Bronica GS-1 - The Most Underrated Medium Format Camera Ever?

 

I've been searching, yearning for a medium-format film camera like this for a long time. It wasn't easy to get my hands on it, and for some reason, its mere mention is but a hushed whisper floating from one forum post to another. Not a lot of people know about it, and one might argue that it's criminally underrated. In that sense, it's a good time to now introduce you to a new piece in my collection, the Bronica GS-1.

Now, if you know anything about 6x7 format cameras, you may've heard of the Mamiya RZ67 and RB67, as well as the Pentax 67. So, why not the Bronica GS-1? Why was it side-lined in the pages of history? On top of that, why did I get the GS-1 instead of its more popular rivals? For starters, the GS-1 perfectly matched a set of criteria that I set out when I was on the prowl for a medium-format film camera.

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

This being... a 6x7 aspect ratio, (relatively) compact sizing, good ergonomics, great image quality, good lenses and it could be had for a bargain price. The 6x7 format was, in particular, very desirable among other formats that I planned on shooting. Moreover, Bronica's GS-1 is smaller than either the Mamiya or Pentax cameras. The latter two are quite hefty and cumbersome to operate, which would be quite a hassle for day-to-day use.

Having previously experienced both the Mamiya and Pentax offerings before and now handling the GS-1 - I found the latter to suit my needs the best. For a camera that's no longer in production, and one that's been left under-appreciated and under-mentioned amongst photographer and mainstream circles, was choosing Bronica and its GS-1 a mistake? Not at all. In fact, it's time that the GS-1 gets its own, silent revolution.

The Ideal Ergonomics For A Comfy Experience

So, about my particular GS-1... I bought it with a pop-up waist-level viewfinder. I consider it a bonus find for me since it’s my preferred way of shooting! Otherwise, the Bronica GS-1 could be coupled with other finders. That includes a 90-degree rotary prism (more on that later), as well as a metered and non-metered prism. The customisability is thanks in no small part to the GS-1's incredibly modular body.

That is further improved thanks to the excellent ergonomics when handling the GS-1. Therefore, most of the controls that you need... Be it the flash sync, lens disconnect switch, shutter speed, and the film back release button... Are all positioned within easy reach. This litany of switches and knobs also includes the mirror lock-up (MLU) button and double-exposure settings. These two are crucial for night-time and experimental shots.

You'll usually have to fiddle around with the exposure and MLU switches when the sun goes down if you want the best low-light experience possible. It's not the most intuitive system in the world. But, once you get used to it, night photography with the Bronica GS-1 can yield great results (be sure to source the correct shutter release cable for it!). Meanwhile, there's the other key talking point of the GS-1 over its period contemporaries - the build quality and packaging.

The body of the GS-1 itself feels solid, robust, and well-built. Granted, while it's slightly smaller than the Mamiya or Pentax that we mentioned earlier, Bronica's entry into the field is still rather large and heavy. As such, you'd better be prepared to lug about that excess mass with you wherever you go. On the plus side, you do have an interchangeable film back system, and Bronica even sold a Polaroid film back for it.

“Has the heart and soul of a film camera, but paired with the conveniences and aspirations that bring it up to par with modern digital cameras”

Modular And Customisable To Your Heart's Content

Speaking of, the modularity of the GS-1 means that exchanging an accessory for another is a breeze. One great example would be the lenses. Personally, the lens that I gravitate to the most with it, and given my use case, is a 100mm lens. From time to time, I will vary between it and a 50mm or 65mm lens. This does bring us to the first significant point of consideration (and downside), if you're thinking of getting one.

Bronica themselves only made 9 different lenses for the GS-1... A 50mm, 65mm, 80mm, 100mm, 110mm micro, 150mm, 200mm, 250mm, and a 500mm super-telephoto lens. Given limited aftermarket support, this does limit your usability quite a bit, seeing that there are only so "many" lenses to choose from. It's not something that I need to worry about with how I intend to use my GS-1, but you may feel otherwise.

Still, the native lenses are pretty good. So good, in fact, that Bronica later re-used the lens formula and coatings from the GS-1 lenses, and adapted them to the rest of their camera line-up. Elsewhere, it has a healthy mixture of both mechanical and electronic elements. For instance, the GS-1's shutter speeds are electronically-controlled. Hence, allowing you to vary from 16 seconds to 1/500 seconds (and Bulb mode).

Additionally, you get a flash sync across all available shutter speeds - another huge plus point! Moreover, the GS-1 can be had with two teleconverters, a 1.4x and a 2.0x. And, two extension tubes, an 18mm and its 36mm counterpart. Some may say that the Bronica GS-1 has the heart and soul of a film camera but paired with the conveniences and aspirations that bring it up to par with modern digital cameras.

Some Good, Some Bad, And Some Ugly

Although, those very same electronics which distinguish the GS-1 are also a double-edged sword. It's worth mentioning, as well, that the GS-1 is battery-powered. In other words, you'll have to rely on its battery for everything from the shutter and even the cable release. With that in mind, if that singular PX28 battery is on the verge of dying, or if the electronics go kaput, you'll be deprived of using your GS-1 entirely.

When put side-by-side with other comparable older cameras, they at least have a few mechanical tricks and functions that could still work without electrical support. Meaning that even if their electronics give way, you can technically still use them, unlike the GS-1. To be fair though, many owners of the GS-1 can agree that thus far (given its old age), the electric circuitry is somewhat comparatively reliable.

Still, you ought to be cautious if you're buying an old GS-1. I'd recommend checking the electronics more diligently than you'd otherwise do. Regardless, with all this talk of the GS-1's build, how well does it take actual photos? Well, it turns out, really fantastically so! The images that come out of it are very crisp and clear. I personally have no issues with the image quality at all - it's a silver lining with all big cameras.

A larger frame means more image. The large 6x7 negative means I'm able to extract more detail out of a typical shot. Furthermore, it emphasises the shallow depth of field, and is similar in quality to many digital cameras of today (with the right technique), but inside the form factor of a film camera. Overall, this makes the Bronica GS-1 a very satisfying hardware to shoot with.

Some Of The Compromises To Look Out For

The experience is even better if you're willing to shop around a bit harder and find the optional AE (auto-exposure) prism viewfinder, mind. However, it's not all sunshine and rainbows, as there is one aspect of operating the GS-1 that's less than ideal. More specifically, you'll need to use a bit of elbow grease when you're shooting in portrait. This is because Bronica made one small oversight compared to its rivals.

Mamiya, on the other hand, had rotating film backs (That’s the ‘RB’!) that let you switch from landscape to portrait in a pinch. Meanwhile, the GS-1 doesn't have this. So, you'll either have to manually rotate your camera 90 degrees anytime you're shooting in portrait, which is no doubt a pain if you've mounted it onto a tripod. Or, you could shell out a bit more to get one of Bronica's rotating tripod adapter accessories.

In short, it's probably better to keep the GS-1 as a handheld camera rather than one that you'd regularly pair with a tripod or fixed mount. Another huge downside with the GS-1, as with all older cameras, is the accessibility to spare parts. The older it gets, the tougher it'll be to source spares, should they break. And, it's just as challenging to find shops or people who know how to work on it, if you need repairs done.

It's something that you have to live with once you delve into the rabbit hole of owning and using any old, out-of-production photography gear. Then, going back to those electronics, the GS-1, remember, isn't an all-mechanical being. Having experienced how iffy electrics can be with these older cameras, if they ever go awry, it's likely a lot easier to simply replace the entire camera, rather than trying to fix it up.

Is The Bronica GS-1 Worth It?... Some Closing Thoughts

Not too long ago, the arrival and incredible growth of digital cameras brought and end to the dynasty of film. It meant having to say goodbye to the Bronica GS-1, as well as its compatriots. It's a shame too, since that bulky hunk of metal and plastic is one that I very much enjoy using. Every time I go out, I try to bring the Bronica GS-1 with me as often as I can. For a medium-format camera, it's a perfect package.

In summary, it's a great choice for either rookie photographers, or even experienced veterans like myself, who are looking to get the perfect medium-format camera. In terms of maximal ‘bang-for-buck’ it’s difficult to look beyond the GS-1. When compared to those Mamiya and Pentax 6x7 pickings, the GS-1 is relatively more ergonomic and compact for those busy shoot-and-scoot sort of days. If that's not convincing enough, the GS-1 is also a steal!

With a bit of searching, you could walk away with a good GS-1 for around £500 or so. I suppose that's the prime benefit of being so underrated for so long, yet delivering a great camera that'll capably ro capture amazing images. By contrast, you'd need to spend a couple hundred more at least (if not thousands!) on an equivalent Mamiya or Pentax. In which case, you might as well spend that on accessories.

Though, trying to source the GS-1 body, lenses, and the rest of the optional kits from used marketplaces can be a bit of a challenge. In some cases, you may even be able to walk away with 6x7 lenses for under £150 apiece. But, looking for intact and reliable ones is akin to finding a needle in a haystack. Most GS-1 owners seem to have much better luck shopping for mint GS-1s and their accessories from Japan - which can have it’s own problems, as well as import taxes.

For me though, the GS-1 is as close to the perfect medium format camera as I’ve come so far. Considering, it doesn’t look like there will be any ‘new’ film cameras for a while (outside of toy cameras and technical offerings) it seems that the GS-1 will be my ‘go-to’ for quite some time, and I am perfectly fine with that…

Specs And Details

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

 
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