly bunch! The city is proud of its diversity and people want to tell you their stories. So if you are a Photographer in Birmingham, don’t forget to say hello to the locals!
Did I miss something off the list? Do you completely disagree with anything on the list? Leave a comment below and let me know your thoughts, I am always looking for great suggestions on new places to photograph! Happy ‘snapping’ :)
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
How much should I pay for a Photographer?
If I had a Pound for every time I was asked ‘How much do you charge?’ Well, I’d have almost enough to pay for a Wedding Photographer for a day! Photography (for the most part) is a service industry. This means that customers require a service and just like calling a plumber, it’s imperative that the customer knows how much that service is worth.
If I had a Pound for every time I was asked ‘How much do you charge?’ Well, I’d have almost enough to pay for a Wedding Photographer for a day! Photography (for the most part) is a service industry. This means that customers require a service and just like calling a plumber, it’s imperative that the customer knows how much that service is worth.
However, unlike our friendly plumbers, photographers' prices can vary wildly from the ‘free’ to many thousands of pounds per day! With our plumber pals, most people could probably have a decent stab at guessing how much a certain job would cost and more importantly, understand that an emergency is likely to cost more but there is an intrinsic value in that. Let’s face it, if you have a leaking boiler at 3.00am then you know a call out is going to get expensive!
The problem is that us photographers are a funny bunch. You would have a hard time guessing what a photographer might charge for a simple headshot and to make matters worse, the perceived value can vary wildly as well. For example, it’s reasonable to assume that a headshot, that takes around 30 minutes to set up, complete and a quick edit might only cost, let’s say £50 - right? There are many things that are not taken into account with this though, not least the cost of buying the photography gear and the years of experience that it takes to learn how to knock out a professional headshot in a short period of time.
In this post I have tried to break down what it might cost to hire a photographer in each of the most common scenarios. This is a far from easy task as most people don’t want to talk about their costs unless it’s finalising the details of a potential job. So for the most part, I have spoken to photographer friends, explained what I am doing and asked them to be honest! I’ve also done some research online (wedding photographers in particular are far more transparent with their packages!) and I literally called around photographers in other areas and just asked them what they charge!
This might not be the most scientific approach but it did give me a general feel for the going rates in 2024. I should also add that these are only indications of what you might be charged. One thing I did find is that there is a pretty huge spread in almost every area of photography in terms of what you can spend. That also raises the thorny question of quality, a subject that I will come back to at the end. So let’s get into the costs.
Commercial Photographer
Definition: A Commercial Photographer will typically work with brands or companies to show off their products or services. They are a mix of a lifestyle and product photographer with the main aim being to show off a product or service in the best possible way. Typical clients would be large companies or marketing agencies.
Typical Rates: £500-£1000 per day. Rates will probably vary based on region and experience but expect to be paying upwards of £500 for a full day shoot.
Event Photographer
Definition: An Event Photographer may cover a range of events from corporate to family gatherings, Birthday parties, awards ceremonies and indoor and outdoor get togethers.
Typical Rates: £250-£500 per half day - You’ll note that I’ve gone with a half day rate for this as that is more common but doubling it will be a good indication of a full day. However, many events are evening affairs and some may charge a slightly higher fee for anti-social hours.
Wedding Photographer
Definition: This should be self-explanatory but wedding photographers may charge different rates for how much coverage you need, additional packages (prints, image delivery etc) and some will offer engagement photography and other services.
Typical Rates: £500-£3000 per day - So this is the big one and the one that most people are trying to find information about. The average I came across was around £1800 for full day (and evening) coverage. However, wedding photography seemed to have the broadest spread of prices with some budget conscious photographers offering discount services and some who said their prices were strictly on an individual basis, depending on location and size of the wedding.
I think I would add that with both photography and videography for your special day, the sky's the limit with what you can pay and both could easily exceed £3000. This is one area I would certainly do plenty of research and also, don’t just make a snap decision based on availability. Take time to study portfolios and get a feel for what you like before even enquiring - but be warned, it’s not uncommon for wedding photographers to book months and even years in advance!
Portrait/Headshot Photographer
Definition: Typically someone who concentrates on either corporate or personal headshots. Usually offered as a package so either location or studio based. It’s not uncommon to find corporate photographers taking tens and sometimes hundreds of headshots in a single day.
Typical Rates: £400-£800 per day - Again, a lot will depend on the amount of people/portraits needed but a typical day will fall around the £600 mark and don’t forget to check if there are additional editing fees, in particular for model/actor portraits.
Architectural Photographer
Definition: A photographer that specialises in properties and urban spaces. I’m focusing slightly more on specific architectural photography for single buildings and not so much ‘real estate’ or ‘Airbnb’ style photography.
Typical Rate: £600-£1000 per day. This may feel steep but a lot of professional architectural photographers will fork-out on specific lenses and tripods etc. that are (literally) geared towards architecture and believe me, it gets expensive.
Food/Lifestyle Photographer
Definition: This is mainly aimed at people who photograph food and restaurants for websites and social media campaigns. If you’re looking for high-end food photographers, expect to pay way more!
Typical Rate: £400-£600 per day. It’s not uncommon for these to be shot on location, with a mix of location shots and individual meals. However, most venues only require a half-day coverage and depending on the variety of the menu, a full-day may not be needed.
Product Photographer
Definition: This is someone who produces images of specific products. It’s obvious that it could range from jewellery to jumbo jets so I’ve gone more for smaller household items, the kind of thing you may see on an Amazon listing - usually on a plain white background.
Typical Rate: £400-£600 per day - again, this will really depend on the scale and amount of products that need photographing as well as the complexity of those items. You may need to factor in if there will be an additional studio fee or if this is something that can be photographed on site.
Generalist Photographer
Definition: This is someone that may turn their hand to some or all of the things listed here, a bit of a generalist. This is also where I class myself as a photographer and usually they will be up front and honest with what they can and can’t provide.
Typical Rate: £600-£1000 per day - This is a little bit more difficult to cost as there is obviously a broad range of things that can fall in this category. However, it’s probably more common to find a generalist offering a flexible day-rate that reflects the work involved.
Scary Prices!
It’s worth quickly mentioning how some photographers come to such scary prices! When I have told people my day rate in the past I have seen their faces frost over as they are clearly wondering where I park my private jet! I usually quickly follow it with ‘I don’t work every single day and cameras are super expensive!’ - Still, they are probably wondering what my Yacht is called… (‘Indecent Exposure’ if you’re wondering, just waiting on the lottery numbers to come in…)
I don’t want to dig too deep into how photographers should structure their prices - I think there is another blog post in that - but let's use wedding photographers as a quick example. They may book 15-30 weddings in a year (possibly more but let's keep it simple!) and let’s assume they are charging £1500 for a full day - so 25 x £1500 is £37,500 per year. That’s a very nice income, just above the national average and with 340 days off to enjoy themselves!
Well, just like every other unfortunate soul we have to deduct tax! Then there is the equipment cost (typically two cameras, with 3-4 lenses and flashes etc - you’d be lucky to get change out of £10k!) then there are business costs, insurance etc. travel costs, the time spent editing, arranging prints, meetings, website, marketing, electricity etc… The list goes on and I’m not a wedding photographer, I’m sure I have overlooked many things!
I’m sure you get the point that I’m trying to make is that yes, I agree, the prices can look scary on paper. However, there are a lot of things to take into account and to make matters worse, every photographer will structure their costs differently. Of course, I’m being slightly defensive but before you adopt the brace position when opening a rate card, there’s a lot more to consider than just the topline price.
Does paying more mean better quality?
The same as many things in life, this is a frustratingly ‘grey area’. The truth is, yes and no. From what I have seen online, looking at photographers' portfolios and then getting an idea for what they charge, I would say for the most part ‘yes’ you do get better quality. This is likely due to the many years of experience a photographer may have and the knowledge they have accumulated. One good indication of their experience is the clients they have worked with.
However, if you are looking to book a photographer for over a thousand pounds per day, I would recommend doing a bit more research than simply checking their portfolio. See if it is possible to arrange a call with them, get to know them a little and see if any alarm bells start ringing! It’s not uncommon for commercial photographers to have ‘discovery meetings’ clients to scope out the work, this is also a great opportunity to get to know them.
It is also worth mentioning that low prices don’t always indicate poor quality. Unfortunately, we live in a world where cost is a huge element to purchasing decisions and many people/clients simply can’t afford thousands of pounds for a photographer. This creates a race to the bottom with photographers undercutting each other to secure clients. This might be helpful to the customer but it destroys the concept of a photographers ‘worth’ and it’s very difficult to ever raise your prices after!
In Conclusion…
I hope this has given some insight into what you might expect to pay. It’s a frustrating sector for customers and even more so for us photographers that walk a tightrope of making ends meet and not being laughed out of the conversation when we whip out our rate cards! Going into the conversation with a good idea what your budget is helps a lot and be open and honest with the photographer and they will usually let you know if they have a little ‘wiggle room’ in their costs.
As with everything in life, sometimes you get a bargain, other times you feel hard done by. A lot will depend on the amount of research you do and the relationship you build with the photographer. If you happen to fall on one that creates great work at good prices, keep them in mind for future projects. Good luck.
Did the prices come as a shock or perfectly reasonable? Leave a comment below :)
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
VIDEO - The Leica M8 in 2024 - A forgotten Gem of a camera?
In this video, I take a look at the Leica M8 in 2024 and whether it is still a good purchase. You will have seen form some of my other posts about the Leica M8, I’m quite a fan of this absolute gem of a camera! However, it is definitely not for everyone.
In this video, I take a look at the Leica M8 in 2024 and whether it is still a good purchase. You will have seen form some of my other posts about the Leica M8, I’m quite a fan of this absolute gem of a camera! However, it is definitely not for everyone.
In the video I discuss some of the pro’s and con’s of this nearly twenty year-old camera and why some people may consider buying one today. As always, if you enjoy the content or have any questions about the camera, feel free to leave a comment below and I’ll get back to you. Thanks for watching.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Manfrotto Pro Light Cineloader - The Perfect Solo Shooters Bag!
When talking about photography and videography gear, there are plenty of things to get excited about. Latest cameras and lenses always seem to steal the limelight. Talking about camera bags on the other hand, well it’s not something that exactly gets the pulse racing. That was until Manfrotto reached out to me and invited me to try one of their Cineloader line of bags. I wouldn’t normally get all hot under the collar at the thought of a camera bag, but the Cineloader solves one big problem…
When talking about photography and videography gear, there are plenty of things to get excited about. Latest cameras and lenses always seem to steal the limelight. Talking about camera bags on the other hand, well it’s not something that exactly gets the pulse racing. That was until Manfrotto reached out to me and invited me to try one of their Cineloader line of bags. I wouldn’t normally get all hot under the collar at the thought of a camera bag, but the Cineloader solves one big problem…
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Carrying camera gear seems like a pretty easy problem to solve. I’ve genuinely carried camera gear around in a plastic carrier bag in the past and it still got the gear to the desired destination. But there are a raft of other issues to think about. How big is the bag? Can I fit everything I need in it? Will it be safe? Will it stay dry? Most bags will tick some of these boxes, many will tick all but there was always one other issue that invaded me, no matter how big or padded the bag was. The simple problem was that I would always need to disassemble my gear every time it went in the bag.
To my photography friends, these might not seem too much of a problem. After all, we’re now very use to taking lenses on and off in a matter of seconds, no issues. However, my videography counterparts will understand the pain of having to completely disassemble your ‘cinema rig’ and cramming all of the parts into, well, wherever they’ll fit. Even when using fantastic bags like the Lowepro 400 AW or hard cases like the Peli 1535 Air - they all require some degree of having to break your gear down. Well, the Cineloader solves all of that and pretty much every other issue a bag can solve.
Video Source - Marcos Rocha via YouTube
Build Quality
Let’s start with the easy one, build quality. It’s excellent. This might be quite a short section as if you’ve ever used a Manfrotto product, I’m sure you will understand that they are built to last. The Cineloader is exactly the same. It’s robust yet lightweight, weighing in at 3.14kg which for a bag of this volume, 28 litres (all specs here are for the medium size bag!) is excellent. The moment you pick the bag up, you know your gear will be safe inside, it has a reassuringly sturdy feel. It can carry a 15kg payload but something tells me that’s on the conservative side.
The build quality doesn’t just stop at the use of components though, all throughout the bag there are signs that this has been well throughout and material chosen to do the job! The exterior has water repellent coating and a cool grey finish with red accents that looks great! The RipStop Nylon on the bottom will protect the bag and your gear whilst on damp surfaces. The thermoformed EVA lid feels like it could take a substantial impact and offer a decent degree of protection. The stitching throughout and the handles, two at either end, two traditional top handles and a very useful shoulder strap all feel premium quality and are built to last. Build quality really doesn’t feel like a concern.
Features and Versatility
Once again, it’s slightly concerning that I would get excited about a camera bag but there is so much to talk about, so I will try to be brief. There are three sizes in the range and I am using the medium, so features will vary but all share the same high quality finish. However, the three sizes are designed to be stackable which is an incredibly big selling point. If you’re like me and you have camera gear piled up all over the place, having a system that is actually designed to keep things more organised is a godsend.
Obviously, the main selling point is the size and capacity of the bag. The medium absolutely swallowed up my Canon R5C rig with a gimbal, multiple batteries, a light and a Canon R6 Mkii with 70-200mm lens and still had room to spare. I really want to dwell on this point for a second, these are all difficult things to pack down. If you’ve ever tried to pack a gimbal into a traditional camera bag, you’ll understand they just never seem to fit. That’s before you mention all the smaller accessories that you can fit into the lid organiser or exterior pockets.
However, the most brilliant part of this bag is how it swallows up all of this gear but offers the convenience of doing it without having to take it all apart. People use the phrase ‘game changer’ a lot but as a solo operator who has to assemble and disassemble all of my own gear, every single time I go on a shoot, well my game certainly just got changed! The only thing I needed to do to my R5C rig to make it all fit was to remove the cables out and that’s not the bags fault, that’s just common sense. In essences, it’s the height of the bags that allows this to work so well but they’ve managed it beautifully.
The good news doesn’t end there though. One of the key things that makes this entire system work is Manfrottos ‘M-guard technology’ and splittable dividers. Yes, yes I can hear you muttering ‘my bag has removable dividers’ and I’m not going to tell you that these are groundbreaking technology handed to us from the gods. What I will say is they are some of the best dividers that I have seen in a bag and are versatile and offer great levels of protection. They can be configured to your own desire and the long, central divider conveniently splits in two, for even more versatility. What more can you ask for from a bag divider?
The bag is littered with little touches that just ooze quality and practicality. The lid has supportive cables to stop it flipping open so you can access the excellent lid organiser better. The exterior of the bag has a large pocket at the front, two very useful pockets at either end (one including an identification window) and the rear has a document pocket. The rear also has a loop for attaching to a wheeled case handle and YKK zippers secure everything. You really get the feeling that ‘camera’ people made this bag and it shows, it solves all of the problems.
Oh, I almost forgot, it has detachable straps on the lid so you can carry a tripod or light stands! This is another issue that I have had with almost all of my other bags and Manfrotto has even covered that off, it's a solo shooter's dream! At the time of writing, it even falls within carry-on limits for air travel. It has strapping on the base so you can tie it down and a pocket for an Apple AirTag to locate your bag if the worst happens. Oh and did I mention that it will even make a start editing your videos for you when you’re done shooting! OK, that one isn’t true but it does so much other stuff, nothing would surprise me.
Video Source - ProAV TV via YouTube
What are the downsides?
So it’s pretty clear that I am somewhat of a fan of this bag, but there must be some downsides, right? Well in all honesty, I’m struggling to find any. That’s not a satisfying answer to any review so let me dig deep. Firstly, there is the thorny issue of the cost, it’s currently £219.00 and Manfrotto does run regular price drops, so it’s worth checking. That’s not cheap but again, as I sit here looking at my ten year old Gitzo tripod legs, my trusty Canon 5D Mkiii or even the aforementioned Lowepro 450 AW - all of which felt like a bit outlay and all have lasted for years and never faltered - the Cineloader feels like it will fall into the camera. So honestly, £219.00 feels like a comparable bargain for the years of service you will get from it.
Continuing the theme of scratching around for things I don’t like though… Adding the straps for the tripod to the lid is a little fiddly and I’m sure there could have been a simpler solution. The internal dividers come in two sizes, it might have been nice to have a couple more of each size, but that said the ones provided are plenty to get the job done. I’d maybe of liked to have seen a rain cover and possibly the material from the base stretched round onto the sides but let’s face it, most people won’t be using this in the harshest of environments.
I think the only thing I can honestly say is that I would have liked a slightly more substantial shoulder strap. That’s not even to say the one that is provided is bad in any way, it’s really not - I just personally like things slightly over-engineered and would have added a touch more padding. I’m pretty sure you can tell I’m at a real stretch to find many problems with this bag. Oh! I don’t like the Manfrotto branding on the front - it looks great, but it kind of advertises what's inside. OK, I really have nothing else negative to say.
Conclusion
The Cineloader line are excellent bags that solve a very real problem in the video world. However, the versatility and features on offer make this a bag that everyone should consider. The ability to carry larger video cameras and the time it saves in building rigs alone make this a great investment. If you are a solo shooter like me, it’s almost impossible to see a downside. Manfrotto has thought of everything that we might need to make solo-shooting easier in terms of transporting and protecting our gear.
Even for larger production companies and those with more varied gear, the multiple size options and the unique features that each of the Cineloader bags brings make them an excellent choice. I started this review by saying that it feels a bit weird getting excited about a bag. However, it’s not the bag that I’m excited about, it’s the thought, care, consideration that has gone into making a product that genuinely has the customer in mind. I think Manfrotto has done that and in a world of disposable, short life cycle products, it’s great to see a company that still believes in what they do!
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: TourBox Controllers, I’ve seen the Lite!
The iFootage SL1 220DN is a top-tier studio light perfect for photography and videography enthusiasts seeking natural sunlight emulation. Featuring high CRI for true-to-life color accuracy, versatile lighting effects, and a durable build, it's a game-changer in studio lighting, making it a perfect choice for professionals and hobbyists alike.
If someone asked me what one piece of equipment had the biggest impact on my productivity as a photographer & videographer, it would without doubt be the TourBox! And that question would very quickly be followed by ‘What in the world is a TourBox’? It’s a game changer, that’s all you need to know…
However, you probably want to know a little more than that so I am here to tell you about it. First though, a quick history lesson. When I started out in photography, I very quickly realised the power of post production and the ability to take my images to the next level using software such as Lightroom and Photoshop.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As many of you will have learnt by now, editing can be a time consuming process and as I started to build a client roster and shooting several times a week, photo editing became the bane of my life. This was nothing compared to the time taken on video editing, but let’s leave that to one side for now. It wasn’t unusual for me to come home with several hundred shots from a job (sometimes even in the thousands!) and this became a real headache.
The wily old professionals will now be shaking their heads saying ‘Quality over quantity’ but for anyone who suffers Imposter Syndrome like me, that simply wouldn’t cut it. ‘You can always use presets!’ I hear you say, and I did, I mean, I do - copious amounts of the things but that doesn’t change the fact that each image still needs that little tweak to make it just right! There had to be a solution.
The real issue is that Lightroom’s sliders are not easy to control with a traditional mouse - or even worse, a laptop trackpad which is what I had spent years using. I did my research and soon learnt of the wonderful world of ‘Hardware Controllers’ - basically a piece of hardware, usually with knobs and dials that can be mapped to the various different controls of a given piece of software. Problem solved, you may think, but as with all things in life, not all hardware controllers are made evenly.
I went through quite a variety of different styles, some dedicated to photography, others that were built for music and adapted to fit my needs as a photographer. Nothing ever seemed to tick all of the boxes, no matter the size, cost or hours of fiddling around to get them to work in the first place! That was until a couple of years ago when a company called TourBox reached out to me and asked me to try their new controller. ‘I’ll have a look,’ I said, not holding out much hope and forgot about it…
When it arrived, and I saw the layout, I almost didn’t want to bother even setting it up. It didn’t look intuitive and knowing how Lightroom is layed out, I couldn’t see how it would logically work. How wrong I was… Within about 30 minutes of mapping the dials and knobs to what I thought worked best, I was flying through edits with a smile on my face and gaining back precious amounts of time! But that wasn’t even the best part.
I knew that the TourBox had also been designed with videographers in mind and again, I was skeptical at best as to how this could possibly work with Final Cut or any other video editing software for that matter. After a short period of time setting the device up, I knew that I could never go back to a traditional method of ‘mouse & keyboard’ and that, is where the game was changed for me and countless others who had tried it.
Skipping forward to the modern day and TourBox have released their latest itteration of there little box of tricks and at first glance, you’d be hard pushed to tell a difference. The layout is practically the same, minus a couple of buttons and everything else feels reassuringly ‘TourBox’. That is a good thing and as we’ll see, this might be the perfect entry into one of the best kept secrets in the industry.
Price and Build
It’s important to start with the price, the ‘Lite’ is (at the time of writing) $94.99 with free worldwide shipping. That is insane value for something that can transform your workflow and save you copious amounts of time on editing. However, it’s important to remember that this is the more budget friendly offering as TourBox also offer their ‘Neo’ and ‘Elite’ versions - and if you can afford the $268.00 asking price - the Elite is worth it just for the Bluetooth functionality alone.
Video Source - Todd Dominey via YouTube
Does the low price point mean poor build quality? Not at all. The unit is reassuringly solid and with enough heft that it will not slide around a desk whilst in use. Having used the original TourBox for a number of years, I can feel that the Lite is maybe not as premium feeling, but this is nothing to be concerned about. There is definitely a more ‘plasticy’ feel to the buttons but the travel and feel of all of the controls is solid enough.
The Lite only comes in black, not quite as fancy of as the range of colours for the Elite Natural Series but again, that’s only a minor. At 329 grams it makes for a great travel companion and as we’ll discuss later, this is possibly where I see most people using it. It connects via USB C (type 2.0 and above) and it worked perfectly with both my M1 Mac Mini and M2 Max Macbook Pro.Setup is as simple as downloading the wonderful Console and plugging in the device.
Usability
This is what I imagine most of you want to know about. Usability is excellent! At first, it may look confusing and even daunting having a left-handed controller. However, the moment you hover your hand above the Lite, you start to see the genius of the TourBox - it just seems to work. You barely need to move your hand to reach any controller and it is designed not to move, so your hands simply rests on top and your fingers dance around tweak knobs, rolling sliders and pushing buttons.
Although the software comes with designated controllers for all of the most popular editing applications, the beauty lies in the ability to customise any button. For someone like me, who has, let’s say, a ‘creative brain’ this is brilliant - I can apply actions to buttons in the way I plan to use them. There is no right or wrong way of setting the device up and you are not limited in terms of ‘this button can only do this one thing’ - something that has frustrated me with similar products.
If I could give one piece of advice, in particular for video editors but also photographers - combine the TourBox with a good quality mouse that also has some additional buttons. I use the Logitech MX Master 2 (I did try the latest version but didn’t enjoy it as much, so revert back to the old one!). The ability to to control all timeline functions with my right hand and all edit functions with my left makes flying through an initial edit a breeze. Doing the same actions on just a trackpad feels like trying to edit with one arm behind your back!
My ‘old’ Elite on the Left and the new elite, I mean ‘Lite’ on the Right…
Ergonomically, the TourBox may seem confusing but it really is just one of those things that you need to try to understand it. I can’t work out how they came up with this design but it just seems to be a natural extension of your hand. I have used similar products with rows of slides and knobs and yes, they are great ways to control individual elements - but you still have to ‘look’ at what control you are using. With the TourBox, they have intelligently used shapes and textures that instinctively give you feedback so after a few uses, you never have to look down again - genius!
Software Integrations
The TourBox range are designed to be used with multiple software integrations. Common uses are for Adobe Lightroom and video editing software such as Final Cut. However, it goes way further than that with many creative software options being covered. In addition, it’s pretty easy to map basic controls using the TourBox Console, which we will look at next.
The TourBox Lite is compatible with both Windows and Mac and in my many years of using one, I’ve never had any integration issues. As long as you have the Console installed on your computer of choice, the hardware just becomes ‘plug and play’. It can even be used for more general computer controls such as changing audio volume when not in use with specific software. The aut-switching feature works seamlessly when working across multiple apps so there is almost no user input needed - just map the controls you want and your away.
TourBox Console
If the hardware is the body of the TourBox then Console is very definitely the brain! This is where all of the really clever stuff happens. Although it is effectively just the app that you use to map the controls and features of the TourBox, it is certainly powerful and should not be overlooked. Console offers a lot of great pre-mapped options for all of the main creative software covered. The real magic lies in the ability to map controls to your own liking.
Remapping controls is super simple and what is even handier is the ability to export your newly mapped controls and use them on a different computer. For instance, I use my TourBox with my Mac Mini at home but also with my MacBook Pro when I’m on the road. All I need is Console installed on both machines and then I export my controls from one machine and import them onto the other. Simple.
Such simple integration and ease of use as well as the fluid integration with a variety of software is what really elevates the TourBox to another level. The hardware is very well throughout and becomes second nature to use. However, the centre piece is really Console And the power that is put at your fingertips.
Downsides…
So far, this has felt like an open love letter to TourBox, and in a way, it is. However, nothing is truly perfect and the Lite is just the same. My biggest gripe with the lite is the reduced number of buttons. I know this is a cost thing and let’s face it, they have a clear product line up that will suit most needs. However, I can see this alone being a slightly limiting factor to some people. That said, it is still a more than powerful enough tool for most editing needs, so I am definitely ‘nit picking’.
The buttons do definitely have a ‘plasticky’ feel but for my use so far, this is not really an issue and a lot of my complaints only come from having used the original TourBox - so I have a line of direct comparison. For most first time users, this is still an excellent tool at a more than fair price.
My only final concern is more of a usability issue, but one that I can’t really comment too heavily on. I have pretty decent dexterity and even though I am very right-hand orientated, I found both iterations of the TourBox easy to use. I would have concerns if you struggle with dexterity at all or have issues with orientation - but that said, the fact that you barely need to move your hand to use it is a definite bonus!
Who is it the TourBox Lite for
If you’re reading this review then you probably have an underlying reason why it might work for you. Whether it’s photo editing, video editing or simply a useful control for a variety of other applications - then the Lite is probably for you. It very much fits into most modern workflows but more so, it can be adapted to suit many different needs thanks to the brilliant versatility and genius layout.
Video Source - Michael Clarida Arts via YouTube
The ideal use case for me is the ability to edit quickly whilst travelling. I do a lot of work that needs a very quick turnaround, even editing some videos on the same day as shooting them! Not having to wait until I get home to start an edit is unbelievably valuable and allows me to be productive in situations that would have otherwise been incredibly limiting. It really is a ‘creatives’ perfect companion!
Conclusion
The ‘Lite’ rounds out the TourBox line up perfectly and other than being an incredibly useful tool, it opens up a new level of productivity to the masses. The move to a lower price point is something that I don’t often see in the ‘tech’ world but this makes the Lite an indispensable little gem. There are very few compromises in what I consider to be a must own accessory for all creatives.
Still need convincing? It is well worth at least trying one if you have the chance to do so. I must admit, I was sceptical about these little boxes of tricks but I honestly couldn’t go back to not using one. I now reach for my TourBox almost as quickly as I reach for my mouse! I’d love to know if you have tried one and what your thoughts are so please do leave a comment below, thanks.
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: Peli Case Air 1535 - A Proper Hard Case!
One thing that you soon learn with photography and videography is that there are a lot of ways to waste your money. I have shelves full of gadgets and gizmos that were all intended to make my life as a photographer better and you can already guess, most of them are just gathering dust. However, some products are a ‘no brainer’ when it comes to investment and I class the Peli Air 1535 in that category.
One thing that you soon learn with photography and videography is that there are a lot of ways to waste your money. I have shelves full of gadgets and gizmos that were all intended to make my life as a photographer better and you can already guess, most of them are just gathering dust. However, some products are a ‘no brainer’ when it comes to investment and I class the Peli Air 1535 in that category.
Peli is the go to brand for many people when it comes to hard case protection for their camera gear as well as many other industries. So much so, we almost forget that Peli is just the brand name, yet we refer to these styles of hard cases as ‘Peli cases’. So when I had the opportunity to try one out for myself, I jumped at the chance.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
The Peli Air 1535 was the option that I plumped for as it offered the best mix of portability and protection as well as plenty of storage space. You may have guessed from the name, the ‘Air’ indicates that it is indeed travel friendly, being the maximum size that can be taken as carry-on luggage and TSA approved. This is often an area of pain for photographers as we daren’t let our precious gear be stowed anywhere else, so being cabin ready is the perfect size.
Furthermore, the most obvious selling point of a case like this is the insane levels of protection that it offers us. I for one have had bad experiences with other camera bags in terms of damage not just from bumps and bags, but also gear shifting around inside the bag which still fills me with dread to this day. Peli cases are renowned for their toughness and the super-light proprietary HPX² polymer construction offers crazy levels of protection whilst not weighing you down - the case weighs 3.94kg when empty.
The cases are not just built tough though, they are also waterproof, dustproof and crushproof which if you are as clumsy as I am or just prone to getting stuck in inclement weather, like I am - makes for great peace-of-mind. The good stuff doesn’t even end there though, the cases has wheels, rugged handles, excellent hinges, awesome locking mechanisms and that’s before we even look at the countless options available for the interior.
Features, Features and more Features
Looking closer at some of the main details of the Peli Air 1535 and the first thing you notice when picking up the case is the incredible build quality. It feels robust but very light and portable. I’m not ashamed to admit my first instinct was to throw it down some stairs! I didn’t, not for fear of the case breaking but for what damage it would do to everything else! The handles feel solid and the hinges are firm and reassuring.
This case has some very cool tricks up it’s sleeve! The O-ring seal around the lid of the case means that this thing is waterproof and not just ‘OK in a light downpour waterproof’ - like drop it in a lake waterproof. I’m obviously not advising that and certainly wasn’t going to test it out but I believe it - it is IP67 rated! It even has an automatic pressure equalisation valve that keeps water out and means that the case won’t just explode open with pressure changes - I mean, that’s something I’ve never worried about but now I can worry even less!
The stainless steel padlock protectors and ‘Push and Pull’ latches feel robust and give a satisfying click! The wheels are smooth and glide along pavements and the retractable trolley handle is sturdy and reassuring to use. However, the biggest benefits to us photographers is what lies inside it’s spacious 27 litre interior and the differing methods of organising our gear.
Tough on the outside, soft in the middle
So we know the exterior is pretty well protected but what about the interior? Well there are multiple different options for ‘padding out’ your Peli Case. One of the simpler yet more effective options is the foam insert. You can cut and modify this to suit your own desire and if I was lucky enough to be carrying an Arri or super-high end cinema camera, this is how I would do it - offering maximum protection!
However, most of us will be carrying at least one or two camera bodies, multiple lenses and a host of other accessories. For this, there are two great options. Firstly, there are the padded dividers. They are similar to what you may find in a traditional camera bag but they feel a bit more sturdy and are very versatile in how you can configure them to suit your needs. One tip is to lay your gear out in the case so you get a feel for how it will all fit before adding the dividers.
Secondly, there are the awesome ‘TrekPak’ dividers. This is a really neat solution that you cut down to size using the supplied blade tool and use pins to join sections. It works really well and still offers some degree of versatility. However, as you are literally cutting the dividers down to size, it pays to thoroughly plan out your storage needs as this feels like a more permanent solution. If you do similar jobs and use the same gear frequently (such as weddings or portraits etc) this is a really great option.
One thing to mention here is to really take the time to plan out where your gear will go within the case. It’s very easy to make a mistake and end up wasting valuable ‘TrekPak’. Even worse, you may plan it all out meticulously only to find that you are just short! So it is really worth planning accordingly before cutting away and costing yourself a fortune! Even the note that comes with the TrekPak reminds you to ‘Measure twice, cut once!’ sage advice…
Video Source - Shane Bethlem via YouTube
Cons
I clearly have a lot of good things to say about this case so I thought I would start with the negatives, as let’s face it, that’s what most people will want to hear about! In complete honesty, I really struggle to find any. That’s a bit of a copout answer so I will offer a few but again, it’s a bit tough to say they are absolute negatives when this case offers so much.
Firstly, there is the price. Depending on what divider system you plump for, this case could set you back anywhere between £290-£450 and there is no getting away from the fact that it is expensive! It is easily countered with the fact that the case is virtually indestructible in everyday use and Peli’s limited lifetime warranty should have you covered in most ordinary situations. However, as an initial outlay, it feels steep and many will be tempted to source a cheaper alternative. This may end up being a false economy if those cases are not built to the incredible quality of the Peli’s
Next up is the somewhat limited versatility of the case. I’m going to contradict myself massively here, in particular when we look at the interior options later. However, I feel these cases are aimed more at people who have specific needs for a hard case, they travel a lot or are in busy production environments where gear isn’t exactly looked after. For most photographers in a studio scenario or landscape photographers, lugging a hard case around doesn’t really seem logical - so again, what is your use-case for a hard case?
Pro’s
As mentioned, I really struggled to find any cons but for the Pro’s - I could be here a while, so I’ll keep it brief. As you would expect from a brand with a reputation like Peli’s - the case does exactly what you expect it to. It is built like a tank and I have had to resist the urge to try to destroy the case for two simple reasons, the cost and the sheer embarrassment of probably not being able to! So I will spare my blushes and just say it’s very tough!
One of the biggest benefits to me was the fact that it has wheels! As a non-driver, I find myself lugging gear around on my back and at the tender age of forty-something, that is starting to take it’s toll. However, getting the weight off my back and onto the ground is a gamechanger. One word of caution though, the wheels glide smoothly along pavement and airport concourses but the case does feel ‘bumpy’ on rougher terrain. It’s a good thing the interior is so well padded!
That interior is maybe the biggest pro of all, the versatility of foam, padded or the exceptional ‘TrekPak’ dividers make this almost ideal for any type of photographer or videographer. I struggled to commit to the TrekPak purely on the basis that my gear needs to change considerably from shoot to shoot. However, the padded option allows you to construct the interior to suit whatever gear you are carrying and has been my default when using the case.
I added the additional lid organiser and for me, this elevated the Air 1535 to another level as it gave me dedicated spaces for the kind of gear that always seems to get lost in my other bags. In particular for video shoots, having pockets for cables, audio accessories, batteries, memory cards and smaller items was perfect. Knowing that they wouldn’t just be rolling around in my bag was great peace-of-mind and not having to worry that I would lose something every time I opened the bag was a real relief.
Video Source - RA Visuals via YouTube
SUMMARY
So would I recommend this to other photographers and videographers, well it’s a pretty easy ‘yes’ but I would also offer a word of caution. There is absolutely no doubt that the Peli case offers unparalleled levels of protection for your expensive camera gear. But much like everything in life, that comes at a cost and in this case, it’s that initial outlay of cash. I would say, as someone who has suffered the agony of breaking camera gear that I believed to be well protected in a traditional camera bag - that cost is justified by the levels of protection offered and much like insurance, you’ll only really understand its true value when you need it!
The other piece of advice that I would offer is to have a clear goal in mind of why you need a case like this. Are you going on a particular trip where you need the extra protection? Do you work in environments that can leave your gear particularly vulnerable? Or, like me, are you just cursed with the clumsy gene that makes you a danger to camera gear! If any of those are true, then it’s probably a good investment!
I have been very impressed with the Peli Air 1535 and can already see a future where I pick up a couple of different cases from the extensive Peli line-up.
Tilly approved…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: Matador BetaLock - Every Photographer needs one!
Every now and then, I stumble across a product that stops me in my tracks and the Matador BetaLock is exactly one of those products! It’s an incredibly simple idea, a lockable carabiner but it solves a huge problem that terrifies me and something that I am sure will concern countless other photographers and videographers, let me explain.
Every now and then, I stumble across a product that stops me in my tracks and the Matador BetaLock is exactly one of those products! It’s an incredibly simple idea, a lockable carabiner but it solves a huge problem that terrifies me and something that I am sure will concern countless other photographers and videographers, let me explain.
I was in a recent YouTube rabbit hole, searching for bikepacking related gear in preparation for some trips in 2024 and as always, I seemed to find myself in one of the obligatory ‘top ten accessory’ videos. These are Kryptonite to me and I can waste hours digging through lists and watching videos on things that I really know that I do not need. However, buried deep in one of those videos, I stumbled across the Matador BetaLock.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As soon as I saw the BetaLock, I knew exactly what problem it would solve for me and instantly knew that this product would be of high-value to other professionals in this sector. The product is simple, it’s a large carabiner but what makes it unique (well, as far as I can see from a very quick online search!) is that it actually locks using a key! I know, it doesn’t seem earth-shattering but this simple addition is a complete game-changer!
I own plenty of carabiners and that includes many with ‘locking’ clasps. Usually, this involves a simple screw that means that the clasp can not be easily pushed open. Where the BetaLock rises above is the addition of that small key (two supplied) that means the carabiner actually locks! You need the key to open it! Better yet, it is so beautifully integrated that you really can’t tell it’s locked by glancing at it, it’s only on close inspection that you realise it’s genius.
Video Source - Pack Hackers Reviews via YouTube
The aircraft grade Aluminium is beautifully finished in a range of colours and the deadlock feels solid and for those that travel, it’s also TSA approved so no worries there. As an item of ‘Everyday Carry’ it works perfectly as a normal carabiner and is just as rugged and as useful as any other larger carabiner that I have used.
So why am I so excited about it? Being a Photographer & Videographer in Birmingham (United Kingdom) I understand that it’s a large, modern city and unfortunately, not every single residents moral compass is pointing in the right direction. Therefore, I always have to keep a close eye on my gear as all professionals should be doing, no matter where they live. One of my biggest fears is the simple opportunist thief who basically snatches the bag whilst I am unaware.
When I saw the BetaLock, I instantly knew that I wanted one on every single camera bag I own with the simple plan of leaving them attached. I travel a lot on trains and have been known to spend a little time in coffee shops (or even pubs!). Having a locking carabiner allows me to attach my precious camera gear to rails, tables or whatever I can find that is reassuringly secure. Trains are a constant cause for concern as they are often busy and you usually end up standing away from your bags which should really be on racks!
Using the BetaLock, the opportunity for someone to simply snatch your bag and walk off with it is significantly diminished! Having grown up on a Council Estate, I’m sure with a screw drive, a hammer and a few minutes I could ‘open it’ without a key. However, it would certainly take some effort and you certainly wouldn’t be able to do it discreetly! Like I mentioned, such a simple idea but it certainly solves a problem that I have faced for many years.
Even better, Matador also offers an accessory cable that allows you to lock the carabiner (and your precious gear) to even larger items or locking up multiple items. The stainless steel braided cable is certainly tough and would not easily be removed. I don’t think it would stand up to a decent pair of bolt cutters or an angle grinder (and yes, as a cyclist I can confirm that thieves do go to that extreme!) but as previously mentioned, the cable is plenty tough enough to deter most would-be pilferers.
It’s a shame that we live in a world where we have to go to such extremes to protect our camera gear and it certainly doesn’t solve every security issue, but it is such a neat and elegant solution that it really should be something we all consider. I have even considered locking the carabiner to my jeans whilst out to allay the fear of the moped snatchers - if they want my gear so badly that they are prepared to pull my jeans down then they really are desperate!
The key is small and discreet and with the different colour options for the carabiner, the BetaLock will match even the most expensive of camera bags. I was initially a bit put off by the Gold of the lock that I received but I must admit, once I put it on my bag I really liked the way it looked and would seriously consider buying more in that colour! But the other options also look great!
Matador has a fantastic range of products that I really think are well worth checking out but with the BetaLock, I think they have really hit gold. As I mentioned, it’s such a shame that we have to protect our gear like this but if it happens to deter an opportunist thief then the $30.00 plus shipping will instantly pay for itself! It may seem expansive on first look but seriously, it only needs to save your gear once to be well worth the investment!
On a side note, the BetaLock can’t solve all of the ways that thieves can relieve you of your gear so please do make sure you insure your camera gear. With knife crime a constant issue in the UK, it’s certainly not worth getting into an altercation to protect your gear and that camera insurance will mean that you will have the option to walk away from what is a horrendous situation.
I started by saying how much I love a simple product that solves an issue and I really believe BetaLock does that so well. I wish I could stumble across more products like this that I truly believe in so I guess I will find myself down yet more YouTube rabbit holes. However, I will be able to do so on the train without the fear of someone running away with my bag without noticing!
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
My Top 10 Cameras of 2023!
I carry a camera everywhere, whether I am walking to the shops or on a day trip out to some new location, I generally have some kind of camera on me. After I posted my favourite cameras of 2022, I received lots of emails asking details about some of the cameras I listed and it was apparent that plenty of the readers were intrigued by what did and didn’t make the list, so I thought I would give you an insight into some of my favourite cameras that I have used in 2023.
my favourite cameras in 2023
I carry a camera everywhere, whether I am walking to the shops or on a day trip out to some new location, I generally have some kind of camera on me. After I posted my favourite cameras of 2022, I received lots of emails asking details about some of the cameras I listed and it was apparent that plenty of the readers were intrigued by what did and didn’t make the list, so I thought I would give you an insight into some of my favourite cameras that I have used in 2023.
It’s fair to say that I am very fortunate to get to use a lot of different cameras and I appreciate how lucky I am to do so. The vast majority of these cameras are purchased with my own money (I will have a post coming up in the New Year about my process for buying and selling cameras!) but some are loaned to me from camera manufacturers. However, this does not cloud my judgement, I will always give an honest opinion and never feel pressured into saying something I don’t believe to be true.
The only other thing worth keeping in mind as we run down the list is that some of these cameras are there to do a job and some purely for pleasure - that’s not to say that one is better than the other and you should run out and buy it! This list is purely from my own perspective and I will be explicit over whether it is a practical choice or simply something that puts a smile on my face!
PLEASE NOTE: I PURCHASED MOST OF THESE ITEMS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
10 - Fuji X10
I picked this camera up in 2022 as a viable alternative to the X100V and as I mentioned in my review, I feel like it gets most of the way there. The small form factor is everything the X100V should be but I’m not going to sugar coat it, the image quality is never going to be as good as its more modern relative.
With patience, you can really get the most out of the X10
That said, it’s still more than possible to get a great image out of this camera and with a bit of patience and understanding, the files can be wrangled into something more than usable. I didn’t find myself using this camera as much as I hoped this year but every time I see it, it puts a smile on my face and I sincerely hope Fuji makes a return to this pocket friendly form factor when they release the latest iteration in their X-series line-up.
9 - Sony A7RV
OK, before anybody calls me a troll or accuses me of losing my mind, let me explain why Sony is so far down the list! It is a stellar camera, arguably the best camera on the list from a technical point of view. It has the best autofocus, a seriously impressive sensor, decent handling and video functions that wouldn’t be out of place on a Hollywood movie set.
It doesn’t take much to get the most out of the A7RV files :)
Therein lies the problem though, it's a technical masterpiece and for me at least, it feels a little too clinical. The image quality is sharp and precise, the autofocus is snappy and fast - but it lacks that ‘something’ that makes me want to pick the camera up. I know how ridiculous it sounds to prefer a ‘worse’ camera, but the camera is not just a tool, it needs to inspire you and that’s where I find this camera lacking! That’s jus me though, it really is a camera of the highest quality.
Video Source - DP Review TV via YouTube
8 - Canon EOS-R
I’ve said it before and I’ll say it again, I think the original EOS-R is one of the best bargains in modern cameras. It got hammered when first released and in some parts, with good reason. However, the autofocus is good enough for most normal scenarios, the build quality is good and personally, I find the handling a treat.
The Canon Eos R once again proving why its one of my secret favourites!
Put that together with decent image quality, respectable dynamic range and video quality that, in 1080p at least, is plenty good enough and you have quite a package. Sure, there are much better options out there but for the price and the lens availability, I can’t think of many cameras that I would recommend over it. To coin a phrase from the youngsters, I think way too many people are ‘sleeping on’ the EOS-R!
7 - Yashica Mat 124G
What can I say about this camera, I absolutely adore it. It certainly doesn’t have the grace of a Rolleiflex and not as reliable as a Hasselblad - but it is cheap, easy to use and creates wonderful images. There really isn’t much negative to say about this camera and even if it goes wrong and let’s face it, most old cameras will go wrong! They are still affordable and abundant enough to pick up another one.
The Yashica Mat 1244G is the perfect street companion…
I didn’t get as much opportunity to use it as I may have liked but that is not to say that it isn’t a wonderful camera. In fact, I seriously considered taking this as my ‘only’ film camera to Japan, such is the reliability of it and the simple pleasure of use. However, with rising film prices and developing costs, I’m a little concerned about how much use it will get in the coming year…
6 - Leica M8
Ah the Leica M8, I love this camera. The shooting experience with this camera is incredible and can make even bang average photographers like me feel like Cartier-Bresson! The 10 megapixel CCD sensor is a thing of beauty as long as you feed it lot’s of light! In anything other than bright sunny days, the image can fall apart and in low light it’s almost unusable.
The Leica M8 has some serious nostalgic vibes!
When used in fair conditions though, this little lump of Leica can produce beautifully rich images that almost feel like you are shooting with Kodachrome! The body feels rugged and premium and knowing that it will ‘brass’ over the years, it just makes you want to hold it and use it as often as possible! The only problem being is that as a resident of the uL, sunny days are too few and far between! Hopefully it will get more use in 2024!
5 - Fuji X100V
What can I say about the Fuji X100V that hasn’t already been said a thousand times before. This camera is a marvel of the modern camera world. It’s fantastic to use in almost any scenario and deserves the praise that gets regularly heaped on it. It creates beautiful images and is so simple and enjoyable to use that it’s really difficult to recommend any other cameras over it.
The Fuji X100V is just a great Everyday Carry, for those with big and deep pockets…
However, as I said in my long term review, there is one issue that I struggle to look past from time to time. It’s just a touch too big to call pocket size! If this camera was about 20% smaller, it would be the perfect camera, hands down. You simply can’t easily fit it into a pocket and that means that you have to make a choice - if you need to carry a camera bag, well there are plenty of better cameras to carry. Yes, I understand it’s unfair to pitch it against interchangeable lens cameras or Medium Format! However, if I’m taking a bag out, I’m probably reaching for a different camera.
Video Source - Benj Haisch via YouTube
The 645Z dwarfs the already large Fuji GFX 50S II
4 - Pentax 645Z
OK, so I will be honest. This camera was bought on somewhat of a whim! It’s an outrageously expensive camera to buy without doing some proper research but having sold a few of last year's favourites, I had made up my mind that I wanted to delve into the world of digital Medium Format and this seemed like the most budget friendly way of doing so.
Even with a pro-mist filter in low light, the 645Z produces wonderful images
I will cut to the chase though, this is an incredible camera and I pretty much instantly fell in love with it. So it’s an easy recommendation then? Absolutely not. The camera is huge. I don’t just mean ‘it won’t fit in a pocket’ huge, I mean it won’t fit in some of my camera bags! It has one of the loudest (but also most satisfying!) shutter sounds that not only draw attention to you, but I’m sure would make people duck if you use it in public, it’s comical!
So why have I kept it? It’s an absolute joy to use. Once you get over the size, the layout of the camera is amazing and the images it produced are simply some of the best I have ever seen. The dynamic range is fantastic and when combined with the stunning DA645 28-45mm lens - which in itself is probably the best lens I have ever used, well it’s almost the perfect package. Unfortunately, that package is simply too big for everyday use!
3 - Bronica GS-1
Well, this is slightly awkward. Last year's number one camera has been dethroned, surely that means I’ve fallen out of love with it? Not in the slightest, in fact, I am still on the search for a second GS-1, just in case this one goes wrong! Everything I said last year remains true and it is still and incredible medium format offering that I think is too often overlooked in favour of the Pentax and Mamiya offerings.
I’ve created some of my favourite images with the Bronica GS-1
So why hasn’t it retained it’s crown? Well quite simply it’s just becoming more and more difficult to shoot regularly with it. Film and developing costs make shooting in 6x7 a luxury and one that I struggle to justify. It is a fantastic camera and one I would highly recommend. However, if it’s not a specific project or a once in a lifetime trip, I would have to reach for the Mamiya 645 Pro or the Yashica, purely based on economics if nothing else.
2 - Fuji GFX 50S II
I reviewed the 50S II earlier in the year and even though I really enjoyed using the camera, I didn’t think I would come to own one. The Medium Format bug had definitely bit me and the camera is just a well thought out, well built camera that is simple enough to use. However, the slower autofocus and higher price tag than a decent 35mm camera meant that it probably wasn’t well suited for my needs.
The perfect camera for a once in a lifetime trip…
However, as the year went on and plans of visiting Japan, probably the thing at the top of my bucket list - I found myself pondering what camera to take. No doubt pretty much any camera I owned would do a good job but I wanted to use something that I knew would do the trip justice. After hitting the credit card hard I was now the proud owner of a 50S II and let’s just say, I was extremely happy with my choice, this thing makes amazing images!
1 - Canon R5C
This camera sat at number 2 in last year's list so why has it taken the top spot in 2023? Well, put simply, I’ve started to understand this camera more and it’s an absolute beast! Taking brand preference out of the equation, I would struggle to think of a more fully featured ‘hybrid’ camera out there - maybe the new Sony A9 III but as I doubt I will be getting my hands on one of those any time soon, I really can;t compare.
Perfect for corporate work and general shooting pleasure…
What makes the R5C so special is its ability to transform from a fully specced Can R5, which is a fantastic stills camera, to an all out cine style camera that even gives it’s big brother, the Canon C70 a run for its money. The best part, it’s barely any bigger than an R5 and if you had to purchase an R5 and a C70, you’d been forking out at least a few thousand pounds extra! The R5C has come to represent excellent value to me considering its spec.
R5C fully rigged and ready for business…
However, the thing that really pushed it over the edge and into the top spot for me is simply how reliable it’s been - it literally hasn’t missed a beat. As a professional photographer and videographer, I have to be able to rely on my gear and apart from a few idiosyncrasies, such as the boot time when switching from photo to video or the Micro HDMI port (Canon!!) Once you get used to its little quirks, it’s a fantastic camera to use.
There you have it, that’s my round up for this year and I can’t wait to see what 2024 brings in terms of cameras. Hopefully I will get to try a few more flagship models and as always, I will share my honest thoughts with you guys! Let me know your thoughts in the comments below!
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.