VIDEO: My Favourite Cameras That I have Used in 2024!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - Manfrotto Pro Light Cineloader Small - Big Things come in Small Packages!
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As mentioned, I’ll try not to repeat myself too much from the review of the medium version of the Cineloader but it’s fair to say it’s smaller sibling is no less of a quality product. In many respects, I’ve actually found the small version more useful as commonly, I just want to transport a rigged out camera and don’t need all of the additional space that the medium offers. More so, it fits on top of a Pelicase perfectly with the additional loop and that has become my go too setup - Cineloader for the camera, Pelicase for all of the additional items.
Build and Features
The build quality is excellent with a good, solid structure to the bag which gives you extra confidence that your precious gear will be protected. This is something that I have tested out the ‘hard’ way when I dropped my bags down a set of stairs! The Cineloader did a wonderful job of protecting the camera and apart from wiping a bit of dust from the water repellent exterior, everything was fine - apart from my embarrassment levels which were distinctly peaked!
There is a single larger compartment in the interior with ‘M-Guard’ dividers that feature heavily in the medium bag also present here. The dividers help the versatility of the bag but personally I have been using the bag without them, preferring to just have the main compartment for the built out camera rig. The straps, zips and padding are all equally as well constructed as on the medium version and Manfrotto have certainly not skimped in any way on the smaller version.
Source: ProAV TV via YouTube
Usability and Versatility
What the small version lacks in terms of size compared to the larger options, I think it makes up for its portability and usability. The small is the perfect size for small and medium cinema rigs and it makes it the perfect option for just throwing a camera in the bag and running out of the door. Not having to break a camera down to transport it really is the biggest feature of the Cineloader bags once you’ve used one, it’s pretty difficult to go back to the ‘old’ way of doing things.
Apart from the trolley loop setup which has become my preferred way of transporting the bag, the included shoulder strap is more than comfortable enough and makes carrying the bag for long periods of time easy. External pockets also add to the versatility of the bag and on many occasions, if it’s just capturing b-roll or a simple setup, I just take the small with a few batteries in the pockets and a tripod strapped to the top with the included tripod loops - good job Manfrotto.
Final Thoughts
It’s very difficult not to just repeat everything that I have said in my review of the Pro Light Cineloader Medium as it really is only the size that is different. However, I do find that having both sizes offers a lot of benefits for different styles of working. The medium certainly has its benefits for larger jobs when you might be carrying multiple cameras and all of the additional items that are needed such as audio, lighting etc.
However, the small bag is a joy to use when you simply need to travel light and I love combining it with a Pelicase and having my perfect ‘solo shooter’ setup. You will probably have noticed that I haven’t mentioned any negatives and that is because I really can’t find any. Even the price, usually around £150-£170 is a good price for a product of this quality. The bigger question is does this fit your needs? If you regularly carry a rigged out camera, or even cameras with longer lenses - it’s difficult to see how this wouldn’t be a great addition!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Five Pieces of Photo & Video Gear That I Would Love to Try in 2025!
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
There are some pretty ambitious items on the list that may be out of reach. There are also some pretty surprising items as they don’t seem particularly exciting at first glance. There is no getting away from the fact that if I actually want to round up all of these items, a little win on the lottery would probably be needed (more likely the case that I’ll be overwhelming eBay with old camera gear!). But sometimes, it’s nice to have some lofty aspirations to keep you motivated on those cold, early January mornings! Let’s take a look at the list…
1) Canon C400
This one might be a bit of a stretch as it’s well outside of my budget, but the Canon C400 sure looks like an amazing camera. I recently broke the HDMI out on my Canon R5C and this has got me thinking about whether now would be a good time to ‘upgrade’ my main video camera. For anyone that has been following Canon’s latest offerings, you might think that the C80 is the obvious replacement but there are a couple of limitations with that camera. Notably, only having SD cards and the slightly peculiar body shape really put me off.
Source - CVP Via YouTube
The Canon C400 seems to offer everything I would ever need - more so in fact, so much more that it would be a borderline waste on me. However, that’s where the opportunity lies! Being able to grow into a camera system and push yourself on more challenging shoots is exceptionally beneficial. Plus, it has triple base ISO and solid autofocus, two things that I really would rely on judging by the varying nature of the work I carry out. My biggest challenge would be making the financial side of things work but sometimes, you have to push yourself and this may just be one of those times, we’ll see.
2) Zhiyun Molus G300
I’ve been a big fan of the Zhiyun range of lights for a while now and own a few. However, I always find myself just wanting that little bit more power in my bag. I use the G200 on a regular basis and it has been great and I absolutely love the form factor, but I worry about walking into a situation where 200w just isn't enough. I’m learning to light ‘spaces’ more than faces and with this in mind, I like the idea of having a few 200w+ lights that can help bring the overall ambiance of a scene up and having a 300w as a key light sounds like a good balance.
It’s difficult to say whether this is a good or bad option as there are certainly more powerful lights out there. However, I constantly have to think about portability and how I will travel with lights and this is where the G300 seems to be best in class - power vs portability! I can see this light working really well in my setup and is (in the world of lighting) even pretty reasonably priced. I will be holding out for some January Sales and hoping to add this to the kit bag.
3) Lighting Diffusion
OK, so this may seem like an obscure choice when talking about things that you can’t wait to try, but hear me out. In 2025, I want to move slightly more into corporate interviews and maybe even documentary style work, so lighting will be essential. With this in mind, learning how to diffuse light and create really pleasing and natural looking lighting is essential. Up-steps diffusion and with so much to choose from, it might be difficult knowing where to start.
Manfrotto offer a fantastic looking range of scrims and diffusion which certainly seem to have most bases covered. I could go down the ‘budget’ route of trying Muslin and even shower curtains! I’m just not sure how that looks when turning up to a commercial client's premises armed with what looks like a bag full of decorators dust sheets! It’s certainly an area that I am looking forward to experimenting with and hopefully upping the quality of my video production.
4) EIZO FlexScan FLT Monitor
I admit it, I get excited about some pretty unusual gear choices and upgrading my monitor setup is certainly on the cards in 2025! I was casually looking at EIZO’s lineup who are relied upon by many professional photographers & videographers and stumbled across the FlexScan FLT - A lightweight monitor with some pretty impressive stats but not just in the area you may think, but in its eco-credentials! This might be the perfect second monitor! It is literally a Class-A power efficiency monitor made from 95% recycled plastics, happy days!
Even though I was initially looking at replacing my main working monitor which is what led me to EIZO in the first place - I’m suddenly really drawn to the idea of having a secondary working monitor and with power efficiency and eco-credentials like this, it seems like a no-brainer. I will be trying to get my hands on one of these to see how it can help my workflow but it has also set my mind racing about where else I can be looking at more sustainable options and that can’t be a bad thing!
5) General Audio Gear
One area that I would probably like to focus on making some serious upgrades is my audio gear. I have already invested in this area quite a bit but the more work I do, the more I realise just how important it is to be able to capture good quality audio in a range of circumstances. Nothing panics me more than forgetting to set audio levels correctly or a mic being badly placed and even though 32-bit float audio is a lifesaver, there are always areas for improvement.
Source - Curtis Judd Via YouTube
One particular area that I am keen to improve is the quality of the Lav mics that I use and getting better at placing and hiding a mic. In a dream situation, the Sanken COS 11D’s look like amazing options. It’s not super-necessary for a lot of the style of work that I do but showing an appreciation for subtle improvements in the quality of output is what elevates you above your competition. It’s the kind of area that many people might look to save a few quid but actually, nailing audio might just be one of the most important steps in the video process.
Rounding Up…
I love this time of year and not because of the Whiskey and Mince Pies (I’m quite partial to one of those!) but because it offers an opportunity to take stock of where you are and plan out where you want to be. Making lists like this might feel fanciful and more of an elaborate shopping list to show off to your fellow photographers/videographers - but I actually think it’s a really useful exercise in seeing how you can grow and become a better professional in your area of production.
I may not accrue all of the items on this list (I’m looking at you Canon C400! ££££) but by consciously looking for the gaps in your current gear and how you can make your workflow faster, easier and better quality - it’s not just good for you but also your clients and the quality of your final output. I’m really keen to hear what areas you are looking to upgrade in 2025 and what’s on your kit wish list? Leave a comment below and thanks for reading.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Belroy Traveller 26L - The Perfect Travel Companion for Photographers
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer that travels and is constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Design and Build Quality
I’ve previously used a Belroy Sling and was always seriously impressed with the build quality and the 26l is exactly the same. Bellroy has crafted the Venture Travel Pack with a sleek, minimalist aesthetic that doesn't scream "camera bag." This low-profile design is perfect for photographers who want to blend in while navigating busy city streets or exploring new locations. The bag is constructed from a 100% recycled water-resistant woven fabric that feels robust and ready to withstand the rigors of travel.
The zippers are heavy-duty and feature weather-sealing strips, providing an extra layer of protection for your valuable gear. While these zippers may feel a bit stiff initially, they do loosen up with use. The overall build quality is impressive, with no noticeable issues even after months of use.
Comfort and Ergonomics
For photographers who often carry heavy gear for extended periods, comfort is paramount. The Venture Travel Pack excels in this area, thanks to its well-designed back panel and shoulder straps. The back panel features a contoured shape that follows the natural curve of your spine, with a solid lumbar support cushion at the bottom. This design helps distribute weight evenly and reduces strain on your back, especially when carrying a full load of camera equipment.
The shoulder straps, while slightly rigid, are comfortable and feature a sternum strap for added stability. The top grab handle is generously padded, making it easy to maneuver the bag in tight spaces or when stowing it in overhead compartments. Personally, I found the bag to be very comfortable to carry for long periods of time and loved carrying it around whilst exploring new cities. A lot of the time, you just forget it’s there.
Capacity and Organisation
With a 26-litre capacity, this backpack strikes a good balance between spaciousness and compactness. It's large enough to accommodate a professional camera body, an extra lens or two and accessories while still fitting under most airline seats as a personal item.
The main compartment opens both fully clamshell-style and as a top-loader, offering flexibility in how you access your gear. This feature is particularly useful for photographers who need quick access to their equipment without fully unpacking the bag.
One of the standout features for photographers is the "brain" pocket at the top of the bag. This compartment is divided into two sections and can easily fit a mirrorless camera like a Fuji X100V or even a larger camera with a pancake lens. It's an ideal spot for storing frequently used items or smaller camera gear that you want to access quickly. For me, it was the X100V and an Osmo Pocket 3 - perfect travel companions.
Camera Gear Storage
While the Venture Travel Pack isn't specifically designed as a camera bag, it adapts well to photographic needs. The main compartment can easily accommodate a camera cube, allowing you to organise and protect your gear efficiently. Alternatively, you can use packing cubes and pouches to create a custom setup for your equipment.
The bag's various pockets and compartments offer ample opportunities for organizing smaller items like memory cards, batteries, and filters. The side pocket is large enough for everyday carry items but can be useful for storing a travel tripod or monopod, depending on their length.
Unique Features
One of the most innovative features of this backpack is the hidden tote bag stored in a dedicated pocket on the front of the bag. This 15-liter tote can be incredibly useful for photographers who need an extra bag for carrying props, additional gear, or even souvenirs picked up during their travels. It’s also useful if you are exploring a new city and want to leave the main bag behind, just carrying the tote bag itself.
The water bottle pocket does take up some internal space but provides easy access to hydration while on the go. However, it may cause some gear in the main compartment to shift if not packed carefully. Personally, I used it for smaller items and never bothered with a water bottle. I found this compartment was ideal for storing toiletries and other potential ‘leak’ hazards as it is separate to the main compartment.
Weather Resistance
The water-resistant fabric and weather-sealed zippers provide good protection for your gear in light rain or drizzle. However, for heavy downpours or extended exposure to the elements, you may want to consider using an additional rain cover for extra peace of mind. I have been caught in a few showers and the bag has stood up to the test very well, but it’s always best to practice a bit of caution.
Versatility
One of the Venture Travel Pack's strongest suits is its versatility. It can seamlessly transition from a camera bag to a travel pack, hiking backpack, or even a daily office bag. This adaptability makes it an excellent choice for photographers who don't want to invest in multiple specialised bags. The addition of laptop storage pockets also make this great for those that need to edit on the go!
Pros and Cons
Pros
Versatile Design: Functions well as both a travel pack and camera bag.
Comfortable Carry: Ergonomic back panel and padded shoulder straps reduce fatigue.
Ample Organisation: Multiple compartments including a "brain" pocket for easy access.
Hidden Tote Bag: Extra storage option for souvenirs or additional gear.
Durable Materials: Water-resistant fabric protects against light rain.
Travel Friendly: I’ve been using this as a ‘carry on’ bag so no need to pay for a cabin bag.
Cons
Saggy Base: The rounded bottom makes it difficult for the bag to stand upright.
Water Bottle Pocket: Takes up internal volume that could be used for gear.
Side Pocket Depth: Items stored here can sink too low, wasting space.
Weight Distribution: Heavier loads may require more support; adding a waist strap could enhance comfort.
Cost: Certainly not the most budget friendly option.
Conclusion
The Bellroy Venture Travel Pack 26L is a compelling option for photographers seeking a versatile, well-built backpack that doesn't compromise on style or functionality. Its thoughtful design, comfortable carry, and adaptable storage make it suitable for various photographic pursuits—from urban street photography to outdoor adventures.
While it may not have all the specialised features of dedicated camera bags, its versatility and quality construction more than make up for it. For photographers who value a bag that can seamlessly transition between different roles and environments, the Bellroy Venture Travel Pack 26L is definitely worth considering.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
The Prompter People Pocket Cue V3 4K Teleprompter: A Game-Changer for Videographers and YouTube Creators
Sometimes, you have to put your hand up and say you were wrong and for me, I was wrong about Teleprompters. I always assumed they weren’t necessary and as long as you knew what you were talking about and felt confident enough, they were just a waste of money. That was until I tried out the Prompter People Pocket Cue V3 4K - A literal game changer for how I produce and make video content and instantly a must-have piece of kit.
Sometimes, you have to put your hand up and say you were wrong and for me, I was wrong about Teleprompters. I always assumed they weren’t necessary and as long as you knew what you were talking about and felt confident enough, they were just a waste of money. That was until I tried out the Prompter People Pocket Cue V3 4K - A literal game changer for how I produce and make video content and instantly a must-have piece of kit.
I reached out to Prompter People after having my interest piqued by one of the many positive videos popped up on my YouTube feed raving about how good it was. The pleasant people at Prompter People promptly sent me a prompter to practice with - try saying that drunk! As soon as I completed the easy assembly, loaded up my first makeshift script and got scrolling away, I was hooked - what had I been missing out on all of these years.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
I don’t claim to be a YouTuber but I can’t tell you how many hours I’ve wasted on recording and then recording videos because I’d forgotten something or simply got something wrong! Even worse, how many times I had been shooting a video for a client who was a little nervous in front of the camera only to get home and find that all of the takes were, well, useless. This isn’t just embarrassing for them but it makes me look incompetent! Up steps the Pocket Cue V3 and as we’ll see, this versatile little helper has quickly become a staple of my video making package.
Overview of the Prompter People Pocket Cue V3 4K
The Prompter People Pocket Cue V3 4K is a compact and portable teleprompter designed for modern content creators. It's compatible with a wide range of cameras and smartphones, making it an ideal choice for both professional videographers and aspiring YouTubers. The setup boasts optical quality beam splitter glass, ensuring high-quality image transmission while allowing the presenter to read the script comfortably.
Prompter People’s excellent TeleScroll software makes using the V3 a breeze and even for first-time prompter users, it’s easy to get the swing (well, scroll) of things. Better yet, the compact design makes it fantastic for travelling with and with the wide range of accessories, it is easy to tailor your setup to your individual needs. Whether it’s a permanent studio setup or something light and portable, the V3 fits into most production scenarios.
Build Quality
I really wasn’t sure what to expect for build quality for a teleprompter but I guess the most obvious thing is that it needs to feel robust and that it will stand the test of time. The Pocket Cue V3 absolutely jumped out to me as a quality product. The toolless design, built for ease of assembly and quick use means that you will instantly get a feel for all of the components and when handling each, you can feel the quality.
My version included a few optional extras, such as the stand which felt like a premium product - no corners cut here. The inclusion of a travel bag is a nice touch but also no surprise as this promoter is built to be used on set or at different locations. Even the bag itself is thoughtfully laid out offering maximum protection for all of the parts and that oh-so-precious beamsplitter glass. All-in-all, I have zero concerns over build quality and this thing is built to last.
Ease of Assembly
The first thing to note is that the unit is built to be used in different environments, whether on set, in a studio or as part of a home-setup. However, assembly is very simple and straightforward and the toolless design is intuitive. My only concern was getting the camera setup inside the hood correctly and after making a few adjustments, I was away. I had forgotten to take into account the field of view as I chose to shoot quite wide, but the Prompter People website clearly states the lens compatibility and this was complete on me - I simply had to zoom in a few millimeters and all is fixed.
Versatility
This is where the V3 really shines and you can tell that this is a product that Prompter People have put a lot of thought into. The V3 is built to be portable and is easy to travel with but adding accessories to suit your needs really brings it to life. I had the additional stand to use on productions and the robust legs were perfectly capable of taking my camera setup as well as the V3. An included L-bracket makes it an excellent option for filming vertical content for social media or adding the phone accessories completely illuminates the need for a traditional camera setup.
Pocket Cue V3 7” Widescreen 4K LCD Monitor
As versatile as the teleprompter is, for me, two accessories in particular really took this teleprompter to the next level. First up is the 4K LCD Monitor included in the monitor version. This impressive little monitor packs an 1800 NIT punch with 4K HDMI loop through that can display 1080p/1080i 180hz (1920 x 1080 180fps) | 4K 60HZ (4K 60FPS. The monitor can be powered via the included power supply or NPF style batteries. I’ve loved using this as a ‘talent’ monitor to check focus, framing and check audio levels etc. via my camera's HDMI out feed. I find that the monitor is essential to my setup and I’m not sure I would feel as confident in front of the camera without it.
Shuttle Cue Lite & Smart Remote
My second killer accessories are the remote option. The Smart Remote is a Bluetooth remote that works perfectly with a smartphone or tablet and is discreet and easy to use to move the text on the prompter along. However, I much preferred using the Shuttle Cue, a feature richwired remote with super smooth control for start/stop functionality and adjusting the speed of the prompter. I found this remote so intuitive to use and it just works seamlessly with the TeleScroll software. Between the Monitor and the Remote, they perfectly accompany the Pocket Cue V3 and make it quite a formidable package.
TeleSroll Software
If the hardware features weren’t impressive enough, the TeleScroll software is the beating heart of this entire system. In truth, I barely touched the surface of what this fully featured software can do as I was mainly concerned with its primary function, you know, prompting. However, when you start digging into the software and using the authoring tools and unleash all of the customisable viewing options etc. You soon see why TeleScroll stands out from the competition. Even more impressively, Prompter People have just launched VoiceScroll which looks like an incredible option and I will add an update to this review once I have had more time with it - no doubt it will work seamlessly.
Benefits of Using a Teleprompter Like the Pocket Cue V3 4K
Even though we have covered all of the features of the equipment and software, I just want to touch on some of the underlying benefits of using a teleprompter like the Cue V3. I personally think that by delivering clear, consistent messages whilst maintaining eye-contact with your audience, the perceived level of any production will be improved. The direct connection with the viewer will help maintain attention and engagement, critical in a world where attention is at a premium.
Using a prompter also allows for better consistency in messaging and video quality. For those that need a similar structure throughout a series of videos, a prompter really is essential. For those looking for a more fluid approach to their productions, the Cue V3 offers amazing versatility both in terms of portability and the use of mobile phones or the ability to shoot vertical content - it really does have all bases covered.
Who Would Benefit from Using the Pocket Cue V3 4K?
I can really see an argument for the Cue V3 in most video/YouTube setups. Whether you are a professional videographer that needs to produce client videos with clear, precise messaging - or a content creator that is sharing review, tips & tricks with an audience - having well structured content, thoughtful and clear delivery is essential in gaining the attention and trust of your audience. For videographers, it will help inspire confidence from clients and in some scenarios, you may even be able to charge for hire of a prompter, which really makes it a valuable asset.
For those producing online courses or cooking tutorials etc. having the ability to list complex information like it is all at the tip of your tongue will make you look more professional and cement you as a trusted source. Personally, when I am creating camera reviews etc. for YouTube - I like to have all of the specifications and key points listed on the prompter and then to ‘freestyle’ the bits that I want to talk about. This approach seems to fit my needs rather than feeling tied to a script, yet ensuring I cover off all of the points that I need to.
Pros of the Pocket Cue V3 4K
1. Portability and Versatility - Easy to travel with and setup for a range of different uses
2. High-Quality Optics - The Beam Splitter glass is superb quality with no impact on the final image
3. Easy Setup and Use - Toolless design makes it ideal for the less technical of us (me included!)
4. Improved Confidence and Delivery - You’ll look and feel like a Pro with expert video hosting skills!
5. Time-Saving - Productions will be quicker, easier and more consistent!
Cons of the Pocket Cue V3 4K
1. Learning Curve - It takes a bit of getting used to when presenting - practice makes perfect!
2. Cost - This is a premium level product that sits above more ‘budget’ options both in quality and cost.
3. Potential for Over-Reliance - It can feel like a safety net losing a little of the spontaneous magic.
4. Additional Equipment Required - Although not essential, the accessories really bring it to life.
Conclusion
I have labelled the Prompter People Pocket Cue V3 4K a ‘game changer’ and that’s not a term that I would use lightly. In terms of the impact of a single piece of equipment, I can’t think of any item that has changed my approach more to creating online content and in particular, YouTube videos than the Cue V3. I see so much benefit in using a setup like this and judging by the amount of popular YouTubers that use a prompter, it seems other people also agree.
However, the benefits don’t stop there. If you are a professional videographer creating client focussed work, having the ability to utilise a prompter really is a fantastic tool at your disposal. Anything that makes a client look better on camera will make them love you! In addition, the timesaving element and potential to charge for hire of the prompter really make this a suburb addition to any commercial videographers kit.
Probably the biggest downside is the initial outlay and the potential learning curve whilst getting used to using prompter. Depending on the individual, with a little practice it really does become natural to use a prompter and like me, you might find ways of using it that suit your own style. As for the cost, that may be a limiting factor to some, but having seen some of the more ‘budget friendly’ options - buying cheap may indeed lead to ‘buying twice’ as you will probably see what you miss out on by not choosing a well rounded option like the Cue V3.
Ultimately though, you will probably already have an idea if a teleprompter fits in your workflow and if the benefits outweigh the cost. For me, I’m not sure I could go back to not having the option to use a prompter and it’s something that I know clients will also appreciate. The biggest downside for me personally is that now I will be producing more YouTube videos and that means my face all over the internet - time to start saving for the hair transplant!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - Sekonic L-858D - The Rolls Royce of Light Meters!
The Sekonic L-858D Speedmaster light meter is a sophisticated tool that has become increasingly popular among photographers, particularly those working with film. This advanced meter offers a range of features that cater to both digital and analog photography needs, making it a versatile choice for professionals and enthusiasts alike. In addition, it could be useful for those working with video and filmmakers who need a professional grade light meter, let’s take a closer look.
The Sekonic L-858D Speedmaster light meter is a sophisticated tool that has become increasingly popular among photographers, particularly those working with film. This advanced meter offers a range of features that cater to both digital and analog photography needs, making it a versatile choice for professionals and enthusiasts alike. In addition, it could be useful for those working with video and filmmakers who need a professional grade light meter, let’s take a closer look.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Design and Build Quality
The L-858D is a robust and weather-resistant construction, designed to withstand the rigors of outdoor photography and all of the challenges that landscapes can throw at it. It is dustproof, splashproof and ensures reliability in various shooting conditions. The meter features a mix of physical buttons and a 2.7-inch color dot-matrix touchscreen, providing an intuitive interface for users and the screen is a joy to use.
One of the standout design elements is the retractable incident metering lumisphere, which can rotate 270 degrees, offering flexibility in measurement angles. The meter also includes a 1-degree spot meter for reflected metering and a 1/4-20 mount point on the base, enhancing its versatility. The versatility of this little beauty is one of the standout features, offering reliable metering whatever your needs.
Video Source - Stephen Milner via YouTube
Enhanced Sensitivity
The L-858D has impressive sensitivity, capable of measuring light levels as low as 0.1 lux or to the uninitiated, like me, in very dark situations! This three-stop improvement over previous models is particularly beneficial for photographers working in low-light conditions or with long exposures. This may be particularly useful to landscape photographers or those shooting film, where reading even the lowest measurements of available light is critical.
Expanded Measurement Range
With an ISO range extending up to 13,107,200 and a luminance range of 0.1 to 2 million lux, the L-858D can handle a wide variety of lighting scenarios. This expanded range is especially useful for film photographers who often work with various film speeds and lighting conditions. However, most photographers and videographers will benefit from this incredible range and it will come as good comfort that you are pretty much covered in any situation.
Customisable Profiles
The meter allows users to create and store custom camera exposure profiles, which can be particularly useful for film photographers working with different film stocks. These profiles can be easily edited, saved, and recalled, providing quick access to specific camera or film characteristics. This is one feature that I absolutely love and is a real time saver, in particular if you are using multiple cameras or prefer certain film stocks in different lighting conditions.
Filter Compensation
The L-858D can store up to 30 filter factors, allowing photographers to account for light loss when using filters. This feature is invaluable for landscape and fine art photographers who frequently use neutral density or color filters. Landscape photographers using ND filters will love this feature and for those of us using older film cameras where it may be necessary to use centre ND filters to compensate for vignetting - this is a real killer feature.
Multiple Measurement Modes
The meter offers both incident and reflected light measurement capabilities, with the ability to switch between them without changing attachments. It also includes an illuminance mode, which is useful for measuring the intensity of light sources. I have personally held back on buying expensive light meters in the past because of needing both incident & reflected meters, but this solves that problem by having both metering methods available, though this does come at a price.
Averaging and Contrast Measurement
The L-858D can store up to 9 measurements in memory for averaging, helping photographers determine optimal exposure in complex lighting situations. Additionally, the AVE/EV feature allows for easy measurement of lighting ratios, which is particularly useful for portrait and studio photographers. Average metering is one of the most effective metering methods for shooting with film stocks. Using this feature can also work well with the Zone System famously used by Ansel Adams - whereas that is slightly different to average metering, the L858D is a fantastic tool for use in the Zone System. That would take an entire blog of its own to explain though!
Usability
The touchscreen interface of the L-858D represents a significant improvement in usability compared to previous models. The menu system is generally intuitive, although some users may find that certain features require navigating through multiple levels. It also takes a level of knowledge around metering terms and methods but I doubt this is the kind of light meter that ‘new’ photographers would be plumping for, so some knowledge is certainly assumed.
The meter's ability to auto-dim its backlight to prevent influencing measurements is a thoughtful touch that demonstrates attention to detail in its design. The option to lock the touchscreen while still taking measurements adds an extra layer of usability, particularly in challenging shooting conditions. I did find the screen a little difficult to see in very harsh lighting situations but this is quickly resolved when shielded with a hand.
Pros
1. High sensitivity in low-light conditions
2. Extensive measurement range
3. Customizable camera/film profiles
4. Comprehensive filter compensation features
5. Versatile measurement modes
6. Durable, weather-resistant construction
7. Intuitive touchscreen interface
8. Uses standard AA batteries
Cons
1. Some features may require navigating through multiple menu levels
2. The touchscreen may take some getting used to for those accustomed to analog meters
3. The price point may be high for casual photographers
4. Some advanced features may be unnecessary for certain users
Who Would Find It Useful…
Film Photographers
The L-858D is particularly well-suited for film photographers due to its ability to create and store custom profiles for different film stocks. Its high sensitivity and expanded measurement range are also beneficial for those working with various film speeds and in challenging lighting conditions. I, for one, found this an incredible tool to accompany any of my film cameras, no matter how accurate I assumed their meters to be - the L-858D would be my go-to choice.
Landscape Photographers
The meter's durability, filter compensation features, and ability to average multiple readings make it an excellent tool for landscape photographers, especially those working with large format cameras. I assume many would rely on modern cameras internal metering but if you really want to unleash your creativity in the wild, adaptive and versatile metering is a must and there are few that are more versatile than the L-858D.
Studio Photographers
The illuminance mode and the ability to measure lighting ratios easily can be invaluable for studio photographers working with complex lighting setups. This is certainly not my forte so I will leave that to the experts, but I can certainly see the benefits of such a hugely capable light meter.
Long Exposure Enthusiasts
The L-858D's enhanced low-light sensitivity and expanded measurement range make it particularly useful for photographers experimenting with long exposures. Film photographers dealing with reciprocity and all the other challenges of shooting film will also enjoy the L-858D’s all encompassing abilities.
Professional Cinematographers
While primarily designed for still photography, the meter's ability to handle various frame rates and shutter angles makes it a versatile tool for cinematographers as well. Simple things like being able to measure in T-Stops and the aforementioned ability to average meter and consider lighting ratios make this an excellent tool for those dealing with moving images, as well as still.
Video Source - Sekonic Via YouTube
Comparison to In-Camera Metering
While many digital cameras offer sophisticated in-camera metering systems, a dedicated light meter like the L-858D can provide several advantages, especially for film photographers:
1. Consistency across different cameras and film stocks
2. More precise control over exposure, particularly in challenging lighting situations
3. The ability to meter light without the camera, which can be beneficial for large format photography
4. Advanced features like filter compensation and custom profiles that may not be available in-camera
All-in-all, the L-858D offers a more versatile and trustworthy level of metering that most modern cameras simply can’t compete with and for film shooters, it’s quite simply a must!
Software and Connectivity
The L-858D offers connectivity with MAC/PC Software, allowing users to upgrade firmware, apply custom settings, and utilise exposure profiling. This feature enhances the meter's longevity and adaptability to future needs.
Value Proposition
At a retail price of around £600 (though price do seem to vary so some research is suggested), the Sekonic L-858D represents a significant investment. However, for professional photographers and serious enthusiasts, particularly those working with film, the meter's advanced features and durability can provide excellent long-term value. Many photographers view a high-quality light meter as a lifetime investment, and the L-858D's comprehensive feature set positions it well in this regard. I’m a big believer in ‘buy cheap, buy twice’ so even though it is a heavy investment, it really will pay off in the long run.
Conclusion
The Sekonic L-858D Speedmaster is a highly capable light meter that offers a wealth of features for both film and digital photographers. Its enhanced sensitivity, expanded measurement range, and customisable profiles make it particularly well-suited for film photography, while its durability and versatility appeal to a wide range of photographic disciplines.
While the meter's advanced features and touchscreen interface may present a learning curve for some users, the overall design is intuitive and user-friendly. The L-858D's ability to handle complex lighting situations, coupled with its filter compensation and averaging capabilities, make it an invaluable tool for photographers who demand precise exposure control.
For film photographers, landscape shooters, and those working in challenging lighting conditions, the L-858D offers capabilities that can significantly enhance workflow and ensure consistent, accurate exposures. While the price point may be high for casual users, professionals and serious enthusiasts will likely find the investment worthwhile, given the meter's comprehensive feature set and potential for long-term use.
Ultimately, the Sekonic L-858D Speedmaster stands as a powerful tool in the modern photographer's kit, bridging the gap between traditional light metering techniques and contemporary digital technology. Its ability to cater to both film and digital workflows makes it a versatile choice for photographers across various specialties, ensuring its relevance in an ever-evolving photographic landscape.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
10 Essential Amazon Black Friday Tips for Photographers & Videographers
I love a bargain as much as the next person and whenever ‘Black Friday’ rolls around, I find a comfy chair, a cup of coffee and arm myself with my credit card waiting to snag myself a deal! However, this annual homage to consumerism isn’t always the money-saving bonanza that we think it is and quite often we can find ourselves spending more than we’d planned to! So how can you take best advantage of the Black Friday deals? I’ve added my top tips to give you a chance of actually grabbing a bargain and not going bust!
I love a bargain as much as the next person and whenever ‘Black Friday’ rolls around, I find a comfy chair, a cup of coffee and arm myself with my credit card waiting to snag myself a deal! However, this annual homage to consumerism isn’t always the money-saving bonanza that we think it is and quite often we can find ourselves spending more than we’d planned to! So how can you take best advantage of the Black Friday deals? I’ve added my top tips to give you a chance of actually grabbing a bargain and not going bust!
Don’t forget to leave your own personal tips in the comments below :)
NEW - NO TIME TO READ THE POST, LISTEN TO THE AUDIO ABOVE!
1. Plan Ahead: Know What You Need
It might sound obvious, but start by assessing your current equipment and figuring out what you need versus what you want. This is the ideal time to consider any upgrades that could enhance your workflow, whether it’s a faster lens, a new lighting setup, or additional storage solutions. Once you have a list, note down the specific brands, models, or features you’re looking for. This will help you stay focused during the sale and avoid impulse purchases that may not serve your long-term goals. I tend to keep a list throughout the year of items that I know I will need, usually more memory cards!
Memory Cards are always a good buy!
2. Set a Budget and Stick to It
Black Friday can lure even the most disciplined buyers into overspending, especially with so many enticing offers flashing on your screen. Set a budget for how much you’re willing to spend on new equipment, and be realistic about it. Keep in mind that even small accessory purchases can add up quickly. Sticking to a budget will help you prioritise purchases that provide real value to your business and prevent unnecessary splurges that could strain your finances later on.
Batteries are usually another good Black Friday Bargain
3. Consider your Cashflow
OK, this one may seem a little obscure at first but stick with me! Have you thought about how you are actually going to pay for your items and in particular, bigger purchases? I’m a strong believer in never taking out credit to pay for an item and no Black Friday bargain is worth going into debt for. If you are upgrading gear, have you considered the resale value of your old equipment? Will you get enough money back to cover your beautiful new purchase? Be realistic, if it’s going to be a financial stretch, it won’t feel like you’re getting a good deal.
4. Compare Prices to Ensure the Best Deal
Just because an item is labeled “Black Friday Sale” doesn’t necessarily mean it’s the lowest price you’ll get. Use price comparison tools like Camera Price Buster which track the historical prices of camera products. These tools can show you how an item’s price has fluctuated over time and help you determine whether it’s truly a good deal. Additionally, check other retailers to see if they’re offering better discounts on the same item; sometimes, brands will match or even beat Amazon’s pricing during Black Friday. I personally check prices against eBay to see whether something really feels like a bargain.
5. Look for Bundle Deals
During Black Friday, many brands offer bundled packages that include multiple items at a discounted rate. For photographers and videographers, bundles can include a camera body with additional lenses, memory cards, or even a tripod. These bundles provide substantial savings compared to purchasing each item separately, allowing you to stretch your budget further. Just make sure to review the items in each bundle to confirm they match your needs and are from brands you trust. In addition, look out for the ever-popular Adobe deals - you can save big on the Creative Cloud plans.
6 Think Outside the (Camera) Box
Similar to the idea of keeping a list of items you think you will need, also try to consider items that might not immediately spring to mind - like stationery, books, printing and framing materials etc. Personally, I’m holding out for things like Cinefoil, Diffusion Cloths and 5-in-1 Reflectors - all stuff that wouldn’t immediately get you excited about grabbing a bargain but you’ll be glad of any additional discount. Think through your entire workflow and see what springs to mind! Another great area to save money on is external storage, you can never have enough!
Think of what other accessories you may need!
7. Consider Refurbished Gear for Extra Savings
If you’re open to buying slightly used or refurbished gear, Amazon’s refurbished section can offer deep discounts on cameras, lenses, and other equipment. Refurbished items are typically inspected and tested to meet certain quality standards and often come with warranties. You’ll pay significantly less than you would for a brand-new item, which can be a great solution for picking up a backup camera or testing out a new lens without a huge investment.
8. Follow Influencers and Reviewers for Recommendations
During Black Friday, photography influencers and tech reviewers often share curated lists of the best deals, particularly on Amazon. These individuals frequently have early access to deals or insider knowledge of upcoming sales. Following a few trusted voices can give you the extra edge in discovering discounts you might have missed. Look out for photographers or videographers who have similar styles or equipment needs to your own—they often post recommendations that are specific to professionals like you.
Tech items usually have a good chance of being discounted
9. Use Social Media to Catch Flash Sales and Exclusive Offers
Brands tend to ramp up their social media activity during Black Friday, announcing flash sales or exclusive discounts across their social media channels. Follow your favorite photography and videography brands on platforms like Instagram, Twitter, or Facebook, and set notifications for posts if possible. Social media can be a valuable source for early access to sales, exclusive discount codes, or limited-time offers that aren’t widely promoted.
10. Be Ready to Act Quickly
The most popular Black Friday deals, especially on high-demand photography and videography items, can sell out quickly. If you see a deal that aligns perfectly with your list, be prepared to act fast. Amazon’s “Lightning Deals” are designed to offer high discounts for a short time or until stock runs out, so having a solid plan in place can help you avoid missing out. Ensure your payment information is updated, and if there’s something you absolutely need, consider setting alarms or reminders for when deals are expected to go live.
Wrapping Up
Black Friday on Amazon can be an ideal opportunity to get high-quality gear at a fraction of the cost, but only if you’re strategic about it. These tips will help you stay focused, save money, and build out your photography and videography kit without the stress of overspending. Remember that preparation is key, and a little advance planning can go a long way in ensuring you get the most value out of this shopping season.
Think about what you can sell to finance your new purchases!
Whether you’re upgrading to a new camera, adding a versatile lens to your collection, or picking up accessories to improve your setup, Black Friday deals on Amazon have something for every photographer and videographer. Just keep your list and budget in mind, and you’ll be well-equipped to score the best deals while building out your creative arsenal. Happy shopping!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
VIDEO - MY CANON R5C CINEMA RIG BUILD
I get a lot of questions about my cameras and how I set them up, so I thought I would share my Canon R5C Cinema rig build. This setup is designed to be minimal yet feature rich, capable of shooting great, cinematic footage in most scenarios. Check the video description for links to all of the products used in this rig build. It might be a little bit ‘geeky’ but I hope you find it useful - leave a comment below if you do :)
I get a lot of questions about my cameras and how I set them up, so I thought I would share my Canon R5C Cinema rig build. This setup is designed to be minimal yet feature rich, capable of shooting great, cinematic footage in most scenarios. Check the video description for links to all of the products used in this rig build. It might be a little bit ‘geeky’ but I hope you find it useful - leave a comment below if you do :)
Posts you might also like…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
A Birmingham Photographers Dream Job: Aston Villa Vs Bayern Munich!
As a Birmingham Photographer, there is one client who I had always dreamed of working with but one that will completely divide the locals reading this. For my sins, I’m a football fan. I have been an Aston Villa fan from a very early age. I’m aware that this sentence alone may just have cost me half of my Photography and Videography clients in the second city but sometimes, it’s worth the risk. This is one of those occasions and this is my experience of working with my dream client.
As a Birmingham Photographer, there is one client who I had always dreamed of working with but one that will completely divide the locals reading this. For my sins, I’m a football fan. I have been an Aston Villa fan from a very early age. I’m aware that this sentence alone may just have cost me half of my Photography and Videography clients in the second city but sometimes, it’s worth the risk. This is one of those occasions and this is my experience of working with my dream client.
When I started my photography career, I never imagined that I could end up working with a club that I had supported for years. I just assumed that as I wasn’t a ‘sports’ photographer, I would never get the chance. However, life sometimes works in your favour and as luck would have it, a family member ended up working in the marketing team at Aston Villa. As much as I would love to believe that this played no part in it and of course they chose me based on my incredible ability, I’ll hazard a guess that my name was mentioned more out of familiarity than technical ability.
Either way, a few years ago I was asked to produce some marketing photos and videos showcasing the hospitality areas at Villa Park. It may not have been hanging out with the players and giving the manager tips on which team I would pick, but it still felt amazing to add ‘Aston Villa’ to my list of clients. The work was enjoyable enough and I was asked to do more, which gave me some encouragement that they liked my work - that or the previously mentioned family member was forcing them to use me, still no complaints from me.
Fast forward to 2024 and I’m not sure which comes as more of a shock, but Villa are now a Champions League club and I’m still doing work for them! Furthermore, I received an email asking if I could photograph the pre-match display before our first game against none other than Bayern Munich! It didn’t take me long to type ‘Yes’ and hit send! Of course I would. I had already planned to be at the game anyway, albeit in probably a slightly more drunken state but what did I care, photography and Aston Villa are two of my favourite things!
I still get nervous before jobs and I see this as a good thing as it shows that the work cares. However, I felt particularly nervous about this job as the timings were very tight. The majority of the critical shots were in the build up to kick off with the climax being a light display in the ground, flame throwers on the pitch, a firework display and rounded off with the ‘Champions League’ theme tune being played out. I went through my usual pre-visualizations of how I would get the shots, packed all my gear and made my way off to the ground.
There was an absolutely electric atmosphere at Villa Park. The crowd was even more excitable than usual and maybe it was a mix of nerves and apprehensions (plus beer!) but everybody seemed giddy with excitement. I had a fellow photographer, Paul, who was helping me with a second angle but that didn’t seem to calm my nerves any - I knew what shot I wanted to get and that was all I could focus on. Well, that and praying that somehow, this little team from Aston could overcome one of the giants of European football (again!).
The shot that I really wanted to capture was a long exposure of the fireworks going off above the ground as the tifo (larger banner) was raised in front of the Holte End. I already knew that this would be a challenge as I wasn’t exactly sure when the fireworks would go off and in truth, all of the elements would be happening at slightly different times and each one posed their own challenges. I was determined to get ‘the’ shot that as an Aston Villa fan, would mark Champions League football returning to our beloved club.
Around ten minutes before kick off and the atmosphere really starts to build. A mix of things are happening on the pitch and in the stands. I had found my spot in the upper tier of the North Stand and had set two cameras up, both on tripods with the aim of having a wide angle and something a bit more focused on the banner. I’d spoken to the fans around me, everyone knew what I was doing and I was set, now it was just time to focus on what was unfolding in front of me and make sure I was primed to capture all of the action!
Just a couple of minutes before kick-off in arguably one of our most important matches, certainly in my living history, my fingers are primed on the shutter buttons - a camera for each hand and I could feel the sweat building on my neck, despite the chilly autumnal conditions. The lights around the ground start to flash and just as Jeff Beck starts blaring out of the speakers - it’s go time! I started shooting and praying that all elements of the image could come together.
The flamethrowers at the side of the pitch start blasting out huge jets of fire and I know that at any minute, the two most challenging aspects of the image will need to be captured. Just as I start to see the banner being raised and I know the fireworks will soon make their brief appearance, I feel a push in the back! Not just a light tap, a fan had started pushing me, knocking my camera and absolutely ruining my chance of making the image that I had planned! The next few seconds felt like an eternity as I decided what to do - start crying, start punching - I think everything crossed my mind.
Paul Hadley
The first bang of the firework snapped my attention back and I desperately grabbed my camera, adjusted the tripod and started blasting out photos. For those who are unaware, any kind of additional motion in a long exposure basically ruins the image - and there was a lot of additional motion! The ‘fan’ started putting his hand in front of my camera and despite my protestations, he seemed to find it amusing that I was clearly distraught at ruining my attempts to take what I had hoped would be a great image.
Paul Hadley
The next two minutes were a complete blur. I desperately tried to capture images and just prayed that something had worked. As I packed my gear up and left the ‘fan’ shouted back to me ‘It was only a joke mate’ - neither of those things were true. I was neither amused nor feeling particularly friendly towards the guy. I had to hand my memory cards over to the marketing team before returning to my seat so I didn’t even have time to check to see what I had captured. I even missed the Champions League music in my feverish state and spent most of the first half of the game in a state of stress, panicking that I missed my shot.
During the second half, after calming down somewhat and finally returning my attention to the on pitch action - Villa did the unbelievable, and scored. I don’t think I’ve ever heard a noise quite like it, the ground erupted. At least some of my anxieties had been vanquished and by the time the final whistle went and we had won, I think I was a bit of an emotional wreck - I had been through just about every emotion I could handle for one day.
My final image…
The next day, I loaded up my images onto the computer and decided to see what I could make of what I was sure was a complete wreck of a shoot. To my surprise, I’d actually managed to salvage some shots and after a bit of ‘Photoshopping’ I managed to piece together something that resembled what I had envisaged in my head. Furthermore, Paul had grabbed loads of great shots as well and later that day an email pinged up saying how happy the club were with the images.
I got invited back for the Bologna match, but that’s a story for another day…
Looking back, I think I probably learned two things. Firstly, for all the planning you can never account for every single eventuality. There was no real need for the fans' actions but I guess I should have been more aware of the potential of being in the wrong place at the wrong time. Secondly, it just goes to show that even when the dream jobs come along and you’re so wrapped up in the excitement, you just have to keep a cool head and get the job done. This is not something that comes to me naturally but it certainly paid to persevere and get the shot! As for working with Aston Villa? I hope I get the chance again and more importantly, at plenty more Champions League matches.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Tales From the Towpath: A Sunny Sunday Cycle
I’m not a spiritual person, but sometimes you wake up, see the sun and just ‘know’ that you need to get out with the camera. This is a quick blog post about the power of doing just that! It's a little bit about cameras, a little bit about cycling and even a little bit about life - but nothing too deep, just some thoughts. Perfect for a Sunday afternoon read.
I’m not a spiritual person, but sometimes you wake up, see the sun and just ‘know’ that you need to get out with the camera. This is a quick blog post about the power of doing just that! It's a little bit about cameras, a little bit about cycling and even a little bit about life - but nothing too deep, just some thoughts. Perfect for a Sunday afternoon read.
I’ve been working pretty much constantly for a few months and knew that I was feeling a little bit burnt out. As a photographer and videographer, my work tends to get busier in the build up to Christmas with conferences, events and business burning through their marketing budgets. So when I had the opportunity to have a rare Sunday to myself, with no editing to do and no jobs booked in, I knew that I was going to get out with the camera and just take some pictures for myself!
It was a beautiful autumnal day in Birmingham with a slight chill in the air - the kind of day that I absolutely love and perfect for taking the bike out. I had no intention of going particularly far, or particularly fast or even trying to take particularly good photos - it was more just the act of taking photos. I decided to cycle down one of Birmingham’s many canal routes in the hope that the autumnal colours would be in full bloom.
Deciding which camera to take is always a challenge. I’m privileged to have a number of cameras to pick from but there is one in particular that doesn’t seem to get enough use, the Fuji GFX 50 S II - a beautiful Medium Format camera that produces incredible images and small enough to through in a backpack and cycle with, the perfect camera for my needs. It’s not a particular fast camera to use but then again, this little trip out was never meant to be rushed.
With the camera safely packed up, I hit the road, well, the towpath more accurately as I made my way out towards Birmingham’s Spaghetti Junction. This might not sound like the most picturesque of destinations but I do have a soft spot for the more industrial feeling areas. The light was beautiful and the warm autumnal tones made a nice contrast with the grey concrete and old factory buildings. The GFX has great dynamic range and it would come in very useful to balance the bright sunshine and the deep shadows.
The riding was fairly light going and the towpaths were pretty quiet, apart from the occasional person fishing or fellow cyclist. It was nice just to clear my head and concentrate on just looking for images. It almost feels like some form of meditation when you are simply focused on looking for little scenes to create images from, freeing you from all of the other stresses of work, money and life in general. Even better, I had no intent on even making ‘good’ images, I just let my mind wander and if something caught my eye, I’d stop, take out the camera and grab a picture.
I had no real destination in mind, I was simply just following the towpath. I’d occasionally nod and say hello to passers-by but I was mostly just looking ahead and seeing what potential images I could see. The further out of the city I got, the more the scenes changed from industrial, to residential and eventually to countryside, or at least what a city-dweller like me would class as countryside. It was so nice to just keep going, mile after mile until the towpaths went from grey concrete to soft wet mud - a challenging cycle but great fun and the smell of the wet mud and grass made me realise how much I enjoy being out of the city!
The bike was holding up well too, for now at least. For those interested, I was riding a Canondale Topstone 4 - a very capable Gravel Bike that has been ideal for getting around Birmingham on and was proving to be more than adept at a bit more ‘off road’ action. As I bounced over tree routes and narrowly avoided wildlife, I was deeply concentrating on what I was doing and it felt good to be immersed in the act of just being out on the bike, exploring a little bit of nature and only stopping if something caught my eye.
As mile after mile went by, I was so wrapped up in what I was doing that as I started to get into a bit more of an urban area again, I wasn’t entirely sure where I was. A quick look on google maps revealed I was in Tamworth! I’d managed some 15 miles on the Birmingham & Fazeley canal through varying terrain. I now had a choice, get the train home or cycle back? It wasn’t even close, I was enjoying myself so much that I immediately turned around, got straight back on the towpath and made my way homewards.
I stopped off to grab a coffee on my way back at a little canalside pub. The locals barely lifted an eye at my mud covered legs and sweaty face. I scrolled through the images on the GFX, not particularly impressed by any of them but also completely unbothered, this was more just the joy of taking images with no pressure at all whether they’re any good or not. It was so relieving to not have to consider clients' opinions or whether they would ‘do well on social media’ - these images were just for me.
As I made my way back into Birmingham, with the best of the light starting to fade behind clouds, I felt my front wheel become a bit ‘unresponsive’ and a quick inspection confirmed my worst fears, a puncture. Even though my tyres are ‘tubeless’ I’d not got a pump on me so with about four miles to go, I ended up walking and half-carrying my bike so as not to damage the front tyre. This should have ruined my day but I was so full of joy from just being out with the camera, that I barely noticed the inconvenience.
As I slowly made my way home, I couldn’t help but feel this was exactly what I had needed, a bit of downtime. It’s strange but I get so much joy from photography but it really helps when you are doing it for yourself and not with a client's expectations looming over you. It was great to use the GFX and I loved editing the images and pulling so much from them. I will definitely be making use of the big medium format camera again.
When I got home and got cleaned up, I started to think about how life is a little bit like that towpath (bear with me!). We’re all on our own journey, sometimes it’s easy going, other times it gets a bit muddy. Sometimes you’re so focused on not going in the water that you end up in the brambles. You never know who you will meet on the journey or what you’ll see. Ultimately, it’s about finding those little bits of enjoyment and even if it gets a bit more challenging and you suffer a puncture, it’s about making sure you take time for yourself and enjoying the little moments while you can. At the end of the journey when your legs are hurting, you’re out of breath and you’ve struggling through the mud, you might even end up in Tamworth…
Feeling slightly deflated…
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
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