VIDEO: My Favourite Cameras That I have Used in 2024!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
I love using different cameras and whether they are film or digital, photo or video focussed - every one of them brings something unique. I thought I would share my favourite cameras that I have used throughout 2024 and there may be a few in there that surprise you. Take a look at the video and let me know in the comments what your favourite camera of 2024 has been!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - Manfrotto Pro Light Cineloader Small - Big Things come in Small Packages!
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
I have previously reviewed the Pro Light Cineloader Medium and it’s fair to say that I absolutely loved it! So when Manfrotto reached out to me and asked if I would like to try the Small version, it was an instant yes! I would highly recommend reading my review of the medium as the small is almost exactly the same, just smaller… It boasts the same excellent build quality, thoughtful design and offers a great level of protection for your gear - but let’s take a closer look, I’ll keep it brief.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As mentioned, I’ll try not to repeat myself too much from the review of the medium version of the Cineloader but it’s fair to say it’s smaller sibling is no less of a quality product. In many respects, I’ve actually found the small version more useful as commonly, I just want to transport a rigged out camera and don’t need all of the additional space that the medium offers. More so, it fits on top of a Pelicase perfectly with the additional loop and that has become my go too setup - Cineloader for the camera, Pelicase for all of the additional items.
Build and Features
The build quality is excellent with a good, solid structure to the bag which gives you extra confidence that your precious gear will be protected. This is something that I have tested out the ‘hard’ way when I dropped my bags down a set of stairs! The Cineloader did a wonderful job of protecting the camera and apart from wiping a bit of dust from the water repellent exterior, everything was fine - apart from my embarrassment levels which were distinctly peaked!
There is a single larger compartment in the interior with ‘M-Guard’ dividers that feature heavily in the medium bag also present here. The dividers help the versatility of the bag but personally I have been using the bag without them, preferring to just have the main compartment for the built out camera rig. The straps, zips and padding are all equally as well constructed as on the medium version and Manfrotto have certainly not skimped in any way on the smaller version.
Source: ProAV TV via YouTube
Usability and Versatility
What the small version lacks in terms of size compared to the larger options, I think it makes up for its portability and usability. The small is the perfect size for small and medium cinema rigs and it makes it the perfect option for just throwing a camera in the bag and running out of the door. Not having to break a camera down to transport it really is the biggest feature of the Cineloader bags once you’ve used one, it’s pretty difficult to go back to the ‘old’ way of doing things.
Apart from the trolley loop setup which has become my preferred way of transporting the bag, the included shoulder strap is more than comfortable enough and makes carrying the bag for long periods of time easy. External pockets also add to the versatility of the bag and on many occasions, if it’s just capturing b-roll or a simple setup, I just take the small with a few batteries in the pockets and a tripod strapped to the top with the included tripod loops - good job Manfrotto.
Final Thoughts
It’s very difficult not to just repeat everything that I have said in my review of the Pro Light Cineloader Medium as it really is only the size that is different. However, I do find that having both sizes offers a lot of benefits for different styles of working. The medium certainly has its benefits for larger jobs when you might be carrying multiple cameras and all of the additional items that are needed such as audio, lighting etc.
However, the small bag is a joy to use when you simply need to travel light and I love combining it with a Pelicase and having my perfect ‘solo shooter’ setup. You will probably have noticed that I haven’t mentioned any negatives and that is because I really can’t find any. Even the price, usually around £150-£170 is a good price for a product of this quality. The bigger question is does this fit your needs? If you regularly carry a rigged out camera, or even cameras with longer lenses - it’s difficult to see how this wouldn’t be a great addition!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Five Pieces of Photo & Video Gear That I Would Love to Try in 2025!
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
As 2024 draws to a close, it’s time to start planning for the next twelve months and I thought it might be good to share my thoughts on some gear that I would love to get my hands on in 2025! It would be really easy just to list off a load of dream cameras and lenses but that’s not really what this is about. Each of these items would help make a significant difference in either my workflow or the quality of my final output and let’s face it, that’s what all of this is really about.
There are some pretty ambitious items on the list that may be out of reach. There are also some pretty surprising items as they don’t seem particularly exciting at first glance. There is no getting away from the fact that if I actually want to round up all of these items, a little win on the lottery would probably be needed (more likely the case that I’ll be overwhelming eBay with old camera gear!). But sometimes, it’s nice to have some lofty aspirations to keep you motivated on those cold, early January mornings! Let’s take a look at the list…
1) Canon C400
This one might be a bit of a stretch as it’s well outside of my budget, but the Canon C400 sure looks like an amazing camera. I recently broke the HDMI out on my Canon R5C and this has got me thinking about whether now would be a good time to ‘upgrade’ my main video camera. For anyone that has been following Canon’s latest offerings, you might think that the C80 is the obvious replacement but there are a couple of limitations with that camera. Notably, only having SD cards and the slightly peculiar body shape really put me off.
Source - CVP Via YouTube
The Canon C400 seems to offer everything I would ever need - more so in fact, so much more that it would be a borderline waste on me. However, that’s where the opportunity lies! Being able to grow into a camera system and push yourself on more challenging shoots is exceptionally beneficial. Plus, it has triple base ISO and solid autofocus, two things that I really would rely on judging by the varying nature of the work I carry out. My biggest challenge would be making the financial side of things work but sometimes, you have to push yourself and this may just be one of those times, we’ll see.
2) Zhiyun Molus G300
I’ve been a big fan of the Zhiyun range of lights for a while now and own a few. However, I always find myself just wanting that little bit more power in my bag. I use the G200 on a regular basis and it has been great and I absolutely love the form factor, but I worry about walking into a situation where 200w just isn't enough. I’m learning to light ‘spaces’ more than faces and with this in mind, I like the idea of having a few 200w+ lights that can help bring the overall ambiance of a scene up and having a 300w as a key light sounds like a good balance.
It’s difficult to say whether this is a good or bad option as there are certainly more powerful lights out there. However, I constantly have to think about portability and how I will travel with lights and this is where the G300 seems to be best in class - power vs portability! I can see this light working really well in my setup and is (in the world of lighting) even pretty reasonably priced. I will be holding out for some January Sales and hoping to add this to the kit bag.
3) Lighting Diffusion
OK, so this may seem like an obscure choice when talking about things that you can’t wait to try, but hear me out. In 2025, I want to move slightly more into corporate interviews and maybe even documentary style work, so lighting will be essential. With this in mind, learning how to diffuse light and create really pleasing and natural looking lighting is essential. Up-steps diffusion and with so much to choose from, it might be difficult knowing where to start.
Manfrotto offer a fantastic looking range of scrims and diffusion which certainly seem to have most bases covered. I could go down the ‘budget’ route of trying Muslin and even shower curtains! I’m just not sure how that looks when turning up to a commercial client's premises armed with what looks like a bag full of decorators dust sheets! It’s certainly an area that I am looking forward to experimenting with and hopefully upping the quality of my video production.
4) EIZO FlexScan FLT Monitor
I admit it, I get excited about some pretty unusual gear choices and upgrading my monitor setup is certainly on the cards in 2025! I was casually looking at EIZO’s lineup who are relied upon by many professional photographers & videographers and stumbled across the FlexScan FLT - A lightweight monitor with some pretty impressive stats but not just in the area you may think, but in its eco-credentials! This might be the perfect second monitor! It is literally a Class-A power efficiency monitor made from 95% recycled plastics, happy days!
Even though I was initially looking at replacing my main working monitor which is what led me to EIZO in the first place - I’m suddenly really drawn to the idea of having a secondary working monitor and with power efficiency and eco-credentials like this, it seems like a no-brainer. I will be trying to get my hands on one of these to see how it can help my workflow but it has also set my mind racing about where else I can be looking at more sustainable options and that can’t be a bad thing!
5) General Audio Gear
One area that I would probably like to focus on making some serious upgrades is my audio gear. I have already invested in this area quite a bit but the more work I do, the more I realise just how important it is to be able to capture good quality audio in a range of circumstances. Nothing panics me more than forgetting to set audio levels correctly or a mic being badly placed and even though 32-bit float audio is a lifesaver, there are always areas for improvement.
Source - Curtis Judd Via YouTube
One particular area that I am keen to improve is the quality of the Lav mics that I use and getting better at placing and hiding a mic. In a dream situation, the Sanken COS 11D’s look like amazing options. It’s not super-necessary for a lot of the style of work that I do but showing an appreciation for subtle improvements in the quality of output is what elevates you above your competition. It’s the kind of area that many people might look to save a few quid but actually, nailing audio might just be one of the most important steps in the video process.
Rounding Up…
I love this time of year and not because of the Whiskey and Mince Pies (I’m quite partial to one of those!) but because it offers an opportunity to take stock of where you are and plan out where you want to be. Making lists like this might feel fanciful and more of an elaborate shopping list to show off to your fellow photographers/videographers - but I actually think it’s a really useful exercise in seeing how you can grow and become a better professional in your area of production.
I may not accrue all of the items on this list (I’m looking at you Canon C400! ££££) but by consciously looking for the gaps in your current gear and how you can make your workflow faster, easier and better quality - it’s not just good for you but also your clients and the quality of your final output. I’m really keen to hear what areas you are looking to upgrade in 2025 and what’s on your kit wish list? Leave a comment below and thanks for reading.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Belroy Traveller 26L - The Perfect Travel Companion for Photographers
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
The Bellroy Venture Travel Pack 26L is a versatile and thoughtfully designed backpack that offers photographers a blend of style, functionality, and durability. As a photographer that travels and is constantly on the move, I've found this pack to be an excellent companion for both urban adventures and outdoor shoots. However, does its stylish looks outweigh its practicality? Let’s find out…
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Design and Build Quality
I’ve previously used a Belroy Sling and was always seriously impressed with the build quality and the 26l is exactly the same. Bellroy has crafted the Venture Travel Pack with a sleek, minimalist aesthetic that doesn't scream "camera bag." This low-profile design is perfect for photographers who want to blend in while navigating busy city streets or exploring new locations. The bag is constructed from a 100% recycled water-resistant woven fabric that feels robust and ready to withstand the rigors of travel.
The zippers are heavy-duty and feature weather-sealing strips, providing an extra layer of protection for your valuable gear. While these zippers may feel a bit stiff initially, they do loosen up with use. The overall build quality is impressive, with no noticeable issues even after months of use.
Comfort and Ergonomics
For photographers who often carry heavy gear for extended periods, comfort is paramount. The Venture Travel Pack excels in this area, thanks to its well-designed back panel and shoulder straps. The back panel features a contoured shape that follows the natural curve of your spine, with a solid lumbar support cushion at the bottom. This design helps distribute weight evenly and reduces strain on your back, especially when carrying a full load of camera equipment.
The shoulder straps, while slightly rigid, are comfortable and feature a sternum strap for added stability. The top grab handle is generously padded, making it easy to maneuver the bag in tight spaces or when stowing it in overhead compartments. Personally, I found the bag to be very comfortable to carry for long periods of time and loved carrying it around whilst exploring new cities. A lot of the time, you just forget it’s there.
Capacity and Organisation
With a 26-litre capacity, this backpack strikes a good balance between spaciousness and compactness. It's large enough to accommodate a professional camera body, an extra lens or two and accessories while still fitting under most airline seats as a personal item.
The main compartment opens both fully clamshell-style and as a top-loader, offering flexibility in how you access your gear. This feature is particularly useful for photographers who need quick access to their equipment without fully unpacking the bag.
One of the standout features for photographers is the "brain" pocket at the top of the bag. This compartment is divided into two sections and can easily fit a mirrorless camera like a Fuji X100V or even a larger camera with a pancake lens. It's an ideal spot for storing frequently used items or smaller camera gear that you want to access quickly. For me, it was the X100V and an Osmo Pocket 3 - perfect travel companions.
Camera Gear Storage
While the Venture Travel Pack isn't specifically designed as a camera bag, it adapts well to photographic needs. The main compartment can easily accommodate a camera cube, allowing you to organise and protect your gear efficiently. Alternatively, you can use packing cubes and pouches to create a custom setup for your equipment.
The bag's various pockets and compartments offer ample opportunities for organizing smaller items like memory cards, batteries, and filters. The side pocket is large enough for everyday carry items but can be useful for storing a travel tripod or monopod, depending on their length.
Unique Features
One of the most innovative features of this backpack is the hidden tote bag stored in a dedicated pocket on the front of the bag. This 15-liter tote can be incredibly useful for photographers who need an extra bag for carrying props, additional gear, or even souvenirs picked up during their travels. It’s also useful if you are exploring a new city and want to leave the main bag behind, just carrying the tote bag itself.
The water bottle pocket does take up some internal space but provides easy access to hydration while on the go. However, it may cause some gear in the main compartment to shift if not packed carefully. Personally, I used it for smaller items and never bothered with a water bottle. I found this compartment was ideal for storing toiletries and other potential ‘leak’ hazards as it is separate to the main compartment.
Weather Resistance
The water-resistant fabric and weather-sealed zippers provide good protection for your gear in light rain or drizzle. However, for heavy downpours or extended exposure to the elements, you may want to consider using an additional rain cover for extra peace of mind. I have been caught in a few showers and the bag has stood up to the test very well, but it’s always best to practice a bit of caution.
Versatility
One of the Venture Travel Pack's strongest suits is its versatility. It can seamlessly transition from a camera bag to a travel pack, hiking backpack, or even a daily office bag. This adaptability makes it an excellent choice for photographers who don't want to invest in multiple specialised bags. The addition of laptop storage pockets also make this great for those that need to edit on the go!
Pros and Cons
Pros
Versatile Design: Functions well as both a travel pack and camera bag.
Comfortable Carry: Ergonomic back panel and padded shoulder straps reduce fatigue.
Ample Organisation: Multiple compartments including a "brain" pocket for easy access.
Hidden Tote Bag: Extra storage option for souvenirs or additional gear.
Durable Materials: Water-resistant fabric protects against light rain.
Travel Friendly: I’ve been using this as a ‘carry on’ bag so no need to pay for a cabin bag.
Cons
Saggy Base: The rounded bottom makes it difficult for the bag to stand upright.
Water Bottle Pocket: Takes up internal volume that could be used for gear.
Side Pocket Depth: Items stored here can sink too low, wasting space.
Weight Distribution: Heavier loads may require more support; adding a waist strap could enhance comfort.
Cost: Certainly not the most budget friendly option.
Conclusion
The Bellroy Venture Travel Pack 26L is a compelling option for photographers seeking a versatile, well-built backpack that doesn't compromise on style or functionality. Its thoughtful design, comfortable carry, and adaptable storage make it suitable for various photographic pursuits—from urban street photography to outdoor adventures.
While it may not have all the specialised features of dedicated camera bags, its versatility and quality construction more than make up for it. For photographers who value a bag that can seamlessly transition between different roles and environments, the Bellroy Venture Travel Pack 26L is definitely worth considering.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - Sekonic L-858D - The Rolls Royce of Light Meters!
The Sekonic L-858D Speedmaster light meter is a sophisticated tool that has become increasingly popular among photographers, particularly those working with film. This advanced meter offers a range of features that cater to both digital and analog photography needs, making it a versatile choice for professionals and enthusiasts alike. In addition, it could be useful for those working with video and filmmakers who need a professional grade light meter, let’s take a closer look.
The Sekonic L-858D Speedmaster light meter is a sophisticated tool that has become increasingly popular among photographers, particularly those working with film. This advanced meter offers a range of features that cater to both digital and analog photography needs, making it a versatile choice for professionals and enthusiasts alike. In addition, it could be useful for those working with video and filmmakers who need a professional grade light meter, let’s take a closer look.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Design and Build Quality
The L-858D is a robust and weather-resistant construction, designed to withstand the rigors of outdoor photography and all of the challenges that landscapes can throw at it. It is dustproof, splashproof and ensures reliability in various shooting conditions. The meter features a mix of physical buttons and a 2.7-inch color dot-matrix touchscreen, providing an intuitive interface for users and the screen is a joy to use.
One of the standout design elements is the retractable incident metering lumisphere, which can rotate 270 degrees, offering flexibility in measurement angles. The meter also includes a 1-degree spot meter for reflected metering and a 1/4-20 mount point on the base, enhancing its versatility. The versatility of this little beauty is one of the standout features, offering reliable metering whatever your needs.
Video Source - Stephen Milner via YouTube
Enhanced Sensitivity
The L-858D has impressive sensitivity, capable of measuring light levels as low as 0.1 lux or to the uninitiated, like me, in very dark situations! This three-stop improvement over previous models is particularly beneficial for photographers working in low-light conditions or with long exposures. This may be particularly useful to landscape photographers or those shooting film, where reading even the lowest measurements of available light is critical.
Expanded Measurement Range
With an ISO range extending up to 13,107,200 and a luminance range of 0.1 to 2 million lux, the L-858D can handle a wide variety of lighting scenarios. This expanded range is especially useful for film photographers who often work with various film speeds and lighting conditions. However, most photographers and videographers will benefit from this incredible range and it will come as good comfort that you are pretty much covered in any situation.
Customisable Profiles
The meter allows users to create and store custom camera exposure profiles, which can be particularly useful for film photographers working with different film stocks. These profiles can be easily edited, saved, and recalled, providing quick access to specific camera or film characteristics. This is one feature that I absolutely love and is a real time saver, in particular if you are using multiple cameras or prefer certain film stocks in different lighting conditions.
Filter Compensation
The L-858D can store up to 30 filter factors, allowing photographers to account for light loss when using filters. This feature is invaluable for landscape and fine art photographers who frequently use neutral density or color filters. Landscape photographers using ND filters will love this feature and for those of us using older film cameras where it may be necessary to use centre ND filters to compensate for vignetting - this is a real killer feature.
Multiple Measurement Modes
The meter offers both incident and reflected light measurement capabilities, with the ability to switch between them without changing attachments. It also includes an illuminance mode, which is useful for measuring the intensity of light sources. I have personally held back on buying expensive light meters in the past because of needing both incident & reflected meters, but this solves that problem by having both metering methods available, though this does come at a price.
Averaging and Contrast Measurement
The L-858D can store up to 9 measurements in memory for averaging, helping photographers determine optimal exposure in complex lighting situations. Additionally, the AVE/EV feature allows for easy measurement of lighting ratios, which is particularly useful for portrait and studio photographers. Average metering is one of the most effective metering methods for shooting with film stocks. Using this feature can also work well with the Zone System famously used by Ansel Adams - whereas that is slightly different to average metering, the L858D is a fantastic tool for use in the Zone System. That would take an entire blog of its own to explain though!
Usability
The touchscreen interface of the L-858D represents a significant improvement in usability compared to previous models. The menu system is generally intuitive, although some users may find that certain features require navigating through multiple levels. It also takes a level of knowledge around metering terms and methods but I doubt this is the kind of light meter that ‘new’ photographers would be plumping for, so some knowledge is certainly assumed.
The meter's ability to auto-dim its backlight to prevent influencing measurements is a thoughtful touch that demonstrates attention to detail in its design. The option to lock the touchscreen while still taking measurements adds an extra layer of usability, particularly in challenging shooting conditions. I did find the screen a little difficult to see in very harsh lighting situations but this is quickly resolved when shielded with a hand.
Pros
1. High sensitivity in low-light conditions
2. Extensive measurement range
3. Customizable camera/film profiles
4. Comprehensive filter compensation features
5. Versatile measurement modes
6. Durable, weather-resistant construction
7. Intuitive touchscreen interface
8. Uses standard AA batteries
Cons
1. Some features may require navigating through multiple menu levels
2. The touchscreen may take some getting used to for those accustomed to analog meters
3. The price point may be high for casual photographers
4. Some advanced features may be unnecessary for certain users
Who Would Find It Useful…
Film Photographers
The L-858D is particularly well-suited for film photographers due to its ability to create and store custom profiles for different film stocks. Its high sensitivity and expanded measurement range are also beneficial for those working with various film speeds and in challenging lighting conditions. I, for one, found this an incredible tool to accompany any of my film cameras, no matter how accurate I assumed their meters to be - the L-858D would be my go-to choice.
Landscape Photographers
The meter's durability, filter compensation features, and ability to average multiple readings make it an excellent tool for landscape photographers, especially those working with large format cameras. I assume many would rely on modern cameras internal metering but if you really want to unleash your creativity in the wild, adaptive and versatile metering is a must and there are few that are more versatile than the L-858D.
Studio Photographers
The illuminance mode and the ability to measure lighting ratios easily can be invaluable for studio photographers working with complex lighting setups. This is certainly not my forte so I will leave that to the experts, but I can certainly see the benefits of such a hugely capable light meter.
Long Exposure Enthusiasts
The L-858D's enhanced low-light sensitivity and expanded measurement range make it particularly useful for photographers experimenting with long exposures. Film photographers dealing with reciprocity and all the other challenges of shooting film will also enjoy the L-858D’s all encompassing abilities.
Professional Cinematographers
While primarily designed for still photography, the meter's ability to handle various frame rates and shutter angles makes it a versatile tool for cinematographers as well. Simple things like being able to measure in T-Stops and the aforementioned ability to average meter and consider lighting ratios make this an excellent tool for those dealing with moving images, as well as still.
Video Source - Sekonic Via YouTube
Comparison to In-Camera Metering
While many digital cameras offer sophisticated in-camera metering systems, a dedicated light meter like the L-858D can provide several advantages, especially for film photographers:
1. Consistency across different cameras and film stocks
2. More precise control over exposure, particularly in challenging lighting situations
3. The ability to meter light without the camera, which can be beneficial for large format photography
4. Advanced features like filter compensation and custom profiles that may not be available in-camera
All-in-all, the L-858D offers a more versatile and trustworthy level of metering that most modern cameras simply can’t compete with and for film shooters, it’s quite simply a must!
Software and Connectivity
The L-858D offers connectivity with MAC/PC Software, allowing users to upgrade firmware, apply custom settings, and utilise exposure profiling. This feature enhances the meter's longevity and adaptability to future needs.
Value Proposition
At a retail price of around £600 (though price do seem to vary so some research is suggested), the Sekonic L-858D represents a significant investment. However, for professional photographers and serious enthusiasts, particularly those working with film, the meter's advanced features and durability can provide excellent long-term value. Many photographers view a high-quality light meter as a lifetime investment, and the L-858D's comprehensive feature set positions it well in this regard. I’m a big believer in ‘buy cheap, buy twice’ so even though it is a heavy investment, it really will pay off in the long run.
Conclusion
The Sekonic L-858D Speedmaster is a highly capable light meter that offers a wealth of features for both film and digital photographers. Its enhanced sensitivity, expanded measurement range, and customisable profiles make it particularly well-suited for film photography, while its durability and versatility appeal to a wide range of photographic disciplines.
While the meter's advanced features and touchscreen interface may present a learning curve for some users, the overall design is intuitive and user-friendly. The L-858D's ability to handle complex lighting situations, coupled with its filter compensation and averaging capabilities, make it an invaluable tool for photographers who demand precise exposure control.
For film photographers, landscape shooters, and those working in challenging lighting conditions, the L-858D offers capabilities that can significantly enhance workflow and ensure consistent, accurate exposures. While the price point may be high for casual users, professionals and serious enthusiasts will likely find the investment worthwhile, given the meter's comprehensive feature set and potential for long-term use.
Ultimately, the Sekonic L-858D Speedmaster stands as a powerful tool in the modern photographer's kit, bridging the gap between traditional light metering techniques and contemporary digital technology. Its ability to cater to both film and digital workflows makes it a versatile choice for photographers across various specialties, ensuring its relevance in an ever-evolving photographic landscape.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW - iFootage Cobra Strike 3 - New Heights for Monopods
iFootage has developed a great name amongst photographers and videographers over recent years with high quality yet affordable products. With their latest addition to their monopod range, the Cobra Strike 3, they have gone even further to provide a fully specced product that really does tick all of the boxes. If you are after the ‘TLDR’ lowdown, this thing is incredible and should be part of any photographer/videographers kit.
iFootage has developed a great name amongst photographers and videographers over recent years with high quality yet affordable products. With their latest addition to their monopod range, the Cobra Strike 3, they have gone even further to provide a fully specced product that really does tick all of the boxes. If you are after the ‘TLDR’ lowdown, this thing is incredible and should be part of any photographer/videographers kit. However, that doesn’t really do it justice, read on to find out more.
I’ve owned and used many monopods over the years and I’m sure like many of you, always just assumed that they are basically fancy sticks for balancing a camera on - how hard can that be? Well, of those many Monopods almost all of them have failed the test of time. They have either broken, been too fiddly to use or simply not been practical enough to use, in particular as you grow as a creator.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
I have a lot of faith in the stability of these things, but I DO NOT recommend walking away from them 😅
The Strike 3 (not to be confused with its sibling, the Cobra 3 - that ‘Strike’ part is very important, as we’ll see later) is pretty much all things to all users. Whether you shoot photo or video, use a basic camera setup or rig out heavy video cameras with long telephoto lenses - the Strike 3 has you pretty well covered. In combinations with the K5S fluid head, it really is a remarkable package that is pretty difficult to beat.
Design and Build Quality
The Strike 3 builds on years of the ‘Cobra’ line and it really shows that iFootage have put those years of experience to good use. I’ll cut to the chase and get the headline feature out of the way - single handed use! That might not sound like anything you’ve ever needed from a monopod but believe me, once you’ve tried it, you’ll never go back! Gone are fiddly flip locks or twist locks to adjust the height of your monopod - now, a simple grip of the locking system and you can raise or lower the monopod to your desired height - it’s so simple.
I spent at least 30 minutes just extending and lowering the monopod in amazement! The amount of time it saves is incredible and you might be thinking ‘well it can’t be as secure as flip locks’ - believe me, it’s rocksolid, as I’ll show later with my own experiences. I can almost guarantee that this will change how all monopods operate going forwards. Not only is it intuitive and simple to use, but having another hand free means that you can keep operating your camera making fast shot setup and angle changes a breeze.
Video Source - Paule Heimlund via YouTube
Whilst we’re on the subject of angle changes, at the base you will not only find new improved feet for excellent stability, but iFootage’s pedal system for quickly adjusting the angle of the monopod. A simple press on the foot pedal releases the monopod so that you can freely move to a variety of angles. Press down further and return the monopod to the centre and it snaps back into a perfectly vertical position and automatically locks in place - ingenious. This feature alone makes using the tripod so fast and easy to get the angles you need.
It passed Tilly's 'sniff' test with flying colours 😻
The fun doesn’t stop there, at both the top and bottom of the tripod you will find the Cobra 3’s popular Quick Release system, allowing you to quickly detach either the fluid head or feet. Both have their own use cases but detaching the feet in particular reveals a rubber base, similar to what you would find on a traditional monopod for single point contact with the ground - useful in tighter spaces. However, the feet are part of the beauty of this monopod, they offer amazing stability!
Depending which package you go for, if you get the additional K5S fluid head (and if you shoot any video work I can highly recommend it) then the monopod really does come to life. The K5S has pan and tilt motions that can be locked for static shots and even has an additional arm for smoother camera movements. I was sceptical about how much I would need a fluid head for a monopod but it came in incredibly useful.
Phew, now that’s the main design out of the way we can look at build quality and as you would expect from iFootage, it’s excellent. The monopod feels robust and very tactile. It is a mostly metal with some plastic parts (again, depending on the version you get) but even where there is plastic, it is high quality and built to last. My only concern would be how the ‘Stirke’ system, the locking mechanism for adjusting height will fare over time - iFootage have rigorously tested it so I feel confident that it will last, time will tell.
Performance and Usability
I could talk for a very long time about this but I’m sure you’d rather I got to the point, it is excellent. There are so many well crafted features here from basic things like the included bag (that even extends if you want to leave the head attached) to the innovative ‘Strike’ system that I still can’t work out how it actually works! It really feels like iFootage have gone out of their way to build the most effective monopod they could.
I have been fortunate enough to use the Strike 3 on a few shoots now, one in particular was a seven hour event coverage that included both photo and video. The Strike 3 completely changed how I approached this. Normally, I would need to grab a few quick photos and then set a camera up on a tripod and slowly move it around the room, trying not to disturb the crowd or speaker, all whilst sweating and generally looking like I don’t know what I am doing.
The Strike 3 changed all of this. The 5 kg payload meant that I was able to balance my R5C rig on top and even though neither iFootage or I would recommend ‘letting go’ of the monopod with a camera balanced on it - that is exactly what I found myself doing. I was shocked at the stability of this monopod even with a pretty decent sized rig balanced on top. This free’d up my hands to grab photos and in general, just move a lot quicker whilst adjusting height/angles and still getting rock solid shots. Happy camera operator and more importantly, happy client.
In real world use, the Strike 3 is excellent and delivers everything I had hoped for and more...
I would say there is a tiny learning curve to using the foot pedal and ‘Strike’ system but within minutes, it starts to feel natural. It’s like getting into a car you haven’t driven before, you just need to learn where the controls are but it isn’t long before you’re flying along. One of the best value propositions for the Strike 3 is just how much flexibility it offers and how creative you can get with the shots. With a height range of 71cm with the monopod only, or over 150cm with the monopod fully extends, you have most shots covered - and that’s before you get really creative and just combine the fluid head with the feet for super low angle shots - no monopod needed at all!
Video Source - Kyle Watts via YouTube
Pro’s and Con’s
As you can tell, I’m quite a fan of this monopod so I’m going to set myself a challenge and start with some cons, though I will stress, it was a real challenge to find any.
Con’s
The main downside for most will be the price. It starts from $299 (UK prices not available at time of writing) and with the K5S fluid head rises to $449. For most, that may make this a choice between a dedicated tripod or an all singing and dancing monopod. Having used both, I can really see an argument for the Strike 3 - it’s versatility is incredible. However, there is no getting away from the fact that there are cheaper options out there. Not many will be able to boast such high specifications and almost none will be as simple and intuitive to use.
The next con is the overall size. For some applications the minimum length of just over 71 cm and weight of 1 kg (both going up slightly depending on which package you choose) make this a dedicated choice to carry. In years gone by, I have carry a simple carbon fibre monopod that was both half the weight and length of the Strike 3 - the basic monopod pretty much just lived on my bag ‘incase’ I needed it, where as the Strike 3 feels far more of a choice as to whether I carry the additional item - though the included bag does at least make it simpler to carry.
Pro’s
I will try to restrain myself but the ‘Strike’ system is genuinely ‘game changing’ (I promised myself I wouldn’t use that phrase but it really is!). It is so simple to use and makes the way I operate so much smoother. The foot pedal and quick release system mean that this is by far the most versatile monopod that I have ever used and in conjunction with the K5S fluid head - I’ve already picked this system up over my $2500 Gitzo tripod setup on multiple occasions.
The high quality material and attention to detail really makes you feel like you are using a premium product. I often think with some camera gear manufacturers that they must not actually use the products - with iFootage, it feels like they’ve tested their products to destruction - tweaking every little detail so the user experience is perfect. That is how I see this, almost perfect.
Final thoughts
In all honesty, I harassed iFootage a little as I was desperate to try the Strike 3 as I thought it might offer a few benefits to me as a solo operator. However, I didn’t think I was quite prepared for how blown away I would be by it. The quality is excellent, the innovation is incredible but more than anything else, it just seems to open up new possibilities both in terms of speed and creativity.
With the K5S fluid head, I can use the included Manfrotto style plate to quickly switch from the monopod, to a gimbal or even a bigger tripod, making solo shooting fast and easy. This means that I can produce better work for clients in a shorter time and ultimately, that’s where I see the value proposition of this monopod. I understand that it may represent a large investment for some photographers/videographers - but if used right, I can almost guarantee this monopod will pay for itself in terms of time saved and the creativity it unlocks.
The Strike 3 has made me fall in love with iFootage even more. It feels surprisingly good to see a company dedicated to making products that make our lives as content creators easier. Rather than simply creating products with basic iterations - they seem dedicated to making genuine innovations and really pushing the industry forwards. I can’t wait to see what they come up with next!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
Manfrotto Pro Light Cineloader - The Perfect Solo Shooters Bag!
When talking about photography and videography gear, there are plenty of things to get excited about. Latest cameras and lenses always seem to steal the limelight. Talking about camera bags on the other hand, well it’s not something that exactly gets the pulse racing. That was until Manfrotto reached out to me and invited me to try one of their Cineloader line of bags. I wouldn’t normally get all hot under the collar at the thought of a camera bag, but the Cineloader solves one big problem…
When talking about photography and videography gear, there are plenty of things to get excited about. Latest cameras and lenses always seem to steal the limelight. Talking about camera bags on the other hand, well it’s not something that exactly gets the pulse racing. That was until Manfrotto reached out to me and invited me to try one of their Cineloader line of bags. I wouldn’t normally get all hot under the collar at the thought of a camera bag, but the Cineloader solves one big problem…
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
Carrying camera gear seems like a pretty easy problem to solve. I’ve genuinely carried camera gear around in a plastic carrier bag in the past and it still got the gear to the desired destination. But there are a raft of other issues to think about. How big is the bag? Can I fit everything I need in it? Will it be safe? Will it stay dry? Most bags will tick some of these boxes, many will tick all but there was always one other issue that invaded me, no matter how big or padded the bag was. The simple problem was that I would always need to disassemble my gear every time it went in the bag.
To my photography friends, these might not seem too much of a problem. After all, we’re now very use to taking lenses on and off in a matter of seconds, no issues. However, my videography counterparts will understand the pain of having to completely disassemble your ‘cinema rig’ and cramming all of the parts into, well, wherever they’ll fit. Even when using fantastic bags like the Lowepro 400 AW or hard cases like the Peli 1535 Air - they all require some degree of having to break your gear down. Well, the Cineloader solves all of that and pretty much every other issue a bag can solve.
Video Source - Marcos Rocha via YouTube
Build Quality
Let’s start with the easy one, build quality. It’s excellent. This might be quite a short section as if you’ve ever used a Manfrotto product, I’m sure you will understand that they are built to last. The Cineloader is exactly the same. It’s robust yet lightweight, weighing in at 3.14kg which for a bag of this volume, 28 litres (all specs here are for the medium size bag!) is excellent. The moment you pick the bag up, you know your gear will be safe inside, it has a reassuringly sturdy feel. It can carry a 15kg payload but something tells me that’s on the conservative side.
The build quality doesn’t just stop at the use of components though, all throughout the bag there are signs that this has been well throughout and material chosen to do the job! The exterior has water repellent coating and a cool grey finish with red accents that looks great! The RipStop Nylon on the bottom will protect the bag and your gear whilst on damp surfaces. The thermoformed EVA lid feels like it could take a substantial impact and offer a decent degree of protection. The stitching throughout and the handles, two at either end, two traditional top handles and a very useful shoulder strap all feel premium quality and are built to last. Build quality really doesn’t feel like a concern.
Features and Versatility
Once again, it’s slightly concerning that I would get excited about a camera bag but there is so much to talk about, so I will try to be brief. There are three sizes in the range and I am using the medium, so features will vary but all share the same high quality finish. However, the three sizes are designed to be stackable which is an incredibly big selling point. If you’re like me and you have camera gear piled up all over the place, having a system that is actually designed to keep things more organised is a godsend.
Obviously, the main selling point is the size and capacity of the bag. The medium absolutely swallowed up my Canon R5C rig with a gimbal, multiple batteries, a light and a Canon R6 Mkii with 70-200mm lens and still had room to spare. I really want to dwell on this point for a second, these are all difficult things to pack down. If you’ve ever tried to pack a gimbal into a traditional camera bag, you’ll understand they just never seem to fit. That’s before you mention all the smaller accessories that you can fit into the lid organiser or exterior pockets.
However, the most brilliant part of this bag is how it swallows up all of this gear but offers the convenience of doing it without having to take it all apart. People use the phrase ‘game changer’ a lot but as a solo operator who has to assemble and disassemble all of my own gear, every single time I go on a shoot, well my game certainly just got changed! The only thing I needed to do to my R5C rig to make it all fit was to remove the cables out and that’s not the bags fault, that’s just common sense. In essences, it’s the height of the bags that allows this to work so well but they’ve managed it beautifully.
The good news doesn’t end there though. One of the key things that makes this entire system work is Manfrottos ‘M-guard technology’ and splittable dividers. Yes, yes I can hear you muttering ‘my bag has removable dividers’ and I’m not going to tell you that these are groundbreaking technology handed to us from the gods. What I will say is they are some of the best dividers that I have seen in a bag and are versatile and offer great levels of protection. They can be configured to your own desire and the long, central divider conveniently splits in two, for even more versatility. What more can you ask for from a bag divider?
The bag is littered with little touches that just ooze quality and practicality. The lid has supportive cables to stop it flipping open so you can access the excellent lid organiser better. The exterior of the bag has a large pocket at the front, two very useful pockets at either end (one including an identification window) and the rear has a document pocket. The rear also has a loop for attaching to a wheeled case handle and YKK zippers secure everything. You really get the feeling that ‘camera’ people made this bag and it shows, it solves all of the problems.
Oh, I almost forgot, it has detachable straps on the lid so you can carry a tripod or light stands! This is another issue that I have had with almost all of my other bags and Manfrotto has even covered that off, it's a solo shooter's dream! At the time of writing, it even falls within carry-on limits for air travel. It has strapping on the base so you can tie it down and a pocket for an Apple AirTag to locate your bag if the worst happens. Oh and did I mention that it will even make a start editing your videos for you when you’re done shooting! OK, that one isn’t true but it does so much other stuff, nothing would surprise me.
Video Source - ProAV TV via YouTube
What are the downsides?
So it’s pretty clear that I am somewhat of a fan of this bag, but there must be some downsides, right? Well in all honesty, I’m struggling to find any. That’s not a satisfying answer to any review so let me dig deep. Firstly, there is the thorny issue of the cost, it’s currently £219.00 and Manfrotto does run regular price drops, so it’s worth checking. That’s not cheap but again, as I sit here looking at my ten year old Gitzo tripod legs, my trusty Canon 5D Mkiii or even the aforementioned Lowepro 450 AW - all of which felt like a bit outlay and all have lasted for years and never faltered - the Cineloader feels like it will fall into the camera. So honestly, £219.00 feels like a comparable bargain for the years of service you will get from it.
Continuing the theme of scratching around for things I don’t like though… Adding the straps for the tripod to the lid is a little fiddly and I’m sure there could have been a simpler solution. The internal dividers come in two sizes, it might have been nice to have a couple more of each size, but that said the ones provided are plenty to get the job done. I’d maybe of liked to have seen a rain cover and possibly the material from the base stretched round onto the sides but let’s face it, most people won’t be using this in the harshest of environments.
I think the only thing I can honestly say is that I would have liked a slightly more substantial shoulder strap. That’s not even to say the one that is provided is bad in any way, it’s really not - I just personally like things slightly over-engineered and would have added a touch more padding. I’m pretty sure you can tell I’m at a real stretch to find many problems with this bag. Oh! I don’t like the Manfrotto branding on the front - it looks great, but it kind of advertises what's inside. OK, I really have nothing else negative to say.
Conclusion
The Cineloader line are excellent bags that solve a very real problem in the video world. However, the versatility and features on offer make this a bag that everyone should consider. The ability to carry larger video cameras and the time it saves in building rigs alone make this a great investment. If you are a solo shooter like me, it’s almost impossible to see a downside. Manfrotto has thought of everything that we might need to make solo-shooting easier in terms of transporting and protecting our gear.
Even for larger production companies and those with more varied gear, the multiple size options and the unique features that each of the Cineloader bags brings make them an excellent choice. I started this review by saying that it feels a bit weird getting excited about a bag. However, it’s not the bag that I’m excited about, it’s the thought, care, consideration that has gone into making a product that genuinely has the customer in mind. I think Manfrotto has done that and in a world of disposable, short life cycle products, it’s great to see a company that still believes in what they do!
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: TourBox Controllers, I’ve seen the Lite!
The iFootage SL1 220DN is a top-tier studio light perfect for photography and videography enthusiasts seeking natural sunlight emulation. Featuring high CRI for true-to-life color accuracy, versatile lighting effects, and a durable build, it's a game-changer in studio lighting, making it a perfect choice for professionals and hobbyists alike.
If someone asked me what one piece of equipment had the biggest impact on my productivity as a photographer & videographer, it would without doubt be the TourBox! And that question would very quickly be followed by ‘What in the world is a TourBox’? It’s a game changer, that’s all you need to know…
However, you probably want to know a little more than that so I am here to tell you about it. First though, a quick history lesson. When I started out in photography, I very quickly realised the power of post production and the ability to take my images to the next level using software such as Lightroom and Photoshop.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As many of you will have learnt by now, editing can be a time consuming process and as I started to build a client roster and shooting several times a week, photo editing became the bane of my life. This was nothing compared to the time taken on video editing, but let’s leave that to one side for now. It wasn’t unusual for me to come home with several hundred shots from a job (sometimes even in the thousands!) and this became a real headache.
The wily old professionals will now be shaking their heads saying ‘Quality over quantity’ but for anyone who suffers Imposter Syndrome like me, that simply wouldn’t cut it. ‘You can always use presets!’ I hear you say, and I did, I mean, I do - copious amounts of the things but that doesn’t change the fact that each image still needs that little tweak to make it just right! There had to be a solution.
The real issue is that Lightroom’s sliders are not easy to control with a traditional mouse - or even worse, a laptop trackpad which is what I had spent years using. I did my research and soon learnt of the wonderful world of ‘Hardware Controllers’ - basically a piece of hardware, usually with knobs and dials that can be mapped to the various different controls of a given piece of software. Problem solved, you may think, but as with all things in life, not all hardware controllers are made evenly.
I went through quite a variety of different styles, some dedicated to photography, others that were built for music and adapted to fit my needs as a photographer. Nothing ever seemed to tick all of the boxes, no matter the size, cost or hours of fiddling around to get them to work in the first place! That was until a couple of years ago when a company called TourBox reached out to me and asked me to try their new controller. ‘I’ll have a look,’ I said, not holding out much hope and forgot about it…
When it arrived, and I saw the layout, I almost didn’t want to bother even setting it up. It didn’t look intuitive and knowing how Lightroom is layed out, I couldn’t see how it would logically work. How wrong I was… Within about 30 minutes of mapping the dials and knobs to what I thought worked best, I was flying through edits with a smile on my face and gaining back precious amounts of time! But that wasn’t even the best part.
I knew that the TourBox had also been designed with videographers in mind and again, I was skeptical at best as to how this could possibly work with Final Cut or any other video editing software for that matter. After a short period of time setting the device up, I knew that I could never go back to a traditional method of ‘mouse & keyboard’ and that, is where the game was changed for me and countless others who had tried it.
Skipping forward to the modern day and TourBox have released their latest itteration of there little box of tricks and at first glance, you’d be hard pushed to tell a difference. The layout is practically the same, minus a couple of buttons and everything else feels reassuringly ‘TourBox’. That is a good thing and as we’ll see, this might be the perfect entry into one of the best kept secrets in the industry.
Price and Build
It’s important to start with the price, the ‘Lite’ is (at the time of writing) $94.99 with free worldwide shipping. That is insane value for something that can transform your workflow and save you copious amounts of time on editing. However, it’s important to remember that this is the more budget friendly offering as TourBox also offer their ‘Neo’ and ‘Elite’ versions - and if you can afford the $268.00 asking price - the Elite is worth it just for the Bluetooth functionality alone.
Video Source - Todd Dominey via YouTube
Does the low price point mean poor build quality? Not at all. The unit is reassuringly solid and with enough heft that it will not slide around a desk whilst in use. Having used the original TourBox for a number of years, I can feel that the Lite is maybe not as premium feeling, but this is nothing to be concerned about. There is definitely a more ‘plasticy’ feel to the buttons but the travel and feel of all of the controls is solid enough.
The Lite only comes in black, not quite as fancy of as the range of colours for the Elite Natural Series but again, that’s only a minor. At 329 grams it makes for a great travel companion and as we’ll discuss later, this is possibly where I see most people using it. It connects via USB C (type 2.0 and above) and it worked perfectly with both my M1 Mac Mini and M2 Max Macbook Pro.Setup is as simple as downloading the wonderful Console and plugging in the device.
Usability
This is what I imagine most of you want to know about. Usability is excellent! At first, it may look confusing and even daunting having a left-handed controller. However, the moment you hover your hand above the Lite, you start to see the genius of the TourBox - it just seems to work. You barely need to move your hand to reach any controller and it is designed not to move, so your hands simply rests on top and your fingers dance around tweak knobs, rolling sliders and pushing buttons.
Although the software comes with designated controllers for all of the most popular editing applications, the beauty lies in the ability to customise any button. For someone like me, who has, let’s say, a ‘creative brain’ this is brilliant - I can apply actions to buttons in the way I plan to use them. There is no right or wrong way of setting the device up and you are not limited in terms of ‘this button can only do this one thing’ - something that has frustrated me with similar products.
If I could give one piece of advice, in particular for video editors but also photographers - combine the TourBox with a good quality mouse that also has some additional buttons. I use the Logitech MX Master 2 (I did try the latest version but didn’t enjoy it as much, so revert back to the old one!). The ability to to control all timeline functions with my right hand and all edit functions with my left makes flying through an initial edit a breeze. Doing the same actions on just a trackpad feels like trying to edit with one arm behind your back!
My ‘old’ Elite on the Left and the new elite, I mean ‘Lite’ on the Right…
Ergonomically, the TourBox may seem confusing but it really is just one of those things that you need to try to understand it. I can’t work out how they came up with this design but it just seems to be a natural extension of your hand. I have used similar products with rows of slides and knobs and yes, they are great ways to control individual elements - but you still have to ‘look’ at what control you are using. With the TourBox, they have intelligently used shapes and textures that instinctively give you feedback so after a few uses, you never have to look down again - genius!
Software Integrations
The TourBox range are designed to be used with multiple software integrations. Common uses are for Adobe Lightroom and video editing software such as Final Cut. However, it goes way further than that with many creative software options being covered. In addition, it’s pretty easy to map basic controls using the TourBox Console, which we will look at next.
The TourBox Lite is compatible with both Windows and Mac and in my many years of using one, I’ve never had any integration issues. As long as you have the Console installed on your computer of choice, the hardware just becomes ‘plug and play’. It can even be used for more general computer controls such as changing audio volume when not in use with specific software. The aut-switching feature works seamlessly when working across multiple apps so there is almost no user input needed - just map the controls you want and your away.
TourBox Console
If the hardware is the body of the TourBox then Console is very definitely the brain! This is where all of the really clever stuff happens. Although it is effectively just the app that you use to map the controls and features of the TourBox, it is certainly powerful and should not be overlooked. Console offers a lot of great pre-mapped options for all of the main creative software covered. The real magic lies in the ability to map controls to your own liking.
Remapping controls is super simple and what is even handier is the ability to export your newly mapped controls and use them on a different computer. For instance, I use my TourBox with my Mac Mini at home but also with my MacBook Pro when I’m on the road. All I need is Console installed on both machines and then I export my controls from one machine and import them onto the other. Simple.
Such simple integration and ease of use as well as the fluid integration with a variety of software is what really elevates the TourBox to another level. The hardware is very well throughout and becomes second nature to use. However, the centre piece is really Console And the power that is put at your fingertips.
Downsides…
So far, this has felt like an open love letter to TourBox, and in a way, it is. However, nothing is truly perfect and the Lite is just the same. My biggest gripe with the lite is the reduced number of buttons. I know this is a cost thing and let’s face it, they have a clear product line up that will suit most needs. However, I can see this alone being a slightly limiting factor to some people. That said, it is still a more than powerful enough tool for most editing needs, so I am definitely ‘nit picking’.
The buttons do definitely have a ‘plasticky’ feel but for my use so far, this is not really an issue and a lot of my complaints only come from having used the original TourBox - so I have a line of direct comparison. For most first time users, this is still an excellent tool at a more than fair price.
My only final concern is more of a usability issue, but one that I can’t really comment too heavily on. I have pretty decent dexterity and even though I am very right-hand orientated, I found both iterations of the TourBox easy to use. I would have concerns if you struggle with dexterity at all or have issues with orientation - but that said, the fact that you barely need to move your hand to use it is a definite bonus!
Who is it the TourBox Lite for
If you’re reading this review then you probably have an underlying reason why it might work for you. Whether it’s photo editing, video editing or simply a useful control for a variety of other applications - then the Lite is probably for you. It very much fits into most modern workflows but more so, it can be adapted to suit many different needs thanks to the brilliant versatility and genius layout.
Video Source - Michael Clarida Arts via YouTube
The ideal use case for me is the ability to edit quickly whilst travelling. I do a lot of work that needs a very quick turnaround, even editing some videos on the same day as shooting them! Not having to wait until I get home to start an edit is unbelievably valuable and allows me to be productive in situations that would have otherwise been incredibly limiting. It really is a ‘creatives’ perfect companion!
Conclusion
The ‘Lite’ rounds out the TourBox line up perfectly and other than being an incredibly useful tool, it opens up a new level of productivity to the masses. The move to a lower price point is something that I don’t often see in the ‘tech’ world but this makes the Lite an indispensable little gem. There are very few compromises in what I consider to be a must own accessory for all creatives.
Still need convincing? It is well worth at least trying one if you have the chance to do so. I must admit, I was sceptical about these little boxes of tricks but I honestly couldn’t go back to not using one. I now reach for my TourBox almost as quickly as I reach for my mouse! I’d love to know if you have tried one and what your thoughts are so please do leave a comment below, thanks.
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About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: Peli Case Air 1535 - A Proper Hard Case!
One thing that you soon learn with photography and videography is that there are a lot of ways to waste your money. I have shelves full of gadgets and gizmos that were all intended to make my life as a photographer better and you can already guess, most of them are just gathering dust. However, some products are a ‘no brainer’ when it comes to investment and I class the Peli Air 1535 in that category.
One thing that you soon learn with photography and videography is that there are a lot of ways to waste your money. I have shelves full of gadgets and gizmos that were all intended to make my life as a photographer better and you can already guess, most of them are just gathering dust. However, some products are a ‘no brainer’ when it comes to investment and I class the Peli Air 1535 in that category.
Peli is the go to brand for many people when it comes to hard case protection for their camera gear as well as many other industries. So much so, we almost forget that Peli is just the brand name, yet we refer to these styles of hard cases as ‘Peli cases’. So when I had the opportunity to try one out for myself, I jumped at the chance.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
The Peli Air 1535 was the option that I plumped for as it offered the best mix of portability and protection as well as plenty of storage space. You may have guessed from the name, the ‘Air’ indicates that it is indeed travel friendly, being the maximum size that can be taken as carry-on luggage and TSA approved. This is often an area of pain for photographers as we daren’t let our precious gear be stowed anywhere else, so being cabin ready is the perfect size.
Furthermore, the most obvious selling point of a case like this is the insane levels of protection that it offers us. I for one have had bad experiences with other camera bags in terms of damage not just from bumps and bags, but also gear shifting around inside the bag which still fills me with dread to this day. Peli cases are renowned for their toughness and the super-light proprietary HPX² polymer construction offers crazy levels of protection whilst not weighing you down - the case weighs 3.94kg when empty.
The cases are not just built tough though, they are also waterproof, dustproof and crushproof which if you are as clumsy as I am or just prone to getting stuck in inclement weather, like I am - makes for great peace-of-mind. The good stuff doesn’t even end there though, the cases has wheels, rugged handles, excellent hinges, awesome locking mechanisms and that’s before we even look at the countless options available for the interior.
Features, Features and more Features
Looking closer at some of the main details of the Peli Air 1535 and the first thing you notice when picking up the case is the incredible build quality. It feels robust but very light and portable. I’m not ashamed to admit my first instinct was to throw it down some stairs! I didn’t, not for fear of the case breaking but for what damage it would do to everything else! The handles feel solid and the hinges are firm and reassuring.
This case has some very cool tricks up it’s sleeve! The O-ring seal around the lid of the case means that this thing is waterproof and not just ‘OK in a light downpour waterproof’ - like drop it in a lake waterproof. I’m obviously not advising that and certainly wasn’t going to test it out but I believe it - it is IP67 rated! It even has an automatic pressure equalisation valve that keeps water out and means that the case won’t just explode open with pressure changes - I mean, that’s something I’ve never worried about but now I can worry even less!
The stainless steel padlock protectors and ‘Push and Pull’ latches feel robust and give a satisfying click! The wheels are smooth and glide along pavements and the retractable trolley handle is sturdy and reassuring to use. However, the biggest benefits to us photographers is what lies inside it’s spacious 27 litre interior and the differing methods of organising our gear.
Tough on the outside, soft in the middle
So we know the exterior is pretty well protected but what about the interior? Well there are multiple different options for ‘padding out’ your Peli Case. One of the simpler yet more effective options is the foam insert. You can cut and modify this to suit your own desire and if I was lucky enough to be carrying an Arri or super-high end cinema camera, this is how I would do it - offering maximum protection!
However, most of us will be carrying at least one or two camera bodies, multiple lenses and a host of other accessories. For this, there are two great options. Firstly, there are the padded dividers. They are similar to what you may find in a traditional camera bag but they feel a bit more sturdy and are very versatile in how you can configure them to suit your needs. One tip is to lay your gear out in the case so you get a feel for how it will all fit before adding the dividers.
Secondly, there are the awesome ‘TrekPak’ dividers. This is a really neat solution that you cut down to size using the supplied blade tool and use pins to join sections. It works really well and still offers some degree of versatility. However, as you are literally cutting the dividers down to size, it pays to thoroughly plan out your storage needs as this feels like a more permanent solution. If you do similar jobs and use the same gear frequently (such as weddings or portraits etc) this is a really great option.
One thing to mention here is to really take the time to plan out where your gear will go within the case. It’s very easy to make a mistake and end up wasting valuable ‘TrekPak’. Even worse, you may plan it all out meticulously only to find that you are just short! So it is really worth planning accordingly before cutting away and costing yourself a fortune! Even the note that comes with the TrekPak reminds you to ‘Measure twice, cut once!’ sage advice…
Video Source - Shane Bethlem via YouTube
Cons
I clearly have a lot of good things to say about this case so I thought I would start with the negatives, as let’s face it, that’s what most people will want to hear about! In complete honesty, I really struggle to find any. That’s a bit of a copout answer so I will offer a few but again, it’s a bit tough to say they are absolute negatives when this case offers so much.
Firstly, there is the price. Depending on what divider system you plump for, this case could set you back anywhere between £290-£450 and there is no getting away from the fact that it is expensive! It is easily countered with the fact that the case is virtually indestructible in everyday use and Peli’s limited lifetime warranty should have you covered in most ordinary situations. However, as an initial outlay, it feels steep and many will be tempted to source a cheaper alternative. This may end up being a false economy if those cases are not built to the incredible quality of the Peli’s
Next up is the somewhat limited versatility of the case. I’m going to contradict myself massively here, in particular when we look at the interior options later. However, I feel these cases are aimed more at people who have specific needs for a hard case, they travel a lot or are in busy production environments where gear isn’t exactly looked after. For most photographers in a studio scenario or landscape photographers, lugging a hard case around doesn’t really seem logical - so again, what is your use-case for a hard case?
Pro’s
As mentioned, I really struggled to find any cons but for the Pro’s - I could be here a while, so I’ll keep it brief. As you would expect from a brand with a reputation like Peli’s - the case does exactly what you expect it to. It is built like a tank and I have had to resist the urge to try to destroy the case for two simple reasons, the cost and the sheer embarrassment of probably not being able to! So I will spare my blushes and just say it’s very tough!
One of the biggest benefits to me was the fact that it has wheels! As a non-driver, I find myself lugging gear around on my back and at the tender age of forty-something, that is starting to take it’s toll. However, getting the weight off my back and onto the ground is a gamechanger. One word of caution though, the wheels glide smoothly along pavement and airport concourses but the case does feel ‘bumpy’ on rougher terrain. It’s a good thing the interior is so well padded!
That interior is maybe the biggest pro of all, the versatility of foam, padded or the exceptional ‘TrekPak’ dividers make this almost ideal for any type of photographer or videographer. I struggled to commit to the TrekPak purely on the basis that my gear needs to change considerably from shoot to shoot. However, the padded option allows you to construct the interior to suit whatever gear you are carrying and has been my default when using the case.
I added the additional lid organiser and for me, this elevated the Air 1535 to another level as it gave me dedicated spaces for the kind of gear that always seems to get lost in my other bags. In particular for video shoots, having pockets for cables, audio accessories, batteries, memory cards and smaller items was perfect. Knowing that they wouldn’t just be rolling around in my bag was great peace-of-mind and not having to worry that I would lose something every time I opened the bag was a real relief.
Video Source - RA Visuals via YouTube
SUMMARY
So would I recommend this to other photographers and videographers, well it’s a pretty easy ‘yes’ but I would also offer a word of caution. There is absolutely no doubt that the Peli case offers unparalleled levels of protection for your expensive camera gear. But much like everything in life, that comes at a cost and in this case, it’s that initial outlay of cash. I would say, as someone who has suffered the agony of breaking camera gear that I believed to be well protected in a traditional camera bag - that cost is justified by the levels of protection offered and much like insurance, you’ll only really understand its true value when you need it!
The other piece of advice that I would offer is to have a clear goal in mind of why you need a case like this. Are you going on a particular trip where you need the extra protection? Do you work in environments that can leave your gear particularly vulnerable? Or, like me, are you just cursed with the clumsy gene that makes you a danger to camera gear! If any of those are true, then it’s probably a good investment!
I have been very impressed with the Peli Air 1535 and can already see a future where I pick up a couple of different cases from the extensive Peli line-up.
Tilly approved…
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.
REVIEW: Matador BetaLock - Every Photographer needs one!
Every now and then, I stumble across a product that stops me in my tracks and the Matador BetaLock is exactly one of those products! It’s an incredibly simple idea, a lockable carabiner but it solves a huge problem that terrifies me and something that I am sure will concern countless other photographers and videographers, let me explain.
Every now and then, I stumble across a product that stops me in my tracks and the Matador BetaLock is exactly one of those products! It’s an incredibly simple idea, a lockable carabiner but it solves a huge problem that terrifies me and something that I am sure will concern countless other photographers and videographers, let me explain.
I was in a recent YouTube rabbit hole, searching for bikepacking related gear in preparation for some trips in 2024 and as always, I seemed to find myself in one of the obligatory ‘top ten accessory’ videos. These are Kryptonite to me and I can waste hours digging through lists and watching videos on things that I really know that I do not need. However, buried deep in one of those videos, I stumbled across the Matador BetaLock.
PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW
As soon as I saw the BetaLock, I knew exactly what problem it would solve for me and instantly knew that this product would be of high-value to other professionals in this sector. The product is simple, it’s a large carabiner but what makes it unique (well, as far as I can see from a very quick online search!) is that it actually locks using a key! I know, it doesn’t seem earth-shattering but this simple addition is a complete game-changer!
I own plenty of carabiners and that includes many with ‘locking’ clasps. Usually, this involves a simple screw that means that the clasp can not be easily pushed open. Where the BetaLock rises above is the addition of that small key (two supplied) that means the carabiner actually locks! You need the key to open it! Better yet, it is so beautifully integrated that you really can’t tell it’s locked by glancing at it, it’s only on close inspection that you realise it’s genius.
Video Source - Pack Hackers Reviews via YouTube
The aircraft grade Aluminium is beautifully finished in a range of colours and the deadlock feels solid and for those that travel, it’s also TSA approved so no worries there. As an item of ‘Everyday Carry’ it works perfectly as a normal carabiner and is just as rugged and as useful as any other larger carabiner that I have used.
So why am I so excited about it? Being a Photographer & Videographer in Birmingham (United Kingdom) I understand that it’s a large, modern city and unfortunately, not every single residents moral compass is pointing in the right direction. Therefore, I always have to keep a close eye on my gear as all professionals should be doing, no matter where they live. One of my biggest fears is the simple opportunist thief who basically snatches the bag whilst I am unaware.
When I saw the BetaLock, I instantly knew that I wanted one on every single camera bag I own with the simple plan of leaving them attached. I travel a lot on trains and have been known to spend a little time in coffee shops (or even pubs!). Having a locking carabiner allows me to attach my precious camera gear to rails, tables or whatever I can find that is reassuringly secure. Trains are a constant cause for concern as they are often busy and you usually end up standing away from your bags which should really be on racks!
Using the BetaLock, the opportunity for someone to simply snatch your bag and walk off with it is significantly diminished! Having grown up on a Council Estate, I’m sure with a screw drive, a hammer and a few minutes I could ‘open it’ without a key. However, it would certainly take some effort and you certainly wouldn’t be able to do it discreetly! Like I mentioned, such a simple idea but it certainly solves a problem that I have faced for many years.
Even better, Matador also offers an accessory cable that allows you to lock the carabiner (and your precious gear) to even larger items or locking up multiple items. The stainless steel braided cable is certainly tough and would not easily be removed. I don’t think it would stand up to a decent pair of bolt cutters or an angle grinder (and yes, as a cyclist I can confirm that thieves do go to that extreme!) but as previously mentioned, the cable is plenty tough enough to deter most would-be pilferers.
It’s a shame that we live in a world where we have to go to such extremes to protect our camera gear and it certainly doesn’t solve every security issue, but it is such a neat and elegant solution that it really should be something we all consider. I have even considered locking the carabiner to my jeans whilst out to allay the fear of the moped snatchers - if they want my gear so badly that they are prepared to pull my jeans down then they really are desperate!
The key is small and discreet and with the different colour options for the carabiner, the BetaLock will match even the most expensive of camera bags. I was initially a bit put off by the Gold of the lock that I received but I must admit, once I put it on my bag I really liked the way it looked and would seriously consider buying more in that colour! But the other options also look great!
Matador has a fantastic range of products that I really think are well worth checking out but with the BetaLock, I think they have really hit gold. As I mentioned, it’s such a shame that we have to protect our gear like this but if it happens to deter an opportunist thief then the $30.00 plus shipping will instantly pay for itself! It may seem expansive on first look but seriously, it only needs to save your gear once to be well worth the investment!
On a side note, the BetaLock can’t solve all of the ways that thieves can relieve you of your gear so please do make sure you insure your camera gear. With knife crime a constant issue in the UK, it’s certainly not worth getting into an altercation to protect your gear and that camera insurance will mean that you will have the option to walk away from what is a horrendous situation.
I started by saying how much I love a simple product that solves an issue and I really believe BetaLock does that so well. I wish I could stumble across more products like this that I truly believe in so I guess I will find myself down yet more YouTube rabbit holes. However, I will be able to do so on the train without the fear of someone running away with my bag without noticing!
About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.
Disclaimer: All links to Amazon UK/US are affiliated links - you will still pay the same price but I will receive a small commission. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.