My Top 10 Cameras of 2023!

my favourite cameras in 2023

I carry a camera everywhere, whether I am walking to the shops or on a day trip out to some new location, I generally have some kind of camera on me. After I posted my favourite cameras of 2022, I received lots of emails asking details about some of the cameras I listed and it was apparent that plenty of the readers were intrigued by what did and didn’t make the list, so I thought I would give you an insight into some of my favourite cameras that I have used in 2023.

It’s fair to say that I am very fortunate to get to use a lot of different cameras and I appreciate how lucky I am to do so. The vast majority of these cameras are purchased with my own money (I will have a post coming up in the New Year about my process for buying and selling cameras!) but some are loaned to me from camera manufacturers. However, this does not cloud my judgement, I will always give an honest opinion and never feel pressured into saying something I don’t believe to be true.

The only other thing worth keeping in mind as we run down the list is that some of these cameras are there to do a job and some purely for pleasure - that’s not to say that one is better than the other and you should run out and buy it! This list is purely from my own perspective and I will be explicit over whether it is a practical choice or simply something that puts a smile on my face!

PLEASE NOTE: I PURCHASED MOST OF THESE ITEMS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

10 - Fuji X10

I picked this camera up in 2022 as a viable alternative to the X100V and as I mentioned in my review, I feel like it gets most of the way there. The small form factor is everything the X100V should be but I’m not going to sugar coat it, the image quality is never going to be as good as its more modern relative.

With patience, you can really get the most out of the X10

That said, it’s still more than possible to get a great image out of this camera and with a bit of patience and understanding, the files can be wrangled into something more than usable. I didn’t find myself using this camera as much as I hoped this year but every time I see it, it puts a smile on my face and I sincerely hope Fuji makes a return to this pocket friendly form factor when they release the latest iteration in their X-series line-up.

9 - Sony A7RV

OK, before anybody calls me a troll or accuses me of losing my mind, let me explain why Sony is so far down the list! It is a stellar camera, arguably the best camera on the list from a technical point of view. It has the best autofocus, a seriously impressive sensor, decent handling and video functions that wouldn’t be out of place on a Hollywood movie set.

It doesn’t take much to get the most out of the A7RV files :)

Therein lies the problem though, it's a technical masterpiece and for me at least, it feels a little too clinical. The image quality is sharp and precise, the autofocus is snappy and fast - but it lacks that ‘something’ that makes me want to pick the camera up. I know how ridiculous it sounds to prefer a ‘worse’ camera, but the camera is not just a tool, it needs to inspire you and that’s where I find this camera lacking! That’s jus me though, it really is a camera of the highest quality.

Video Source - DP Review TV via YouTube

8 - Canon EOS-R

I’ve said it before and I’ll say it again, I think the original EOS-R is one of the best bargains in modern cameras. It got hammered when first released and in some parts, with good reason. However, the autofocus is good enough for most normal scenarios, the build quality is good and personally, I find the handling a treat.

The Canon Eos R once again proving why its one of my secret favourites!

Put that together with decent image quality, respectable dynamic range and video quality that, in 1080p at least, is plenty good enough and you have quite a package. Sure, there are much better options out there but for the price and the lens availability, I can’t think of many cameras that I would recommend over it. To coin a phrase from the youngsters, I think way too many people are ‘sleeping on’ the EOS-R!

7 - Yashica Mat 124G

What can I say about this camera, I absolutely adore it. It certainly doesn’t have the grace of a Rolleiflex and not as reliable as a Hasselblad - but it is cheap, easy to use and creates wonderful images. There really isn’t much negative to say about this camera and even if it goes wrong and let’s face it, most old cameras will go wrong! They are still affordable and abundant enough to pick up another one.

The Yashica Mat 1244G is the perfect street companion…

I didn’t get as much opportunity to use it as I may have liked but that is not to say that it isn’t a wonderful camera. In fact, I seriously considered taking this as my ‘only’ film camera to Japan, such is the reliability of it and the simple pleasure of use. However, with rising film prices and developing costs, I’m a little concerned about how much use it will get in the coming year…

6 - Leica M8

Ah the Leica M8, I love this camera. The shooting experience with this camera is incredible and can make even bang average photographers like me feel like Cartier-Bresson! The 10 megapixel CCD sensor is a thing of beauty as long as you feed it lot’s of light! In anything other than bright sunny days, the image can fall apart and in low light it’s almost unusable.

The Leica M8 has some serious nostalgic vibes!

When used in fair conditions though, this little lump of Leica can produce beautifully rich images that almost feel like you are shooting with Kodachrome! The body feels rugged and premium and knowing that it will ‘brass’ over the years, it just makes you want to hold it and use it as often as possible! The only problem being is that as a resident of the uL, sunny days are too few and far between! Hopefully it will get more use in 2024!

5 - Fuji X100V

What can I say about the Fuji X100V that hasn’t already been said a thousand times before. This camera is a marvel of the modern camera world. It’s fantastic to use in almost any scenario and deserves the praise that gets regularly heaped on it. It creates beautiful images and is so simple and enjoyable to use that it’s really difficult to recommend any other cameras over it.

The Fuji X100V is just a great Everyday Carry, for those with big and deep pockets…

However, as I said in my long term review, there is one issue that I struggle to look past from time to time. It’s just a touch too big to call pocket size! If this camera was about 20% smaller, it would be the perfect camera, hands down. You simply can’t easily fit it into a pocket and that means that you have to make a choice - if you need to carry a camera bag, well there are plenty of better cameras to carry. Yes, I understand it’s unfair to pitch it against interchangeable lens cameras or Medium Format! However, if I’m taking a bag out, I’m probably reaching for a different camera.

Video Source - Benj Haisch via YouTube

The 645Z dwarfs the already large Fuji GFX 50S II

4 - Pentax 645Z

OK, so I will be honest. This camera was bought on somewhat of a whim! It’s an outrageously expensive camera to buy without doing some proper research but having sold a few of last year's favourites, I had made up my mind that I wanted to delve into the world of digital Medium Format and this seemed like the most budget friendly way of doing so.

Even with a pro-mist filter in low light, the 645Z produces wonderful images

I will cut to the chase though, this is an incredible camera and I pretty much instantly fell in love with it. So it’s an easy recommendation then? Absolutely not. The camera is huge. I don’t just mean ‘it won’t fit in a pocket’ huge, I mean it won’t fit in some of my camera bags! It has one of the loudest (but also most satisfying!) shutter sounds that not only draw attention to you, but I’m sure would make people duck if you use it in public, it’s comical!

So why have I kept it? It’s an absolute joy to use. Once you get over the size, the layout of the camera is amazing and the images it produced are simply some of the best I have ever seen. The dynamic range is fantastic and when combined with the stunning DA645 28-45mm lens - which in itself is probably the best lens I have ever used, well it’s almost the perfect package. Unfortunately, that package is simply too big for everyday use!

3 - Bronica GS-1

Well, this is slightly awkward. Last year's number one camera has been dethroned, surely that means I’ve fallen out of love with it? Not in the slightest, in fact, I am still on the search for a second GS-1, just in case this one goes wrong! Everything I said last year remains true and it is still and incredible medium format offering that I think is too often overlooked in favour of the Pentax and Mamiya offerings.

I’ve created some of my favourite images with the Bronica GS-1

So why hasn’t it retained it’s crown? Well quite simply it’s just becoming more and more difficult to shoot regularly with it. Film and developing costs make shooting in 6x7 a luxury and one that I struggle to justify. It is a fantastic camera and one I would highly recommend. However, if it’s not a specific project or a once in a lifetime trip, I would have to reach for the Mamiya 645 Pro or the Yashica, purely based on economics if nothing else.

2 - Fuji GFX 50S II

I reviewed the 50S II earlier in the year and even though I really enjoyed using the camera, I didn’t think I would come to own one. The Medium Format bug had definitely bit me and the camera is just a well thought out, well built camera that is simple enough to use. However, the slower autofocus and higher price tag than a decent 35mm camera meant that it probably wasn’t well suited for my needs.

The perfect camera for a once in a lifetime trip…

However, as the year went on and plans of visiting Japan, probably the thing at the top of my bucket list - I found myself pondering what camera to take. No doubt pretty much any camera I owned would do a good job but I wanted to use something that I knew would do the trip justice. After hitting the credit card hard I was now the proud owner of a 50S II and let’s just say, I was extremely happy with my choice, this thing makes amazing images!

1 - Canon R5C

This camera sat at number 2 in last year's list so why has it taken the top spot in 2023? Well, put simply, I’ve started to understand this camera more and it’s an absolute beast! Taking brand preference out of the equation, I would struggle to think of a more fully featured ‘hybrid’ camera out there - maybe the new Sony A9 III but as I doubt I will be getting my hands on one of those any time soon, I really can;t compare.

Perfect for corporate work and general shooting pleasure…

What makes the R5C so special is its ability to transform from a fully specced Can R5, which is a fantastic stills camera, to an all out cine style camera that even gives it’s big brother, the Canon C70 a run for its money. The best part, it’s barely any bigger than an R5 and if you had to purchase an R5 and a C70, you’d been forking out at least a few thousand pounds extra! The R5C has come to represent excellent value to me considering its spec.

R5C fully rigged and ready for business…

However, the thing that really pushed it over the edge and into the top spot for me is simply how reliable it’s been - it literally hasn’t missed a beat. As a professional photographer and videographer, I have to be able to rely on my gear and apart from a few idiosyncrasies, such as the boot time when switching from photo to video or the Micro HDMI port (Canon!!) Once you get used to its little quirks, it’s a fantastic camera to use. 

There you have it, that’s my round up for this year and I can’t wait to see what 2024 brings in terms of cameras. Hopefully I will get to try a few more flagship models and as always, I will share my honest thoughts with you guys! Let me know your thoughts in the comments below!

---

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

---

---

Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

REVIEW: HEIPI W28 3-in-1 Travel Tripod

A solid, reliable, and versatile tripod will make a world of difference for amateur and professional photographers who have relied for way too long on cheap, flimsy, and typically clunky budget options. While good tripods don't often come cheap (usually a few hundred bucks, at least), it's unusual to ever regret that choice. But, for those seeking maximal value for money, HEIPI's 3-in-1 travel tripod might be a pretty good bet.

It's a truly multi-functional companion for photographers and videographers alike, featuring an awesome amount of durability, flexibility, and a unique integrated design. Plus, it's really great to see, for once, that a Kickstarter project actually delivered in time, and something good came out at the other end. The goal is simple - to be a robust, all-in-one tripod solution for on-the-move shooting scenarios and mobility.

PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Video Source - Dustin Abbott via YouTube

With that in mind, HEIPI has integrated a unique sub-tripod design, which doubles as a center column, or even as a standalone table-top tripod. Yet, despite its travel-focused form factor, the HEIPI W28 readily handles a 25kg (~55lbs) camera. Thus, ensuring stability for even professional-grade cameras. Although, for content creators and vloggers that shoot with phones, the ball head has a built-in smartphone holder.

Additionally, with thoughtful additions such as bubble levels, some spike feet, and accessory ports further help to enhance the HEIPI W28's functionality. Granted, it's not entirely perfect, as is evident by the W28's surprising heft that you have to lug around, and the need for hex wrenches to make adjustments. So, with that taken into consideration, should you look at the HEIPI W28 if you're shopping for a new tripod?

What Makes The HEIPI W28 Such A Compelling Package?

So, a bit more about that smartphone mount integration, which is quite unique when looking at other pro-grade camera tripods, it's conveniently located under the camera's mounting plate. This can support most smartphone sizes, so compatibility shouldn't be a problem. Plus, this feature is particularly handy for folks who switch between traditional cameras and smartphones, and this can be done rather speedily, too.

Videographers can benefit from the mounting system and ball head on the HEIPI W28, as well. HEIPI uses a ball head with an integrated pan head with 10-degree clicks, which is ideal for precise adjustments. This can be disabled, if you choose to, for smooth and consistent panning motions. What's more, there's a nice quick release plate with anti-twist pins, and compatibility with numerous popular camera models.

The leg locks and joints are another noteworthy highlight of the HEIPI W28 3-in-1 travel tripod. These are the brand's own, patented lever locks that are engineered for quick adjustments. In practice, I've found its operation to be pleasantly snappy and secure, providing confidence in the tripod's stability. I also like that the joints and the center column are pretty sturdy - not something you often find on budget tripods.

Thus, it allows for super smooth adjustments and a wide range of motion. You'll find that it ought to be a suitable tripod then, for various photography styles, such as macro or wildlife photography. The latter can be a tempting proposition, given that at just under 18 inches, the HEIPI W28 is compact enough that it's a superb tripod for traveling. Or, if you're regularly on the move, shifting around from shoot to shoot.

Where Does The HEIPI W28 Excel At?

Thus far, I've heaped praise for the HEIPI W28 travel tripod, and it's not without merit. So, here's a quick look at all the pros and upsides that HEIPI has built into the W28 that makes it such a brilliant tripod...

• Dual Functionality - Being able to leverage the main and sub-tripods adds unmatched versatility. With this distinct design in mind, there are a few ways that you can use your tripod, whether you're crouched on the ground, in prone, or are mounting the tripod onto something secure. Aside from that, the HEIPI W28's sub-tripod is coupled neatly with the main tripods, ensuring that you can remove it within seconds. Better still, when it's tucked away, you won't even notice that it's there. This built-in, mini sub-tripod can offer a bit of extra shooting flexibility, particularly when you're vlogging or if a lighter setup is preferred.

• Impressive Versatility - Weighing in at around 1.35kg (~3lbs), the HEIPI W28 is heavier than it appears, but this added mass does contribute a lot to its stability. Yet, it's compact enough when folded that it's handily travel-friendly. The load capacity, as I noted earlier, is quite impressive, allowing it to manage heavier gear with ease. I've seen folks use it with large format film cameras and vintage 120 cameras, with no problems whatsoever. On top of that, with a maximum height of 59 inches, the HEIPI W28 offers great reach. It's a good idea to be wary though, given that the minimum height is taller than some competitors, which might be a bit troublesome for storage.

• Smooth Ball Head - The ball head on the HEIPI W28 is extremely smooth. Given that it's a tightly designed ball with pan head features, I reckon this will be highly appreciated by videographers on the go. Or, if and when you need to, the ball head itself is compatible with different plates for some extra convenience. You could further bet that it's an overall stable platform to lean and rely on, given the inclusion of a reversible spiked feet. There's a good level of stability on loose soil and sand, with those spiked feet providing a nice and secure grip on various terrains.

Video Source - Chris Schackart via YouTube

What Does The HEIPI W28 Do Poorly At?

Alas, it's not all sunshine and rainbows, since the HEIPI W28 does have its fair share of flaws that might be worth accounting for if you're considering adding it to your shopping cart...

• Heavyweight Contender - While it might appear tiny at first glance, the HEIPI W28 has a good heft to it. It is a bit of a double-edged sword though, as I mentioned earlier. Thus, for all you traveling photographers and videographers, it might be a bit of a concern for those seeking ultra-lightweight options. This is partly due to the fact that the HEIPI W28's mini sub-tripod's legs are made of aluminum alloy, which in hindsight, could've been made out of carbon fiber. The latter would no doubt contribute massively to at least a bit of additional weight reduction.

• Leg-Locking Levers' Ease Of Use - Though I do like HEIPI's clever leg lever locks on the W28, there's a bit of a learning curve associated with them. Therefore, for first-time users, it may not be easy to use right off the bat. Additionally, the leg locks are quite stiff when you're trying to use them for the first few times, but they will get looser and easier to use over time. Speaking of design flaws, the accessory ports on the HEIPI W28 also have some alignment issues on some units. Specifically, when the sub-tripod is re-inserted back into the main tripod, which could be a minor inconvenience for some.

• Hex Wrench Requirement - The HEIPI W28 comes with four different hex key wrenches that are necessary for adjustments. This can be quite cumbersome to carry and keep track of, particularly for photographers who prefer a more streamlined and minimalist setup. So, make sure you don't lose any of them! Another thing to mention is how you stow away those hex wrenches. Hex key wrenches for adjusting tripods aren't a new concept, but some brands allow you to store the key wrenches within a compartment on the tripod itself. Meanwhile, with the HEIPI W28, you'll have to store it separately in your camera bag.

Is The HEIPI W28 Really Worth It?

For around $399, the HEIPI W28 3-in-1 travel tripod is positioned as a relatively more budget-friendly option than some of its competitors, such as the carbon fiber models from Peak Design. With that price point, this is a really competitive offering, providing good value considering its features and build quality. Compared to other travel tripods, the HEIPI W28 offers truly innovative features, such as that mini sub-tripod.

It further stands out in load capacity, stability, and smooth operation, which helps to justify that price. On top of that, the HEIPI W28 continues to impress with its robust build quality and supreme versatility. That alone could help sway buyers from more established brands. The natural competitor for this HEIPI W28 is undoubtedly Peak Design and their line-up of great tripods. So, how do these two brands compare?

I actually swapped my Arca-Swiss Leveller 60 head onto these legs for a killer travel combo!

Well, the HEIPI W28 is lighter, taller, and has a higher maximum load capacity, even when you compare it to the aluminum and carbon fiber tripods from Peak Design. However, those Peak Design tripods are more compact when folded down, which might be a crucial factor for some photographers. Overall, HEIPI's W28 offers a compelling blend of versatility, durability, and smooth operation for traveling photographers.

While it has its quirks, it's still a worthy investment for serious photogs on the move. The HEIPI W28 offers significant value for money, particularly compared to its closest competitors and other tripods at this price point. It's a really strong contender for those of you who are looking for a versatile, (relatively) lightweight travel tripod that doesn't compromise on features and usability, and everything you need a tripod to be.

Specs And Details

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

REVIEW: FXLion Nano One V-Mount Battery

One of the most annoying things about handling a camera - and most videographers will no doubt agree with me on this - is its batteries. Given how powerful cameras are, and particularly so if you're using your camera to record long 4K or even 8k videos and grabbing  shots left and right, batteries are the bane of every camera. They don't last nearly long enough, and despite their short battery life, those batteries are huge!

As such, it's not a surprise that there's been an arms race to develop V-mount batteries that could hold a long charge - ideally, long enough for a solid filming session. Yet, it is compact and lightweight enough, as to be readily lugged about from one shoot to the next. The latest entrant in this ever-expanding market, is FXLion and their latest Nano One V-mount battery, which packs something truly ground-breaking.

PLEASE NOTE: I WAS SENT THIS ITEM FOR REVIEW BUT NO OTHER PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Video Source - NewsShooter via YouTube

On the surface of it, the FXLion Nano One is your typical V-mount battery, showcasing some noteworthy evolutions from V-mount batteries of yesteryear. For starters, the FXLion Nano One is quite dense, which pairs a compact and lightweight package, yet still packs in a 50Wh battery pack. However, if you've found that your phone or Bluetooth earbuds are running low on charge, then the FXLion Nano One could also help.

This latest FXLion Nano One model that I have here now features a 15W induction wireless charging pad on the back of the battery. In so doing, and when you're in a pinch, all you need to do is pop your phone or earbud case onto your FXLion Nano One V-mount battery and it'll charge it and keep it topped up. It'd also function as a power bank too, and its 14.8V battery could readily charge your MacBook or laptop, too. This has been an absolute lifesaver for me on more than one occasion already!

What Does The FXLion Nano One Battery Do Differently?

In the often staid world of camera batteries, the FXLion Nano One is a rather revolutionary device. While it's a pretty great V-mount battery for any smaller camera rigs or other gimbal-mounted equipment, this is just the start of what it could do. As I mentioned earlier, it could double as a power bank for any phone, and through the power of USB-C and a decently high 2.4A max output, it could handily charge a laptop.

On top of that, it's a battery bank with a handy-dandy 15W wireless charging pad. There have been many a day where I'd forget to plug in my phone for the day or I'd run through a full charge on a really long and busy shoot, without realising just how close my phone's battery was to dying. In the past, this could entail me running around looking for a wall outlet and borrowing a spare cable to charge my phone in a panic.

These days, though, all I needed to do was either plug my phone into the FXLion Nano One - if I wanted to charge it up more rapidly. Or, if time isn't of the essence, I'd just put my phone on the Nano One's wireless charging pad, and let it slowly trickle in some power. It's also neat that for charging input and output, the FXLion Nano One v-mount battery has a plethora of options, including USB-A, USB-C, Micro USB, and D-Tap.

When the Nano One isn't charging my phone, and I'm only reserving it to power my camera, I could get a solid 2 hours worth of filming per battery, on a full charge. That's pretty decent, and you could keep track of how much battery you have left through its tiny LCD display and the LED indicators. Combined with the fact that it's one of the smallest V-mount batteries available, it's perfect for on-the-go professionals.

What Are The Benefits Of Using The FXLion Nano One?

Having used it for some time, I've noticed quite a few upsides to using the FXLion Nano One compared to a lot of other V-mount batteries that I'm used to, and here are just some of them:

• Compact And Lightweight - Weighing in at just 310g, the FXLion Nano One is among the lightest as well as one of the smallest V-mount batteries on the market. Thus, for those who find themselves travelling a lot from one shoot to the next, these are way easier to carry around with you. It's even travel-friendly, as the Nano One conforms to TSA regulations for carrying batteries under 100Wh into planes.

• Versatile Charging Options - Another nice little creature comfort is noticed when your Nano One runs out of charge. When you need to top it back up, the FXLion Nano One can be charged up using USB-C. Thus, it eliminates the need for dedicated (and often cumbersome or bulky and proprietary) chargers.

• Built-In 15W Wireless Charging Pad - This is something that I keep bringing up, given how useful it's been to me during my time using it. That wireless charging pad is awesome and a lifesaver for the unexpected moments when your phone needs a quick charge.

• Native Protection And Safeguards - As a tool for professionals, the FXLion Nano One remains reliable in a diverse array of environments. It could function properly, even when you're surrounded by a chilly -20°C winter storm, or the scorching 55°C desert heat. Moreover, FXLion has built-in additional safeguards like over-current protection, over-charge as well as over-discharge protection, and overheating resistance, as well.

How About The Downsides, Are There Any For The Nano One?

For all its many pluses, though, the FXLion Nano One V-mount battery isn't perfect, and there are a couple of major downsides to consider before buying it:

• High Cost - The FXLion Nano One is hardly the most affordable option available when it comes to V-mount batteries in its class. Depending on where you're shopping and whether or not there's a discount running, a Nano One (with the updated design that includes the wireless charging pad) runs you at least £122. There are certainly cheaper alternatives, even if it might not come with the Nano One's many features.

• Limited Battery Capacity - Another noteworthy point of consideration is the battery capacity of the Nano One. 50Wh is more than sufficient for a lot of enthusiasts and pros, like myself. But, for those long shoots and filming sessions, it might not be enough. At least, not if you're willing to carry a few Nano Ones with you. Therefore, if you need that added peace of mind and convenience, consider the Nano One's bigger siblings, the FXLion Nano Two and FXLion Nano Three, with 98Wh and 150Wh battery capacities, respectively.

Is The High Cost Of The FXLion Nano One Battery Worthwhile?

The FXLion Nano One is undoubtedly a premium product, given its relatively high price tag compared to a lot of other V-mount batteries that feature around 50Wh capacities. Nonetheless, the Nano One positions itself as a really unique contender in the market, given its inclusion of a 15W wireless charging pad in this new, updated model. That uniqueness alone and its robust feature set give it a pretty distinct edge.

When looking at a price-to-feature ratio then, the FXLion Nano One is definitely worth considering for any mobile, on-the-go photographer or videographer. It has a compact design that packs versatile power, and with its flexible nature of equally doubling as a power bank for your phone and other electronics, FXLion's Nano One V-mount battery is sure to find a place in your toolkit, particularly for those out in the field.

Specs And Details

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

REVIEW: Fujifilm GFX 50s II With GF 35-70mm

The medium format camera landscape is ripe with fantastic options, and for quite some time, Fujifilm has had a lot of winners in this space. The brand's medium format range is well-known for its great build quality, as well as superbly sharp images. There's no wonder why they've earned themselves a very loyal audience and passionate fanbase. Lately, Fujifilm has continued to double down on the medium format market.

Their latest entry and addition to the family line-up is the GFX 50s II, a (relatively) more affordable, entry-level alternative amongst pricey digital medium format mirrorless cameras. The goal is simple - bring the world of high-resolution photography to a much wider and broader audience, especially for those who're likely new to this segment, or are finally making the jump and are upgrading from their current set-up.

PLEASE NOTE: ThIS CAMERA WAS ORIGINALLY LOANED TO ME BY FUJI. HOWEVER, I LIKED IT THAT MUCH, I PURCHASED MY OWN VERSION SHORTLY AFTER.

Video Source - Dustin Abbott via YouTube

It's an even more compelling package when you pair the Fujifilm GFX 50s II with the brand's GF 35-70mm lens. Featuring an impressive 51.4MP sensor, as I've experienced thus far with my time using the GFX 50s II, it manages unparalleled image quality and sharpness, capturing every minor detail with an impressive level of fidelity and resolution. From a technical standpoint, it's nearly perfect in every single way.

Moreover, the GFX 50s II's sharp and crisp images are equally easy and great to work with in post. So, for those spending a lot of time in the editing suite, they're a treat to spend time on. For those who value the finest image quality above all else, the Fujifilm GFX 50s II and its accompanying GF 35-70mm lens may be the perfect camera for you, Although, it does warrant a significant investment (more on that later).

What's Unique With The Fujifilm GFX 50s II (And GF 35-70mm Lens)?

So then, what's interesting with the Fujifilm GFX 50s II that should get you hooked? Well, for starters, the sensor is a noteworthy highlight - a massive 51.4MP medium format sensor, whose size is larger than full-frame. In short, it allows you to capture more light and detail from a shot, translating to those impressive pics that I got out of the GFX 50s II during my time with it. Yet, it doesn't compromise on weight.

View fullsize

View fullsize

View fullsize

View fullsize

You will be able to see more sample images in my upcoming blog post from japan :)

Rather, the GFX 50s II (and paired with the GF 35-70mm lens) is wrapped up in a compact and lightweight design, despite being a medium format camera. It's relatively portable, which is great news for those such as myself, who are constantly on the move from one shoot to the next. Additionally, the build quality here is a major plus as well, which not only feels great in the hand, but it has a weather-resistant rating, too.

Another boon for taking shots in low-light conditions, the GFX 50s II has in-body image stabilisation, and it helps quite a bit with reducing camera shake. It's made more practical and versatile when you take the GF 35-70mm lens into account. As an F4.5-5.6 retractable zoom lens, it's flexible enough that it can be suitable for a wide range of photography styles and mediums, such as landscape or studio photography.

On that note, it's worth mentioning once more just how awesome the image quality is. Not only are those pictures already pretty great straight out of the camera, but the dynamic range is just as excellent. This is one of the reasons that editing shots that came out of it are so easy and fun to play with, given that you could brighten dark images or highlight additional details without adding too much noise or visual clipping.

Are There Any Considerations That You Need To Take Into Account?

The Fujifilm GFX 50s II isn't perfect though, and there are certain quirks and oddities that you need to take into account before getting one. The first factor you need to be wary of is the downgrade in its viewfinder when compared to the older GFX 50s. The updated 'II' model has a lower magnification, but it's still rather competitive when you look at the current selection of rivals. Then, we have to talk about the autofocus.

It's arguably one of the biggest flaws and it's no doubt the Achilles Heel of the otherwise terrific GFX 50s II, despite how pleasant it was to shoot with. While it now features an up-to-date processor and it's certainly speedier than the outgoing model, it's still not as good as its bigger brother, the GFX 100s. In general, the autofocus system in the GFX 50s II is quite slow, and the eye tracking and face detection are fairly poor.

Compared to other medium format options, the gfx 50S ii IS A FEATHERWEIGHT!

With that being said, unless your subject happens to be looking directly at you, and for a good amount of time, the eye and face detection is not very reliable. It's even worse when your subject moves about a lot, and the autofocus also does a bad job of re-focusing back on the subject. It's subpar enough that most of you might find it better to simply turn this feature off and rely more on manually focusing on a subject.

Another major omission in Fujifilm's GFX 50s II is the lacklustre video recording feature. Unlike its big brother, the GFX 100s, the GFX 50s II doesn't come with 4K video recording. In fact, the best it could do is 1080p at 30fps. Although, credit where credit is due, it's really good 1080p footage, at least. But then again, many of its competitors in this price point could easily manage 4K recording, so that's worth bearing in mind.

Rounding Up The Pros With The Fujifilm GFX 50s II

To keep it brief, I've thoroughly enjoyed my time shooting with the Fujifilm GFX 50s II and the included GF 35-70mm lens, and here's a TL;DR round-up of the best things about it:

• Superb & Sharp Image Quality - Once again, the Fujifilm GFX 50s II produces incredibly sharp images, with excellent dynamic range, as well. A lot of credit also goes out to the accompanying GF 35-70mm lens, and together, there's a lot of detail and highlights captured that's unrivalled by a lot of other cameras in its cost spectrum. In some areas, it's even better than certain full-frame cameras out there. With its great dynamic range and reliable in-body image stabilisation, it really helps you to get the best out of every shot.

• Robust Build Quality - In the hand, the Fujifilm GFX 50s II feels solid and confidence-inspiring. It's a regular reminder that you're handling something special, yet it's pretty ergonomic, too. Most of its many switches and buttons could be reconfigured and modified depending on what you think is most important and what could be easiest and most accessible to get at. In addition, the plethora of menu options and easy-to-reach dials are comfortable to use for those long shoots, and there's even a display on the top of the body, where you can quickly check your shutter speed or aperture settings. Plus, the rear screen has a good amount of tilt, which is great for portrait photography.

• Great User Experience - As I highlighted earlier, the intuitiveness and ease of use of the GFX 50s II is one of the best in the market, and it makes it a joy to handle during a busy shoot. The two command dials can be customised to additional or alternative functions, if you need to. Even its autofocus joystick is easier to use with precision and accuracy. The physical buttons on the back can be re-mapped, and the touchscreen can further be configured to have quicker and easier access to additional menus and options.

• Post-Processing Chops - Built-in, there's already a wide selection of various simulation modes as well as its other processing options. You can certainly have quite a lot of fun with these, and it also helps to add a bit more charm to your shots. Nevertheless, given how stunning the image quality and dynamic range are, you get a lot of flexibility while working on your photos in post. Editing additional highlights or pulling in more details from your images are much more pleasant to work with.

Some Downsides That You Need To Look Out For

While it's a darn near-perfect camera for my use case personally, there are certain aspects about the GFX 50s II that you definitely need to be wary of before splurging for one, such as:

• High Cost Of Entry - Yes, when compared to other medium format cameras, Fujifilm's GFX 50s II is a great value for money and arguably a fantastic bargain for what it offers in return. However, it's still a fact that the whole package is still pretty expensive, especially for those who are content with their current setups. Moreover, the GF 35-70mm lens can be a hefty investment for beginners or hobbyists, not to mention the cost of the camera itself. Although, for £3,000+ here in the UK - which will vary a bit depending on where you're shopping and whether or not you could get it for a discount - it's cheaper when you get the lens as bundled in with the camera, rather than getting it separately.

• Limited Range Of Lenses - The accompanying GF 35-70mm lens that I was using is of pretty great quality. However, I can't help but notice the range of lenses that Fujifilm offers for the GFX 50s II is pretty limited, and nowhere near the wide selection of lenses that you might see with competing brands, such as Canon or Sony. This wasn't an issue for me, but for photographers who often swap out lenses and shoot images within varying conditions or unique situations, this is something you absolutely need to think about.

• Lack Of Video Recording - Just like how I detailed earlier, video recording functionality on the GFX 50s II is seemingly an afterthought, or at least, it wasn't intentionally considered seriously for it, in the first place. It lacks the advanced video features that are found in other brands or even its bigger brother, the GFX 100s. Meanwhile, the GFX 50s II can only manage 1080p recording at 30fps, albeit the footage that came out of it was not too bad. If you do need 4K recording and those missing features, you'll need to cough up the extra cash for the GFX 100s, if you're sticking to the Fujifilm ecosystem.

• Autofocus And Face/Eye Detection - When seeing just how impressive autofocus and face/eye detection are in other cameras, and how rapidly the tech is evolving around it, Fujifilm's execution with the GFX 50s II does not really hit the mark. The autofocus is quite slow, and the face/eye detection is nowhere near as reliable or as dependable as the AF systems used by its competitors. And when in C-AF, you don't even get any eye detection! The unreliable and oft random way in which the autofocus works may often demand that your subject remains still and looks directly at you.

So, Is The Fujifilm GFX 50s II And GF 35-70mm Lens A Good Purchase?

For those that prioritise image quality above all else, this Fujifilm GFX 50s II and the GF 35-70mm lens is a pretty outstanding package, overall. Despite a comparatively pocketable form factor, the sharpness, level of detail, and extensive dynamic range are some of the best that you can get with digital, medium-format cameras. In some areas, and thanks to its large sensor, it's even better than pricier full-frame cameras.

Not only is its intuitiveness and ease of use conducive to a great experience while taking your shots, but when you bring all those photos into your preferred editing suite, they're amazing to work with, too. That shouldn't distract you from the GFX 50s II's negatives though, such as the lack of video recording features and the below-average autofocus compared to its many rivals, as well as the face/eye detection system.

It comes Tilly approved!!!

Still, for a premium price tag and point of entry into the medium format world, for those of you who value the very best in photography and maximal image quality, Fujifilm's new GFX 50s II is an option that's very hard to overlook. If you need a camera that can handle video or have more lens options, Canon and Sony are better alternatives. Yet, when it comes to raw and pure image quality, the GFX 50s II holds its own.

Specs And Details

About the Author - Ross Jukes is a professional Photographer and Videographer with over a decade of experience. Working in both Digital and Analogue formats, Ross has worked with international clients, had his worked published numerous times and exhibited his work extensively. With a passion for all things photographic, Ross combines his experience, enthusiasm and dedication to his art form to create engaging and educational content for the photographic community.

My Top 10 Cameras of 2022!

my favourite cameras in 2022

As the year comes to an end, I thought it would be interesting to take a look at some of my favourite cameras that I have used in the last 12 months. I use a camera every day for work, but I also take a huge amount of pleasure from just picking up a camera and going for a walk. This means that cameras do different things for me, some are work horses for specific jobs, some are purely for the user experience! 

As I shoot more and more film, I’ve learnt that I really enjoy the slower process. Taking time to compose images, check exposure and the mystery of how it will come out is thrilling. With this in mind, you can probably guess that if I could only use one camera, it would probably be film (and medium format at that!). 

That said, I have had to upgrade my camera this year and the new ‘daily driver’ has been interesting to say the least! However, I have also found myself exploring digital cameras for everyday use and have been really enjoying the journey. Film prices have made it difficult to justify taking an analogue camera out every time so finding a digital camera with an analogue feel was essential! Let’s get into the list…

PLEASE NOTE: I PURCHASED ALL OF THESE ITEMS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

10 - Koni Omega Rapid M

Coming in at ten but by no means a bad camera os the Koni Omega Rapid M. This was a bit of a random purchase for me and not really something I had spent a lot of time researching. The only thing that really stood out to me was the 6x7 aspect ratio. I knew that I was never going to afford a Mamya 7ii or the like so when I found out about the Koni, I was intrigued.

The Koni Omega Rapid M is capable of some really sharp images

However, when I saw the prices, I was immediately sold on the idea. Coming in at a fraction of the prices of the trendy Mamiya, it almost seemed silly not to at least give it a go. My major concern was finding a decent example. My eBay searches were mainly bringing up cameras located in Japan. I wasn’t concerned about importing one but as luck would have it, one popped up in the UK and I quickly snapped it up!

The camera is simple to use (with one of the coolest shutter advances I’ve ever seen - imagine cocking some kind of vintage gun!). The ergonomics of the camera are not great, it’s bulky, heavy and a bit of a pain to carry around. However, the results are fantastic and certainly make me wonder why anyone would spend more for the Mamiya (apart form maybe the weight and user experience!).

9 - Fuji X10

Next up is a very recent purchase and I’ve recently posted a review about this camera, so I won’t go into too much detail here. The more I use it though, the more I enjoy it. This little camera fits so well in a pocket and for me, the results are certainly good enough that it justifies living in my pocket. 

Need I say more about the little Fuji X10?

Possibly my biggest wish for this camera would be the low light performance. Whereas it is perfectly capable of getting a good image in darker conditions, it takes work. Given the age of the camera though, I really am nitpicking and this is a great little camera to use in most other circumstances.

8 - Fuji X100V

For many, seeing the mighty X100V languishing down in eighth might seem completely foolish. However, I have really had to try to love this camera. It is probably the closest thing to the perfect pocket camera out there in 2022. However, my main gripe is it’s barely pocketable! 

The Fuji X100V can produced super rich and vibrant images

I love the images that can be had from this camera and the looks, ergonomics and user experience are all fantastic. Trying to fit it in a pocket is not such a good experience. In the winter months, when big coats are a must, it’s a great camera to carry. In the summer though, if you’re going out in jeans and a T-shirt, you’re going to need to bring a bag!

7 - Canon Eos R

Many people may assume I’ve completely lost my mind to see the Eos R even on the list, let alone ahead of the X100V. However, this camera has been a complete workhorse for me and even though it may not be my ‘main’ camera anymore, it still makes for a fantastic second camera.

The Canon Eos R once again proving why I can’t let it go…

When it was released, the ‘R’ got a lukewarm reception to say the least. For me, the ergonomics are great, it’s reliable in most circumstances and my style of work, the results are more than acceptable. With decent video quality and a pretty snappy autofocus system, this camera has been rocksolid and still earns a place in my camera bag.

6 - Yashica Mat 124 G

The Yashica Mat 124 G is a pretty legendary camera. An affordable alternative to the Rollei counterparts, this is a common starting point for the entry to the world of TLR’s. I picked up a very clean example at auction and even at the time, I knew I was paying over the odds but I’m glad I did! 

The Yashica Mat 124 G is a much loved camera for a reason…

It’s a super simple camera to use and TLR’s by their very nature are just a joy to use! I’ve had so much fun using this camera and produced some of my favourite images from this year on it. If you’re in the market for a TLR and find a good example at the right prices, I wouldn’t think twice about grabbing one! 

5 - Canon P Rangefinder

The Canon P was probably the 35mm camera that really got me interested in analogue photography, I think the camera is beautiful and is an absolute joy to use! I can’t really compare this to the Leica alternatives but considering you’ll be paying over ten times more for a Leica, I’m certainly happy with the P!

The Canon P Rangefinder is such a funny camera to carry…

The biggest downside of the P for me personally is that it’s not medium format. I simply prefer the image quality and detail from the larger negative and I would almost always pick up one of the bigger cameras over the P every time. It’s such a shame though as this is a beautiful camera and I would absolutely recommend it if you’re not interested in film size!

4 - Mamiya 645 Pro TL

Ok, so this camera being so high up on the list is quite a surprise to me! It’s a great camera and having owned the ‘Pro’ - I picked up a ‘Pro TL’ as it was such a good deal! However, the 645 negative size never really did it for me and I found myself leaning towards other cameras.

The Mamiya 645 Pro TL can produce images to rival almost any medium format camera…

That was until film prices went through the roof in 2022 and I have to admit, I’ve found myself using this camera more and more. It’s a fantastically versatile camera and produces great results. I always class it as more of an ‘entry level’ medium format camera but I admit, that’s complete rubbish - this is a very capable camera one that I will be shooting with more next year!

3 - Leica M8

OK, so I admit that this camera was a complete indulgence and you can find out more about it in my first impressions. That said, I absolutely love this camera and once you get past the price tag, it actually suits many of my wishes from a camera! The shooting experience is great, it feels solid in the hand and the results that you can get from it are incredible.

The Leica M8 has a truly ‘film’ camera feel with most of the benefits of digital…

Obviously, it’s completely perfect. It’s practically useless in anything other than good light and can feel a bit chunky at times (though that is the ‘classic’ Leica feel). More concerning though is the potential for weird artifacts in the image and knowing that the M9 had a bit of a sensor issue, it’s always nagging in the back of my mind that it could just die! 

2 - Canon R5C

Right, so this is the big one! This is the camera that I upgraded too and I’m so glad that I did. I will be doing a review of it but needless to say, I love this camera. The results that you can achieve from this thing (both in photo and video) completely justify the hefty price tag! 

The Canon R5C is a remarkable camera and I will do a full review soon…

However, this is a complete ‘tool’ and it is only used that way. In fact, I don’t think I’ve take it out once to shoot for pleasure. The main reason being that this camera is not one camera, it’s two! It has two separate operating systems for photo and video. The ergonomics for a photo camera are not the greatest and there are a few cameras I would rather pick up ahead of this. 

With all that said though, this is a fantastic camera though and hasn’t missed a beat when it comes to commercial work. In an ideal world, I would probably have separate photo and video cameras but with all the features this camera packs in, I’d be spending a lot more money for that privilege! 

1 - Bronica GS-1

Well, this is quite the turn up for the books… I spent a long time looking at the Mamiya RB67 and the Pentax 67 to fulfill my six by seven desires. The more research I did, I kept coming across the ‘underrated’ Bronica GS-1. According to all of the reviews, the size, weight and usability of the ‘Bronnie’ were all better than the aforementioned options!

The Bronica GS-1 is a special camera and I will do a full write up very soon!

However, having now used all three, I can honestly say I am happy with my choice and I absolutely love this camera! The waist level viewfinder is beautifully clear, the shooting experience is a pleasure and I can walk around with this camera all day and not feel too concerned about weight!

The thing that really got me though are the results that can be had with this camera! I have picked up a few lenses and keep finding myself gravitating back to the 100mm. Given the choice of all the cameras I own, this is the one that I would be picking up if I could only use one camera! 

So there you have it, that’s pretty much my year in cameras and unless anything major happens, these are the ones I will be using the most in 2023 as well! I’d love to hear your thoughts on the list though and what would you pick? Happy shooting in 2023!

---

---

Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Fuji X10 Review - Best Alternative to the X100V?

Small but beautifully formed…

If you’ve seen any of my gear related blog posts, you’ll probably have noticed two things. Firstly, I love trying new camera gear. Secondly, I’ve still not found the perfect camera for me!

I recently wrote about the Leica M8 which is certainly a great camera, though price, sensor problems and poor low-light performance mean that it is far more for ‘fun’ than business!

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Video Source - Diogo Castro via YouTube

However, the camera that has come closest to meeting my needs of a small, fun to use camera that produces print worthy results is the Fujifilm X100V. There has been a lot of interest in this camera of late and due to a perfect storm of social media praise and stock shortages - the X100V has become a rare and sought after commodity in the camera world.

This has also caused another, more worrying issue. Prices have absolutely skyrocketed for the little gem and some unscrupulous people seem to be charging way more that the cameras original RRP in a bid to make a chunky profit out of wannabe ‘V’ owners!

This has (rightly) left many people scratching around for alternatives. Though there are plenty of great cameras out there, many people want beautiful Fuji images with… well, the Fuji street-cred!

The easy suggestion at this point would be to go with the Fuji X100F - the V’s predecessor and a fantastic camera that I reviewed myself many years ago, and fell in love with almost instantly!

Once again though, some of those pesky camera dealers have slowly started to inflate the price of the ‘F’ as demand for some Fuji fun times has reached fever pitch! As before this simply prices many of us out of the market with no chance of getting in on the action.

So what is the answer? Well, maybe not the complete answer, but certainly an interesting proposal is the Fujifilm X10 - a somewhat hidden gem from way back in 2011 and gues what, I bought one!

First Impressions...

I spent a little while hunting eBay for a good deal and at around £150 for a camera, battery, charger and a couple of little ad-ons, I think I got a reasonable deal. Average prices seem to be around £225-£250 though as with everything, that will depend on the condition of the camera.

When the package arrived, I hurriedly dived into the box and got my hands on the little beauty, and it is a little beauty! The lineage of the Fujifilm ‘X’ range is very apparent with it’s traditional rangefinder stylings and well throughout layout. 

One of the ‘big’ surprises for me was that it’s a fair bit smaller than an X100V - understandably so as it’s not packing anywhere near the tech and features of it’s modern counterpart. However, as one of my most disliked things about the ‘V’ is it’s size (calling it pocketable is a stretch - literally in jean pockets!) I was really delighted at the smaller form factor.

“One of the ‘big’ surprises for me was that it’s a fair bit smaller than an X100V.”

The next shocker for me was the lens, a short telephoto 28-112mm equivalent (on it’s two-thirds sensor, roughly 12 megapixel). More so, you actually twist the lens to extend it from the body which also turns the camera on & off - very snazzy! 

Build quality and button layout are all very satisfactory and even in my quite large hands, the ergonomics feel good and in no way ‘clumsy’. However, I have added a soft shutter release button and wrist strap for a bit of extra confidence when handling the camera.

The LCD is bright & clear and images seem to pop off the screen with it’s vivid colours. The optical viewfinder is a little underwhelming. It is clear but i’ve personally had some issues with setting the diopter. Another major flaw is that the extended lens will block roughly 15% of the bottom right when viewed through the finder. This itself is not a major issue, in particular if you’ve used many other rangefinders - but something to be aware of.

Protect those highlights, they’re difficult to recover!

Overall, I found the camera very satisfying to handle and the build seems robust enough. One drawback is the lack of weather sealing but this camera is more for casual use than serious photography, in my opinion.

IMAGE QUALITY...

Whenever you are using a camera more than ten years old with a mere 12 megapixels, you probably have to take the result with a grain or two of salt! In the X10’s case, I would dare anyone to be anything other than impressed by what this little camera could do! 

From my first test images, I instantly fell in love with the vivid, sharp images that can be gained from this lens/sensor combo. In good light, the images are beautiful and with a bit of patience, you can get some fantastic results!

With a camera this age, some expectation setting needs to be done in terms of dynamic range and one thing that I found was highlight retention was not great. Shadow detail can be pushed a little but protecting highlights seemed to be the way to go! 

Low light was my next major concern! I like to have a camera on me at night and if the little X10 could handle the dark stuff, it may find a permanent place in my coat pocket! Well, it didn’t do a  bad job! With a little coaxing (and watching for slower shutter speeds!) you can achieve some more than satisfactory results!

As ever, you are probably better suited using a tripod/shutter release at night (which I’m yet to try with this camera) but by doing so, you lose the portability and convenience of a pocket camera. If you need a tripod etc. then you’re better suited just using a larger camera in general.

Focussing was pretty responsive and even at night, as long as you have a bit of contrast in the scene, it didn’t really seem to struggle. However, I wouldn’t class this a particular quick camera to use and for anything fast-paced (sports/wildlife etc.) you may struggle.

The DOWNSIDES...

So, in my constant hunt for the perfect camera, I knew that this little gem couldn’t be 100% perfect and alas, it’s not. Whereas the image quality is great and certainly gives a slightly film-like vibe - the quality is still somewhat lacking behind the ‘V’ - which is perfectly acceptable given the age/spec difference.

For me, I love the images it produces but then again, I would rather pick up a film camera over a digital camera for all but commercial use so ‘pure’ quality is not the highest concern for me.

Next is an issue that I can’t seem to find a satisfactory answer to. My X10 is incredibly slow to ‘boot’. When I turn it on, the LCD fires up but it takes around 10 seconds for the focus system/LCD info to actually appear on the screen.

Low light can be a challenge, but it can work!

I’m yet to find out if this is a common issue or if a firmware update/new SD card might resolve it. However, if you are a street shooter and you want to quickly capture a moment - it may turn out to be incredibly frustrating! 

Update - I’ve since changed SD card and this has help boot times significantly but I’m still unsure as to why this happened in the first place?

Finally, that lack of weather sealing and not the most robust raw files make this camera a definite ‘maybe’ for most shooters. If you can look past some of these minor issues, it’s still a very decent little camera.

CONCLUSION...

I started this review by drawing a comparison to the X100V. I think that is maybe stretching things a little and the two are more similar in styling than any practical function. That said, would I consider this a serious alternative to the ‘V’ - yes…

Those colours though…

Sure, it’s age and somewhat modest specs mean that you shouldn’t expect to get anywhere near the image quality from the X10 as what you would the V. However, can you get a decent image, absolutely. Does the camera handle well, indeed it does. Does it look super cool when you whip it out in the street - well you’ll be beating off photo nerds with a monopod, so it’s definitely a looker!

Video Source - Riley Photos via YouTube

I thoroughly enjoy using this little camera and as mentioned before, it will be living in my pocket for the foreseeable future. As an X100V owner, I find it remarkable that I’ve been reaching for the little X10 over it’s bigger, better brother.

For the most part, that’s simply due to the V’s size - I just don’t find it convenient enough to carry unless I’m taking a bag out with me. There lies the problem, if I’m taking a bag, I’m far more inclined to reach for a film camera and then it becomes a dedicated event.

The purpose of a small, compact camera is that it can go everywhere with and the X10 makes for a great companion. So would I recommend it, absolutely. I think as long as you have the patience to use it, the know how to work with the camera to get the best results and modest expectations for the final output, then this is a dream of a camera. Happy shooting :)

---

---

Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.

Leica M8 - My First Impressions...

Finding the Perfect Camera

For the last few years, I have been on the hunt for the perfect camera. I have a pretty simple criteria, it must be small, fun to use and produce stunning images! Easy enough then, right?

Watch the video for my thoughts on the Leica M8 in 2024!

Well judging by my purchase history, I have been struggling. That was, until I came across a video from the excellent One Month, Two Cameras (Ali) - a channel seemingly dedicated to the exact struggle of finding the perfect camera.

PLEASE NOTE: I PURCHASED THIS WITH MY OWN MOMEY AND NO PAYMENT OR CONTROL WAS EXCHANGED FOR PUBLISHING THIS UNBIASED REVIEW

Video Source - One Month Two Cameras via YouTube

Ali superbly explains why the Leica M8 is her (almost) perfect camera and it had me hooked. I just had the small task of raising the funds and hunting down a good condition M8. Over the coming weeks, I sold a bunch of cameras that simply were not being used and then trawled the internet for a good condition M8.

Grey days in Birmingham are a challenge for any camera…

Leica M8 making all trees look Autumnal…

Finally, I stumbled across a great condition M8 on MPB - a site dedicated to secondhand camera sales. At £1250, the little Leica was a little more than I'd planned to spend but it seemed to be around the average so I plucked up the courage and pulled the trigger! A few days later, I was in the Leica club and ready to go shoot!

First Impressions...

I was super excited to get the camera out of the box and my first thought when I picked the camera up was 'this thing is heavy!' Not so heavy that it's uncomfortable, far from it but it's definitely got some heft to it! It feels solid and all dials and buttons have a reassuring sturdiness to them.

The body itself is very simple. It has the unmistakable Leica shape. The shut release and shutter speed dial and perfectly located on the top plate. There is a small but very useful LED display on the top for shots remaining and battery life, two delicate subjects that we'll talk more about later.

“The body itself is very simple. It has the unmistakable Leica shape.”

On the rear of the camera, there is a small and underwhelming LCD screen (keep in mind this is a camera from 2006!). Next to the screen is a small d-pad for navigating the menu. On the bottom of the camera is the familiar Leica style plate that must be removed to access the battery and SD card slot.

I quickly grabbed a Canon 50mm lens and an adapter so that it would fit my new Leica and started grabbing shots. The first thing I noticed was the big, bright viewfinder. I'm pretty familiar with using rangefinder cameras these days and this is the best viewfinder I've used by some distance. The frame-lines are clearly visible and accurate. The rangefinder patch itself is bright and contrasty enough to make focussing simple.

I fired shot after shot (mostly of the cat!) and instantly fell in love with the sound of the shutter. It is not discreet! It has a significant clunk to it which more than satisfies my 'digital camera that feels like a film camera' needs. In fact, short of a manual advance lever (and maybe scrapping the LCD screen etc) this camera basically feels like a Leica M6 - one of the most coveted 35mm film cameras out there.

A Rocky Start...

It's safe to say that my first impressions were overwhelmingly positive. I quickly bagged up my new baby and hit the streets. I was keen to see what the real world performance of the camera was and to overcome some of the issues I knew that I was going to have, and they were some biggies!

I knew going into this purchase that there were two main problems that the M8 had. Firstly, there is basically no Infra-red filter on the camera. This helps keep images sharp, and they are! But it also does funny things to the colours. Greens take on a yellowy burnt kind of look and synthetic blacks just come out purple.

This caused such an uproar on release that Leica had to send out IR Cut filters to all new owners to overcome the issue. I thought I could live with it. I very quickly realised I couldn't and a costly filter would need to be purchased. This was an easy fix, the next issue was not so simple to overcome.

This camera, as with many of its age is just not great in low light. I really wanted to be pleasantly surprised and in certain circumstances, I was. But it's safe to say that shooting at anything past dusk can have major limitations. More worryingly, the sensor is prone to some very strange artifacting - more-so in low light. I thought it might be infrequent, but already I was seeing some worrying signs.

The Sensor...

Now is probably as good of a time to talk about this cameras major strength, but also its biggest weakness. The sensor is an ASP-H size CCD sensor from Kodak. What does this mean? It has great colours. In the most simple sensor, the colours out of this camera have a very film like feel that nostalgia junkie like me go crazy for. This comes at a cost though.

That’s a worry from the M8 :(

Apart from low light performance not being great, there is also the small issue of this sensor just doing really strange things with no real indication of when it's going to happen. This makes it very difficult to account for. It seems more prominent in low light conditions but also scenes with difficult contrast. Either way, it is a major flaw.

Low light can be a challenge, but it can work!

It's important to remember that this is a 10-megapixel camera from 2006. Setting expectations is key to building a  relationship with this camera. That £1250 price tag does make it a pretty difficult pill to swallow when you are not 100% sure that your image will come out clean or not. As a film shooter, this level of disappointment is something I've learnt to live with.

Getting to grips with it...

With some of the major issues out of the way, it's safe to say this camera is a beauty to use. One of the only potential issues I would note is the camera can be a bit difficult to carry. I have added a wrist strap and have ordered a grip for the camera. For such a costly camera, I thought it best to add something a bit more grippy! 

Those colours though…

Talking of additions, the other 'elephant in the room' is lens choice. It won't come as any surprise that Leica glass is just as expensive as the Leica bodies. With that in mind, I wanted a wider field of view than what the Canon 50mm was giving me (with it's 1.33x crop on the ASP-H sensor, this feels more like 66mm). After some research, a happy middle ground of cost and performance was the Voigtlander 28mm Ultron Type II.

I've been really impressed with this little lens and will do a separate review soon. It's important to remember when getting into a system like this, there will always been things you need to add. I'm sure this lens will be the first of many additional items and IR Cut filters to go with any additional new lenses - this could get costly.

Video Source - Mattia Burling via YouTube

Final Thoughts...

I will do a full review in the near future but its pretty safe to say that I am very happy with the Leica M8. I've been really pleased with the files coming out of this camera. The images are sharp with great colours and enough of a vintage feel to them to satisfy my film-shooter tendencies.

The handling of this camera is great. It feels like a film camera and if it had a manual advance (like the Epson RD-1) it would be almost the perfect middle ground between film and digital! If nothing else though, it looks great and certainly turns heads when you're using it in the street - you may want to make sure it is insured! 

This camera is not for everyone though. It pays to think of it as a film camera as it involves a lot of manual intervention to get good image out of it. You will definitely need to be present in the photography process and it is not a simple 'set and forget' shooting style. When it hits though, when the light is just right and plays ball, it is fantastic.

I'm not going to justify this camera as anything other than a very, very expensive indulgence. For the same money I could buy a modern offering from Canon or Sony that would blow the M8 out of the water in every single department. But that's no the point here. This camera is as much about the process as it is the somewhat sketchy results.

Obligatory mirror-selfie… Sorry…

All-in-all, I already love this camera! If you have been looking at one to purchase for yourself and you’re on the fence (and can afford it!) Do it! You’ll certainly have a lot of fun with it. It has some major flaws, but if you can look beyond the potential downsides, this is an amazing way into the world of Leica! Be warned, it’s a bad habit to get into though! :)

---

---

Disclaimer: All links to Amazon UK are affiliated links - you will still pay the same price but I will receive a small commission for providing the link. All information provided in this blog is intended either for educational or entertainment purposes and is accurate to the best knowledge of the author. However, further research/professional advice should be sort before making purchases/implementing any advice given and no responsibility is taken by the author or parties mentioned here within.